IMDb-BEWERTUNG
8,0/10
59.368
IHRE BEWERTUNG
Ein Dokumentarfilmer und ein Reporter reisen für das erste von zahlreichen Treffen mit Edward Snowden nach Hongkong.Ein Dokumentarfilmer und ein Reporter reisen für das erste von zahlreichen Treffen mit Edward Snowden nach Hongkong.Ein Dokumentarfilmer und ein Reporter reisen für das erste von zahlreichen Treffen mit Edward Snowden nach Hongkong.
- 1 Oscar gewonnen
- 44 Gewinne & 40 Nominierungen insgesamt
Robert Tibbo
- Self - Human Rights Lawyer
- (Synchronisation)
Roberto Kaz
- Self
- (as Robert Kaz)
Empfohlene Bewertungen
You could call it me sleeping under a rock or something, but yeah, I didn't really know anything about this NSA scandal or Edward Snowden. Actually, his name seemed familiar so I'm sure I had heard some passing comments, but I didn't know the real and full story. The documentary's take on him, and on what is happening as it is being shot, gives it a real tension that so many docs just aren't able to have. I haven't seen 2 of the 5 nominees for the Oscar, but from the other two I have, this is better and would make a deserving winner. In many ways it functions as a thriller even if it's very low-key and very quiet in its execution. It's a great film, one that's sure to be ingrained in many people's minds.
As I write this, a few days after the film's release, so far only three users have posted reviews about it on IMDb. Given that the film ends with the revelation that 1,200,000 people are on the US government's watchlist of people under surveillance, if you're contemplating adding a positive review, the first question that you have to ask yourself is: will this make me number 1,200,001? I've followed the media stories detailing the contents of the documents Snowden leaked, so that part of the film wasn't new to me, and in fact I felt some of Snowden's more serious disclosures were underexplored in the film, maybe because of their somewhat technical nature. If you're looking for a documentary that lays out in detail all the ins and outs of what the NSA is up to, this isn't it. The main strength of the film lies in its portrait of Snowden as a person. The filmmaker and other journalists basically meet Snowden in person for the first time with cameras running, and it's fascinating to watch them getting to know one another in such a highly charged, high stakes situation. Snowden is very articulate and precise, and obviously motivated by a very moral sense of right and wrong, in much the same way as Daniel Ellsberg. Whether or not you agree with Snowden, the film definitely undercuts criticism of him as being unpatriotic or mercenary. The documentary works well as an introduction to the Snowden story for those only casually aware of it, and also as a tense real world political thriller, sort of like Three Days Of The Condor come to life, but without the gunmen and Faye Dunaway. All in all, a very important film that everyone should see.
I thought Citizenfour was quite powerful as a humanizing portrayal of Snowden. I didn't learn anything new particularly about NSA programs, since I've been reading each story I come across, but the film quite effectively transported me into Snowden's hotel room in Hong Kong and into conversations with Snowden, Greenwald, Poitras and MacAskill. Snowden comes off as a completely responsible, quite sincere, thoughtful young man. He very clearly and explicitly says that he does not want to be the story, and one believes him. Whereas Assange can impress people as narcissistic and Bradley/Chelsea Manning's sexual confusion was only one of a number of facets which distracted from Cablegate, Snowden sounds like a young Ellsberg – very intelligent and well-spoken.
Poitras's style was interesting, I thought. The camera a number of times holds for lengthy periods on fairly static shots of architecture, which served to impress the viewer with the monolithic, pervasive nature of the NSA's networks. There's a long disorienting shot out the window of a train at night or going through a tunnel, which draws you into the dark network Snowden's revealing.
