Ich weiß, was du letzten Sommer getan hast
Originaltitel: I Know What You Did Last Summer
Eine Gruppe von Freunden wird von einem Stalker terrorisiert, der von einem grausamen Vorfall in ihrer Vergangenheit weiß.Eine Gruppe von Freunden wird von einem Stalker terrorisiert, der von einem grausamen Vorfall in ihrer Vergangenheit weiß.Eine Gruppe von Freunden wird von einem Stalker terrorisiert, der von einem grausamen Vorfall in ihrer Vergangenheit weiß.
Gabbriette
- Tyler
- (as Gabbriette Bechtel)
Zusammenfassung
Reviewers say 'I Know What You Did Last Summer' was a mix of nostalgia, modernized elements, and homages to the original film. Common themes include the effectiveness of suspenseful scenes and the return of legacy characters. Some reviewers dislike the film's reliance on the original's formula, the performances of the new and returning cast, and the impact of the film's twist. Others appreciate the film's attempt to connect with a new generation. The film's pacing, humor, and character development are also frequently mentioned. Overall, the movie is seen as a fun, if flawed, addition to the franchise.
Empfohlene Bewertungen
The film opens with upbeat, trendy music that instantly sets a Scream VI vibe-never a good sign if you're hoping for originality. From the start, it's clear this isn't going to break new ground. We follow a group of American "teens": conventionally attractive girls paired with alpha-male archetypes, with Jonah Hauer-King oddly miscast and feeling out of place.
The premise hasn't evolved since the 1997 original: a group of friends covers up a death, only to be stalked one year later by the iconic fisherman in his rain slicker. He picks them off one by one, sometimes extending his vengeance to their loved ones. That's it. There's little substance beyond this familiar formula. Legacy characters from the original film return, but rather than adding emotional depth or clever twists, their presence feels like a shallow callback. Freddie Prinze Jr., in particular, gives a performance that weirdly channels Dermot Mulroney from Scream VI; not exactly flattering.
Several sequences simply don't make sense. In one, Teddy tries to fix the sliding doors on his boat, even though we can clearly see someone lurking at the end of the corridor. His behavior makes it seem as if he's conspiring with the killer rather than in danger. When he eventually fights the fisherman, the scene plays more like roughhousing with a buddy than a desperate struggle for survival. Later, Teddy's father mourns his son while heavy footsteps of the killer are blatantly audible in the background. Yet the father never reacts. It's sloppy staging, and moments like these kill any suspense.
Acting quality is inconsistent at best. Characters flip from panic to casual nonchalance within minutes, destroying any sense of tension. For a slasher from 1997, some of these choices might have slid by unnoticed, but for a 2025 release they feel outdated and careless.
Ultimately, this revival offers nothing fresh: no new angle, no genuine scares, and no compelling performances. It's a reheated version of a story that was already thin, relying on nostalgia rather than creativity.
The premise hasn't evolved since the 1997 original: a group of friends covers up a death, only to be stalked one year later by the iconic fisherman in his rain slicker. He picks them off one by one, sometimes extending his vengeance to their loved ones. That's it. There's little substance beyond this familiar formula. Legacy characters from the original film return, but rather than adding emotional depth or clever twists, their presence feels like a shallow callback. Freddie Prinze Jr., in particular, gives a performance that weirdly channels Dermot Mulroney from Scream VI; not exactly flattering.
Several sequences simply don't make sense. In one, Teddy tries to fix the sliding doors on his boat, even though we can clearly see someone lurking at the end of the corridor. His behavior makes it seem as if he's conspiring with the killer rather than in danger. When he eventually fights the fisherman, the scene plays more like roughhousing with a buddy than a desperate struggle for survival. Later, Teddy's father mourns his son while heavy footsteps of the killer are blatantly audible in the background. Yet the father never reacts. It's sloppy staging, and moments like these kill any suspense.
Acting quality is inconsistent at best. Characters flip from panic to casual nonchalance within minutes, destroying any sense of tension. For a slasher from 1997, some of these choices might have slid by unnoticed, but for a 2025 release they feel outdated and careless.
Ultimately, this revival offers nothing fresh: no new angle, no genuine scares, and no compelling performances. It's a reheated version of a story that was already thin, relying on nostalgia rather than creativity.
It started out so promising, I actually liked the characters and so fun to see characters from the previous movies. But god can't imagine any real fans being happy with this movie? Very obvious who the killer is which is fine. That how it usually is. But the ending, common? Shockingly bad! So unnecessary and stupid, made no sense and they spent no time explaining why?
Honestly the movie was okay until the last part of the movie, I would have wanted longer death scenes, with more chase, more drama and excitement but it kinda felt rushed unlike in the other movies. This could have been such a good movie, just disappointed.
Honestly the movie was okay until the last part of the movie, I would have wanted longer death scenes, with more chase, more drama and excitement but it kinda felt rushed unlike in the other movies. This could have been such a good movie, just disappointed.
