IMDb-BEWERTUNG
7,3/10
53.890
IHRE BEWERTUNG
Ein Vater versucht mit seiner erwachsenen Tochter wieder in Kontakt zu kommen.Ein Vater versucht mit seiner erwachsenen Tochter wieder in Kontakt zu kommen.Ein Vater versucht mit seiner erwachsenen Tochter wieder in Kontakt zu kommen.
- Für 1 Oscar nominiert
- 59 Gewinne & 85 Nominierungen insgesamt
Victoria Malektorovych
- Natalja
- (as Viktoria Malektorovych)
Empfohlene Bewertungen
I love films , so I had to go watch one of the most talked about films of 2016 with all this fuss and awards going on about it.
As other IMDBers have already mentioned, the expectations were high enough , and I sort of demanded a good film. I cannot say I got that.
The story (which isn't really a story) roughly, is about a woman whose job is basically firing people off of other companies --- and her father who is bizarrely present and around her throughout most of the film , making awkward but somewhat distant jokes , supposedly to help her have a better life.
Toni Erdmann is a bizarre film for sure. Nothing wrong with that, just stating a fact. It's a film that shows us instead of telling us things. Which is respectful, elegant and admirable in a way and that's a plus for Maren Ade.
There are admirable things in Toni Erdmann , but for me there are also big flaws that reduced the overall viewing experience.
The fatal flaw to name, is the starkness and the extreme cold atmosphere of this film and all its characters. For me a film must offer entertainment , in the broad sense. Meaning that a film has to give us a variety of good things that'll "warm us". Good soundtrack , interesting and empathizing characters , a good atmosphere and locations , and of course a solid story that'll surround us and in the end win us with its charm so we'll want to re watch the film after it starts to rust in our memory.
I don't want to watch Toni Erdmann again. There was no charm that won me and so just one preview is enough. I didn't connect with the characters much , not that I don't have common things ,most of us get modern life's problems , and we have common issues with fiction characters who aren't too happy with their life. Its a safe bet. But this doesn't mean you connect with the characters as well.
Toni Erdmann felt very much like you are inside a fridge, sitting in there and viewing stuff in a cold environment. Too cold. Also it runs too long at 2 hours and 40 minutes for the particular story told. For the kind of praise it got , I expected better characters , better dialogues and in the whole a better picture.
The direction in its practical sense of camera placement and movement was mediocre and so was the photography which was pretty basic so don't expect "good pictures".
The admirable things about it, was the good acting, mostly by the father "Toni" but the daughter was modestly good as well in her role. The originality of the film's approach to the father-daughter relationship was another good thing. And lastly the film's themes and questions/problems addressed by the director/scriptwriter Maren Ade. The story had meaning behind it sure, but it was too elegant about those themes (the corporate world vs human values and what matters for modern man vs what should really matter.) These are honorable themes and Maren Ade seems like a decent person to explore and show us a few troubling things in the hope to awaken us, but as a film it was mediocre. Of course that's just my opinion, but I have to say there are some rules in Film making , and mrs Ade neglected a few of them.
6/10
As other IMDBers have already mentioned, the expectations were high enough , and I sort of demanded a good film. I cannot say I got that.
The story (which isn't really a story) roughly, is about a woman whose job is basically firing people off of other companies --- and her father who is bizarrely present and around her throughout most of the film , making awkward but somewhat distant jokes , supposedly to help her have a better life.
Toni Erdmann is a bizarre film for sure. Nothing wrong with that, just stating a fact. It's a film that shows us instead of telling us things. Which is respectful, elegant and admirable in a way and that's a plus for Maren Ade.
There are admirable things in Toni Erdmann , but for me there are also big flaws that reduced the overall viewing experience.
The fatal flaw to name, is the starkness and the extreme cold atmosphere of this film and all its characters. For me a film must offer entertainment , in the broad sense. Meaning that a film has to give us a variety of good things that'll "warm us". Good soundtrack , interesting and empathizing characters , a good atmosphere and locations , and of course a solid story that'll surround us and in the end win us with its charm so we'll want to re watch the film after it starts to rust in our memory.
I don't want to watch Toni Erdmann again. There was no charm that won me and so just one preview is enough. I didn't connect with the characters much , not that I don't have common things ,most of us get modern life's problems , and we have common issues with fiction characters who aren't too happy with their life. Its a safe bet. But this doesn't mean you connect with the characters as well.
Toni Erdmann felt very much like you are inside a fridge, sitting in there and viewing stuff in a cold environment. Too cold. Also it runs too long at 2 hours and 40 minutes for the particular story told. For the kind of praise it got , I expected better characters , better dialogues and in the whole a better picture.
The direction in its practical sense of camera placement and movement was mediocre and so was the photography which was pretty basic so don't expect "good pictures".