The film successfully touches on a number of different aspects of the surveillance state, bringing in the idea that when we talk about "privacy" we're talking about security, about our constitutional right to freedom from unlawful search and seizure. I think this is a hard sell for too many viewers. I don't fault the film here. I saw it with a friend who was a few minutes late because she was watching the Giants' game. In discussing the movie afterward she questioned just how important some of the issues raised were. Greenwald and others speak passionately about the dangers of the surveillance state, but my date pointed out that she can't feel much fear that the NSA is going to be breaking down her door because of anything she's said on the phone or in e-mail. My own experience is that friends and colleagues on the one hand self-censor and don't mention politics, drugs, Bittorrent use, etc. in e-mail or social media for fear of the all-knowing eye, or on the other hand seem oblivious to any danger – why worry about Google programmatically reading every single e-mail sent or received, if it means free e-mail and potentially more accurate search results when shopping? Snowden at one point convincingly says he doesn't think it is possible for anyone no matter how brilliant and educated to individually fight all the electronic surveillance systems in existence. We're told of the multitude of methods of surveillance and repeatedly shown NSA officials blatantly lying to Congress about their existence. The lack of accountability for this last has been personally troubling to me – I remember Watergate and Iran-Contra – how is it that the heads of the NSA can with impunity flat out lie to Congress about spying on American citizens? What will viewers come away with when walking out of the theater after Citizenfour? I'm wondering how many will see it as a call to action, and how many as a well-executed depiction of Edward Snowden's experience, which may not be seen as intersecting our own.
Poitras's style was interesting, I thought. The camera a number of times holds for lengthy periods on fairly static shots of architecture, which served to impress the viewer with the monolithic, pervasive nature of the NSA's networks. There's a long disorienting shot out the window of a train at night or going through a tunnel, which draws you into the dark network Snowden's revealing.
The film successfully touches on a number of different aspects of the surveillance state, bringing in the idea that when we talk about "privacy" we're talking about security, about our constitutional right to freedom from unlawful search and seizure. I think this is a hard sell for too many viewers. I don't fault the film here. I saw it with a friend who was a few minutes late because she was watching the Giants' game. In discussing the movie afterward she questioned just how important some of the issues raised were. Greenwald and others speak passionately about the dangers of the surveillance state, but my date pointed out that she can't feel much fear that the NSA is going to be breaking down her door because of anything she's said on the phone or in e-mail. My own experience is that friends and colleagues on the one hand self-censor and don't mention politics, drugs, Bittorrent use, etc. in e-mail or social media for fear of the all-knowing eye, or on the other hand seem oblivious to any danger – why worry about Google programmatically reading every single e-mail sent or received, if it means free e-mail and potentially more accurate search results when shopping? Snowden at one point convincingly says he doesn't think it is possible for anyone no matter how brilliant and educated to individually fight all the electronic surveillance systems in existence. We're told of the multitude of methods of surveillance and repeatedly shown NSA officials blatantly lying to Congress about their existence. The lack of accountability for this last has been personally troubling to me – I remember Watergate and Iran-Contra – how is it that the heads of the NSA can with impunity flat out lie to Congress about spying on American citizens? What will viewers come away with when walking out of the theater after Citizenfour? I'm wondering how many will see it as a call to action, and how many as a well-executed depiction of Edward Snowden's experience, which may not be seen as intersecting our own.
"We are building the biggest weapon for oppression in the history of mankind." Ed Snowden
Welcome to a real-time documentary that doesn't have a political agenda yet covers the most controversial and important whistle blowing in this century. Edward Snowden disclosed extensive information mining of US citizens by NSA and other agencies. Laura Poitras's thrilling but sometimes slow documentary takes us to Hong Kong to witness Snowden's alarming the world about the US spying on its citizens and world leaders among others.
Citizenfour (the handle Snowden used when communicating) keeps the audience front row and center as Snowden makes contact with director Laura Poitras to arrange footage of his process, and most importantly with reporter Glenn Greenwald of The Guardian to write about this game-changing event. Neither is hesitant to take on the story, possibly because of its incendiary nature and the honesty of the whistleblower.