Run. Run far away. Run far away and never return. You know, you really begin to understand and appreciate what a great writer Kevin Williamson is when all these new directors and writers try to continue his stories and fall flat on their face. This movie is trash. What the director has done is basically just spitting in the face of the fans that have loved these characters for almost 30 years. I rolled my eyes and went along with it for almost 90 minutes and then the train derailed. I don't know that I've ever witnessed a more jarring and sudden character assassination in my 40 years of enjoying movies.
This movie felt very reminiscent to the first I know what you did last summer, except a little bit worse in the overall picture. The movie does have its good moments where its really good, but it also have moments that made me scratch my head. The movie clings very heavily to the formula of the first movie which sometimes makes it feel more like a copy of the original movie rather than a sequel.
Starting with the good stuff I gotta say that the tension is very much there. The movie keeps you on toes and the kills are well done. The cast also delivers solid performances and it was nice to see the original characters return for this one. The movie does a good job at not getting boring or slow down too much which makes the movie have a nice pace.
As for the bad, the movie has the same problem as the first one had with who the killer was. I found the reveal in the first movie unsatisfying and a little lazy, but the reveal in this one literally makes no logical sense to me. The movie doesn't spend any time into the why the killer does what they do. It establishes no real reason to what linked the killer to the why. The characters in the movie are also ridiculously stupid in the movie to the point where their actions or reasons why they split up makes absolutely no sense. I'm fine with a character being written as stupid, this was characters written as being in defense mode doing absolutely everything not to be in a safe place. With that the movie also doesn't feel like its own movie as it constantly follows the tracks of the first movie, to the point where the movie almost holds the audience's hand just to say, "Oh do you recognize this from the old movie?"
Overall, I did have a good time watching the movie, but I also recognize that the movie doesn't try to do anything to make it stand on its own merit.
Starting with the good stuff I gotta say that the tension is very much there. The movie keeps you on toes and the kills are well done. The cast also delivers solid performances and it was nice to see the original characters return for this one. The movie does a good job at not getting boring or slow down too much which makes the movie have a nice pace.
As for the bad, the movie has the same problem as the first one had with who the killer was. I found the reveal in the first movie unsatisfying and a little lazy, but the reveal in this one literally makes no logical sense to me. The movie doesn't spend any time into the why the killer does what they do. It establishes no real reason to what linked the killer to the why. The characters in the movie are also ridiculously stupid in the movie to the point where their actions or reasons why they split up makes absolutely no sense. I'm fine with a character being written as stupid, this was characters written as being in defense mode doing absolutely everything not to be in a safe place. With that the movie also doesn't feel like its own movie as it constantly follows the tracks of the first movie, to the point where the movie almost holds the audience's hand just to say, "Oh do you recognize this from the old movie?"
Overall, I did have a good time watching the movie, but I also recognize that the movie doesn't try to do anything to make it stand on its own merit.
The first 2 minutes are as good as it gets - the inner monologue of a 25 point IQ who chose UofMich - enough said - she should be offed just for that. Terrible lighting, terrible acting, script sucks - you were hoping they all died - but it took 31 minutes for the first dead body. You couldn't tell any of the characters apart and the location/set up was so ridiculous. Seriously - THIS is your idea of a reboot of a great movie?
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Wusstest du schon
- WissenswertesWriter-director Jennifer Kaytin Robinson couldn't bring Sarah Michelle Gellar's Helen Shivers back to life for this sequel. In a conversation with Entertainment Weekly, Robinson said she "tried relentlessly" to fit Gellar into the new "I Know What You Did Last Summer." Her efforts were for naught because Robinson could not maneuver around the fact that Helen Shivers is dead. "I tried, okay? I harassed her! But she is dead," Robinson said. "I tried to pitch some crazy shit too. I was like, 'What if it's like you weren't dead and you're actually alive, but in hiding?' And Sarah's like, 'I was on ice. I was the most dead a person could be. You can see my frozen body.' I was like, 'Yeah, but what if?' And she said, 'I am dead. I am Sarah Dead Gellar.'"
- PatzerDanica's text to Ava in the church noticeably sends itself before Madleyn Cline hits send, revealing that, as is commonplace in movies, the contents of the phone screen were added in post production.
- Zitate
Karla Wilson: People are always trying to kill that woman. I hope she's in therapy.
- SoundtracksTiny Screens
Written by Jack Shuter and Chloe Slater
Performed by Chloe Slater
Courtesy of stolen juice
By arrangement with AWAL Recordings Ltd
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ich weiß, was du letzten Sommer getan hast 4
- Drehorte
- Australien(Paddington, Sydney, New South Wales, Australia)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.165.634 $
- Eröffnungswochenende in den USA und in Kanada
- 12.755.359 $
- 20. Juli 2025
- Weltweiter Bruttoertrag
- 64.670.033 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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