The admirable things about it, was the good acting, mostly by the father "Toni" but the daughter was modestly good as well in her role. The originality of the film's approach to the father-daughter relationship was another good thing. And lastly the film's themes and questions/problems addressed by the director/scriptwriter Maren Ade. The story had meaning behind it sure, but it was too elegant about those themes (the corporate world vs human values and what matters for modern man vs what should really matter.) These are honorable themes and Maren Ade seems like a decent person to explore and show us a few troubling things in the hope to awaken us, but as a film it was mediocre. Of course that's just my opinion, but I have to say there are some rules in Film making , and mrs Ade neglected a few of them.
6/10
I watched this movie due to its high mark (especially by the meta-score)and in the last seconds I asked myself: so what ? Like we never saw solitude, loneliness movies ever...The acting is OK, but the subject is stretched over limits, and at a certain time I stopped to watch and went for a cigarette ! My understanding about this movie is about two societies with their characteristics (the German and the Roumanian) both mixed in a capitalistic globalization, I won't say without mercy but without care for real people. Perhaps the last or one of the last sentences of the father was that we work all time to accomplish some targets (typically German !) and don't pay attention to details along our life and then is too late....As a Romanian born young person, the atmosphere of Bucarest is very well depicted as well people surrounding the personages. But one shouldn't wonder, as these days the Romanian cinema is among the highest in its achievements, for example Mungiu's recent film "Bacalaureat" (aka Graduation)stands much above the present one. Sorry folks, but I wasn't left with a great impression.
Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
But it is hard going. Ultimately I'm glad I stayed with it but it tests your patience to the limit at times.
It's not a 1 rating like some reviewers are saying. But it's certainly not a 10 either. It's far too long to enable it to get anywhere that kind of rating. There seems to be so many meaningless scenes that could have been trimmed.
There are certain moments that for me were laugh out loud. Ines played by Sandra Huller is fantastic. It's made me want to see more of her work.
Talk of an Hollywood remake on here. I can only assume it will be a very very different film. There is no way ever a scene for scene remake would make it out of Hollywood.
Give the original a go first, it's different!!
This is a great movie - but most likely not for everyone. It's about academic upper middle-class people and their family relationships. Not everybody will find that interesting and there is no usual "romantic" plot development. It's a family portrait of a father and her daughter and as such has no (plot) conclusion. It is not the usual light comedy since it touches very serious questions and the prevailing mood is unhappiness (it is however _very_ funny at times ;-)).
That being said, this movie makes some very fine and subtle observations, presents them in a funny and entertaining form yet at the same time in a thought-provoking and philosophical way which will make you think about it for a long time. If you're from an academic (german) household you will find lots of similarities in your own family relations.
This movie is not fast-paced - in fact it often has long shots of lonely people and a lot is not said but has to be filled in by the viewer. So if you don't relate to the characters this movie will feel longish for sure. But if you find traces of your own life or that of your friends and relatives you'll be amazed by the subtlety and finesse in which this movie is directed. Although there are some bizarre events, everything which happens in this movie could happen in real life. There are no implausible scenes in this movie! This is an incredible statement given the crazy and bizarre things which happen in this movie. If you wanna know how that could be true, you might wanna watch it.
That being said, this movie makes some very fine and subtle observations, presents them in a funny and entertaining form yet at the same time in a thought-provoking and philosophical way which will make you think about it for a long time. If you're from an academic (german) household you will find lots of similarities in your own family relations.
This movie is not fast-paced - in fact it often has long shots of lonely people and a lot is not said but has to be filled in by the viewer. So if you don't relate to the characters this movie will feel longish for sure. But if you find traces of your own life or that of your friends and relatives you'll be amazed by the subtlety and finesse in which this movie is directed. Although there are some bizarre events, everything which happens in this movie could happen in real life. There are no implausible scenes in this movie! This is an incredible statement given the crazy and bizarre things which happen in this movie. If you wanna know how that could be true, you might wanna watch it.
Wusstest du schon
- WissenswertesThe animal costume worn by Winfried is the Kukeri, a common animal totem in Bulgaria that is believed to scare away evil spirits. It was made from the real hair of long-haired goats and according to actor Peter Simonischek was extremely hot and heavy and smelled like a goat stable. With the exception of the scene when Winfried has the head removed, it was worn by a stuntman.
- PatzerWhen the father gives his daughter her birthday gift, there are some jars in the table which change position between shots.
- Zitate
Winfried Conradi alias Toni Erdmann: You have to do this or that, but meanwhile life is just passing by
- Crazy CreditsApart from the production companies there are no opening credits, and the movie's title is only shown after all the end credits.
- VerbindungenFeatured in Film '72: Folge #46.3 (2017)
- SoundtracksHeute hier, morgen dort
Written by Gary Bolstad and Hannes Wader
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Everyone Else
- Drehorte
- Bukarest, Rumänien(main location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.479.387 $
- Eröffnungswochenende in den USA und in Kanada
- 15.972 $
- 25. Dez. 2016
- Weltweiter Bruttoertrag
- 12.002.864 $
- Laufzeit
- 2 Std. 42 Min.(162 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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