Ich weiß, was du letzten Sommer getan hast
Originaltitel: I Know What You Did Last Summer
Eine Gruppe von Freunden wird von einem Stalker terrorisiert, der von einem grausamen Vorfall in ihrer Vergangenheit weiß.Eine Gruppe von Freunden wird von einem Stalker terrorisiert, der von einem grausamen Vorfall in ihrer Vergangenheit weiß.Eine Gruppe von Freunden wird von einem Stalker terrorisiert, der von einem grausamen Vorfall in ihrer Vergangenheit weiß.
Gabbriette
- Tyler
- (as Gabbriette Bechtel)
Zusammenfassung
Reviewers say 'I Know What You Did Last Summer' was a mix of nostalgia, modernized elements, and homages to the original film. Common themes include the effectiveness of suspenseful scenes and the return of legacy characters. Some reviewers dislike the film's reliance on the original's formula, the performances of the new and returning cast, and the impact of the film's twist. Others appreciate the film's attempt to connect with a new generation. The film's pacing, humor, and character development are also frequently mentioned. Overall, the movie is seen as a fun, if flawed, addition to the franchise.
Empfohlene Bewertungen
The film opens with upbeat, trendy music that instantly sets a Scream VI vibe-never a good sign if you're hoping for originality. From the start, it's clear this isn't going to break new ground. We follow a group of American "teens": conventionally attractive girls paired with alpha-male archetypes, with Jonah Hauer-King oddly miscast and feeling out of place.
The premise hasn't evolved since the 1997 original: a group of friends covers up a death, only to be stalked one year later by the iconic fisherman in his rain slicker. He picks them off one by one, sometimes extending his vengeance to their loved ones. That's it. There's little substance beyond this familiar formula. Legacy characters from the original film return, but rather than adding emotional depth or clever twists, their presence feels like a shallow callback. Freddie Prinze Jr., in particular, gives a performance that weirdly channels Dermot Mulroney from Scream VI; not exactly flattering.
Several sequences simply don't make sense. In one, Teddy tries to fix the sliding doors on his boat, even though we can clearly see someone lurking at the end of the corridor. His behavior makes it seem as if he's conspiring with the killer rather than in danger. When he eventually fights the fisherman, the scene plays more like roughhousing with a buddy than a desperate struggle for survival. Later, Teddy's father mourns his son while heavy footsteps of the killer are blatantly audible in the background. Yet the father never reacts. It's sloppy staging, and moments like these kill any suspense.
Acting quality is inconsistent at best. Characters flip from panic to casual nonchalance within minutes, destroying any sense of tension. For a slasher from 1997, some of these choices might have slid by unnoticed, but for a 2025 release they feel outdated and careless.
Ultimately, this revival offers nothing fresh: no new angle, no genuine scares, and no compelling performances. It's a reheated version of a story that was already thin, relying on nostalgia rather than creativity.
The premise hasn't evolved since the 1997 original: a group of friends covers up a death, only to be stalked one year later by the iconic fisherman in his rain slicker. He picks them off one by one, sometimes extending his vengeance to their loved ones. That's it. There's little substance beyond this familiar formula. Legacy characters from the original film return, but rather than adding emotional depth or clever twists, their presence feels like a shallow callback. Freddie Prinze Jr., in particular, gives a performance that weirdly channels Dermot Mulroney from Scream VI; not exactly flattering.
Several sequences simply don't make sense. In one, Teddy tries to fix the sliding doors on his boat, even though we can clearly see someone lurking at the end of the corridor. His behavior makes it seem as if he's conspiring with the killer rather than in danger. When he eventually fights the fisherman, the scene plays more like roughhousing with a buddy than a desperate struggle for survival. Later, Teddy's father mourns his son while heavy footsteps of the killer are blatantly audible in the background. Yet the father never reacts. It's sloppy staging, and moments like these kill any suspense.
Acting quality is inconsistent at best. Characters flip from panic to casual nonchalance within minutes, destroying any sense of tension. For a slasher from 1997, some of these choices might have slid by unnoticed, but for a 2025 release they feel outdated and careless.
Ultimately, this revival offers nothing fresh: no new angle, no genuine scares, and no compelling performances. It's a reheated version of a story that was already thin, relying on nostalgia rather than creativity.
It's nice to see a sequel years later of one of my favorite movies ever, but is it really necessary?
It tries so hard to mimick everything from the original that it gets old REALLY quick.
Unlike sequels to other older movies like Star Wars, Halloween or even Hocus Pocus that the new characters are so boring that you just don't care what happens to them, the new ones are OK. Not good, just ok. Except Danica, she's horrible. And I liked that they weren't just copies of the original cast, they FEEL like a new group.
The killer reveal was dumb and the last scene is just another "yeah girl power" moment that no one asked for.
Honestly, I like going out yesterday to watch it, but I won't be seeing this one again. The original I've seen about 20 times and it never gets old.
It tries so hard to mimick everything from the original that it gets old REALLY quick.
Unlike sequels to other older movies like Star Wars, Halloween or even Hocus Pocus that the new characters are so boring that you just don't care what happens to them, the new ones are OK. Not good, just ok. Except Danica, she's horrible. And I liked that they weren't just copies of the original cast, they FEEL like a new group.
