Dog Eat Dog

Initially I had low expectations to "Dog Eat Dog", given the fact that it is another Nicolas Cage movie. And I can't claim to be much fan of him or his one-and-only-expression-in-every-scene. However, having Willem Dafoe on the cast list alongside with Nicolas Cage, well that might actually do salvage the movie.

So I sat down to watch this movie. And I must admit that this movie was not in the least a particularly memorable or entertaining movie. It was every bit as slow-paced and fairly uneventful as it was a confusing mess of jumbled events and stumbling dialogue.

The story is about three ex-cons who get together for a last and final job that will set them up with riches for the rest of their lives. However, things does not turn out as they had planned, in fact things take a turn for the worse quite fast.

Right, well the storyline wasn't original. Nope, not one bit. "Dog Eat Dog" offers nothing to the genre that hasn't already been done, seen or attempted in other similar movies.

And watching Nicolas Cage stumble through this script wasn't particularly helpful to the movie. And however good Willem Dafoe is, then he just didn't manage to lift the movie out of the overwhelming less-than-mediocre shadow that shrouded it.

The dialogue throughout the movie was not impressive, and many a times I found myself with my toes curled up because of the dialogue that was presented by the characters on the screen.

My interest and attention to the movie drifted off a couple of times throughout the course of the movie, because it just seemed like a myriad of multiple chaotic and scrambled scenes shot independently were being put together to form a movie; and that movie became "Dog Eat Dog".

I did manage to stick with the movie to the end. And boy, what an ending. Talk about being cliché and ridiculous. I will not give the ending away, you have to witness that stinker for yourself.

"Dog Eat Dog" came and went without even denting anything. This is the type of movie that you watch if you stumble upon it by sheer random luck; nay, make that random accident. And it is the type of movie that you watch once, then never again.

Paul Schrader: 'I've made some important films. 'Dog Eat Dog is not one of them'. Sad but true for Director/Writer Paul Schrader - A man with a career of 20 films, among them Taxi and Raging Bull - His career as a director remains unseen by his work as a screenwriter for Martin Scorsese - A legacy we will always remember him for - With Dog Eat Dog, Schrader tries to remind us that he is still relevant in the world - Ignoring one small fact - Everyone in this day and age can and will judge you harshly, no matter the reputation. Stylized as a low-budget Neo-noir crime caper with the talents of Nicolas Cage, Willem Dafoe and Schrader himself taking on a role, respectfully making comparisons to Quentin Tarantino's earlier films - With heavy-handed dialogue, harsh and senseless barbarity and a convoluted plot not worth following to its third act - Which is based on the novel of the same name by Edward Bunker.

Troy (Nicolas Cage), Mad Dog (Willem Dafoe), and Diesel (Christopher Matthew Cook) are a couple of goofball criminals, all with clichéd traits - Troy (The Straight-Man), Mad Dog (The Loose Cannon), and Diesel (The Muscle), tired of small end jobs they decide to pull off one last big score - Which involves kidnapping the baby of a rival mobster. But like most crime caper films, this goes awry and they are forced to fend for themselves - From the mob and now police following an anonymous tip.

On first glance, one can say that Schrader relates to the author himself - Edward Bunker. Both men looking for redemption, seeking a story that will ignite the spark they once had - For Schrader Dog Eat Dog should've been that story - After the disastrous events of his previous film, also starring Cage - 'Dying of the Light', unhappy with the film's re-cut, Schrader, and Cage publicly dismissed the film.

A similar theme about loss and redemption - A recurring theme for Schrader as he demonstrates it throughout his career as-a screenwriter.

Screenwriter, Matthew Wilder (Your Name Here) writes from a jarring and lurid place - depicting a dark Americana - Which is fine if used effectively. The idea of Troy, Cage's character - A movie buff with delusions of being a Humphrey Bogart lookalike is a small moment that stands out, adding more layers to a none the less complicated character.

In part, Nicolas Cage as Troy is subdued and less comical as we'd expect from a Nicolas Cage performance - Willem Dafoe as Mad Dog is fine and yet misunderstood - A man yearning for love and friendship, yet afraid to admit it. Christopher Matthew Cook as Diesel is less intriguing, as he stumbles with stoic and apprehensive tendencies.

Cinematographer Alexander Dynan never really shows us anything new to take in or marvel at besides the story itself - Perhaps in part to the editing by Ben Rodriguez Jr., who provides quick and fast paced editing.

Dog Eat Dog may inspire some with its unique flare or visuals - Fast and quick insert cuts - Or its simplistic story, whatever the reason only time will tell if we remember this as Paul Schrader film.

I wasn't expecting much but was happy to see Nick Cage and Willam Dafoe together. A collaboration with these two makes it interesting in itself.

A standard crime movie with down on their luck thugs trying to get free of the lifestyle. Looking for subtext, I think the director is trying to display the amoral, nihilistic despair of people born into a life of crime. We see glimpses of their lighter, humane side in order to remind us that even though these are hardened criminals, you have to look deeper to see a man who wants to find peace.

Outside forces, and those of their own making, demonstrate that life has a way of choosing your options, an example of which is when Cook accidentally shows his gun reaching for grocery meat, leading to the final confrontation. An unthinking impulse, hunger, led to his demise.

Outside the comedy realm, a 'dumb criminal' plot a tough sell. Despite a standout performance by W.D. as a vulnerable sociopath this was tough film to like. In the past, a nihilistic heist story with an 8-Ball's worth of random Hollywood visuals paid the bills. (e.g. Natural Born Killers) Schrader remains unable to parlay his fading nostalgia into something resembling a legacy. Cinematography has advanced to the point that most reverential (self or other) shots are staid. On the story note, Nick Cage's wanton H. Bogart impressions negate character development and story. He needs to: A) Get a new agent (B) Stop phoning it (C) Just retire. But, if there is any takeaway from this pseudo art-house turd, W. Defoe is amazing. In the end it was enjoyable and completely forgettable.

I can honestly say this one of Nicolas Cage's worst films and I think his career is tanking. From the opening scene it was appalling. It is extremely dark, weighing heavy on valleys and missing any peaks. Also, being as I am a Clevelander, it does not portray an accurate portrait of the city I love...not even in regards to crime. This is a despicable display of cinema art. I have no known issues with crime films or violence. What I do have an issue with is is poorly written, directed, and produced work like Dog Eat Dog. The actors in this film are legendary but their work is sub par, at best! Save yourself the time that I wasted by not viewing this film.