The killer reveal was dumb and the last scene is just another "yeah girl power" moment that no one asked for.
Honestly, I like going out yesterday to watch it, but I won't be seeing this one again. The original I've seen about 20 times and it never gets old.
The first 2 minutes are as good as it gets - the inner monologue of a 25 point IQ who chose UofMich - enough said - she should be offed just for that. Terrible lighting, terrible acting, script sucks - you were hoping they all died - but it took 31 minutes for the first dead body. You couldn't tell any of the characters apart and the location/set up was so ridiculous. Seriously - THIS is your idea of a reboot of a great movie?
Dunno what the negative reviews are on about. I Know What You Did Last Summer was always seen as a lesser version of Scream, released one year later. I grew up in the height of these teen slashers and I enjoyed them (also thinking of Urban Legend here). I knew they weren't great quality, and not critically acclaimed but I enjoyed them. They're like murder mysteries where you actually get to see the murders and have a go at guessing whodunnit.
This new revival of IKWYDLS is almost exactly like watching the original when I was only 10, as a 37 year old. It is just plain silly fun with some glaring plot holes and daft decisions all round. I did guess who the culprit was early on but that didn't take away from the fun of being teased with the alternative motives. And we got to see some legendary 90s icons again which hits the nostalgia bell that the film knowingly mocks when Julie states "nostalgia is overrated". It even felt like the 90s in how little CGI and cinematography is used. It's fairly straightforwardly shot with one scene being an exception.
This film isn't falling down in its silliness, it is self aware - it knows it isn't contributing to a quality film legacy (the original only has 5.8 on here, guys) and everyone should accept that it's never going to be oscar worthy. It's a daft over the top teen slasher and it delivers exactly what it says on the tin.
This new revival of IKWYDLS is almost exactly like watching the original when I was only 10, as a 37 year old. It is just plain silly fun with some glaring plot holes and daft decisions all round. I did guess who the culprit was early on but that didn't take away from the fun of being teased with the alternative motives. And we got to see some legendary 90s icons again which hits the nostalgia bell that the film knowingly mocks when Julie states "nostalgia is overrated". It even felt like the 90s in how little CGI and cinematography is used. It's fairly straightforwardly shot with one scene being an exception.
This film isn't falling down in its silliness, it is self aware - it knows it isn't contributing to a quality film legacy (the original only has 5.8 on here, guys) and everyone should accept that it's never going to be oscar worthy. It's a daft over the top teen slasher and it delivers exactly what it says on the tin.
I grew up watching the originals. Have been a huge fan ever since... seen them more times than I can count. Wtf were they thinking with this one..... without a doubt one of the most disappointing & unnecessary reboots I have ever seen.
I am going to try to pretend this one never happened... It was that bad.
Bad casting bad story bad pace bad acting. No character development. Too many plot holes. Nothing to get you "hooked"... if you gotta see for yourself, go for it. Recommend waiting til it comes out on digital if anything.
The music score was kinda dope, as well as a few scenes and the nostalgia was there with a few surprises but overall I left really upset and disappointed. And the twist at the end made me SO angry.
They should have left this one alone. I honestly liked the trailer and idea they had for it more than the actual movie. There are fans of the originals 30 years in the making and they basically just spit in our faces.
I am going to try to pretend this one never happened... It was that bad.
Bad casting bad story bad pace bad acting. No character development. Too many plot holes. Nothing to get you "hooked"... if you gotta see for yourself, go for it. Recommend waiting til it comes out on digital if anything.
The music score was kinda dope, as well as a few scenes and the nostalgia was there with a few surprises but overall I left really upset and disappointed. And the twist at the end made me SO angry.
They should have left this one alone. I honestly liked the trailer and idea they had for it more than the actual movie. There are fans of the originals 30 years in the making and they basically just spit in our faces.
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Wusstest du schon
- WissenswertesWhen Jennifer Love Hewitt learned a new "I Know What You Did Last Summer" movie was in the works, her first reaction was "immediate fear and panic that I might have to be in it." before filming began, Hewitt was a nervous wreck. "Coming back at 46 is really daunting in Hollywood, for lots of reasons," she says. "You don't want people to be like, 'Oh, she looks different,' or 'She's aged.' You don't want any of that." But Hewitt also felt "deeply grateful that I was not forgotten" when she returned to the role for the first time in almost 30 years. The actress's nerves were eased, and she "fully started crying" when the extras in her first scene welcomed her back with a round of applause. "It meant so much to me," she says. "I felt like, 'Oh, I'm supported, and I should be here.' "
- PatzerDanica's text to Ava in the church noticeably sends itself before Madleyn Cline hits send, revealing that, as is commonplace in movies, the contents of the phone screen were added in post production.
- Zitate
Karla Wilson: People are always trying to kill that woman. I hope she's in therapy.
- SoundtracksTiny Screens
Written by Jack Shuter and Chloe Slater
Performed by Chloe Slater
Courtesy of stolen juice
By arrangement with AWAL Recordings Ltd
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ich weiß, was du letzten Sommer getan hast 4
- Drehorte
- Australien(Paddington, Sydney, New South Wales, Australia)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.165.634 $
- Eröffnungswochenende in den USA und in Kanada
- 12.755.359 $
- 20. Juli 2025
- Weltweiter Bruttoertrag
- 64.670.033 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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