This story is like a great Jason Bourne spy story (without the glamour and tensions) pitting former intelligence operative Snowden against the great American political and media machines. In the outside world, German chancellor Angela Merkel expressed shock that the US was monitoring her cell phone conversations.
Poitras smartly includes President Obama condemning Snowden as unpatriotic and a danger to the American people, an argument going on even as you read this review. Curiously, the documentary makes no argument and goes easy on the suspense, making significant historical cinema but not gripping drama.
The so far unanswerable question is whether he's a hero or a traitor. The Snowden exposed to the ever present harsh light of camera and mics seems completely at peace with himself as he considers the rough life he has elected as a whistleblower. Indeed we are fortunate to see him at the most stressful point in his life being cool and level-headed. While Poitras makes sure we get to know him intimately, she never loses sight of the fact that this doc is about government spying.
Citizenfour is a fascinating, risky, and brave film for everyone who is interested in the challenges of truth telling.
Welcome to a real-time documentary that doesn't have a political agenda yet covers the most controversial and important whistle blowing in this century. Edward Snowden disclosed extensive information mining of US citizens by NSA and other agencies. Laura Poitras's thrilling but sometimes slow documentary takes us to Hong Kong to witness Snowden's alarming the world about the US spying on its citizens and world leaders among others.
Citizenfour (the handle Snowden used when communicating) keeps the audience front row and center as Snowden makes contact with director Laura Poitras to arrange footage of his process, and most importantly with reporter Glenn Greenwald of The Guardian to write about this game-changing event. Neither is hesitant to take on the story, possibly because of its incendiary nature and the honesty of the whistleblower.
This story is like a great Jason Bourne spy story (without the glamour and tensions) pitting former intelligence operative Snowden against the great American political and media machines. In the outside world, German chancellor Angela Merkel expressed shock that the US was monitoring her cell phone conversations.
Poitras smartly includes President Obama condemning Snowden as unpatriotic and a danger to the American people, an argument going on even as you read this review. Curiously, the documentary makes no argument and goes easy on the suspense, making significant historical cinema but not gripping drama.
The so far unanswerable question is whether he's a hero or a traitor. The Snowden exposed to the ever present harsh light of camera and mics seems completely at peace with himself as he considers the rough life he has elected as a whistleblower. Indeed we are fortunate to see him at the most stressful point in his life being cool and level-headed. While Poitras makes sure we get to know him intimately, she never loses sight of the fact that this doc is about government spying.
Citizenfour is a fascinating, risky, and brave film for everyone who is interested in the challenges of truth telling.
Edward Snowden went from obscurity to fame overnight when he blew the whistle on the NSA's massive espionage program in June 2013. Litigator-turned-reporter Glenn Greenwald got recognized as the person helping Snowden expose the story, along with The Guardian's Ewen MacAskill and The Washington Post's Barton Gellman. But while the world saw the footage of Snowden speaking in the hotel room in Hong Kong, there was another person in the room with him, Greenwald and MacAskill: Laura Poitras, who filmed the interview. "Citizenfour" (the name that Snowden used when he contacted Poitras) tells the story of the interview and international reaction to Snowden's revelations.
It took guts to film and release this documentary. I think that in the end, the main outcome of Snowden's revelations is that the US's and UK's reputations are ruined. The documentary includes footage of hearings on the surveillance in Brazil (whose president was a victim of the surveillance) and Belgium (the seat of the European Union, whose heads of state were victims). I suspect that the peoples of Eastern Europe are the most befuddled by the revelations. For years under the Soviet occupation they looked to the US as a beacon of freedom, and now they see that the US is no different from the USSR. The British government, meanwhile, comes across as a US proxy in Europe.
"Citizenfour" is a documentary that not only deserves a lot of recognition, but should spark more discussion about the surveillance apparatus. As for Edward Snowden, he remains in political asylum in Russia, and his partner Lindsay Mills has joined him there. Oliver Stone is now making a movie about his revelations. In the meantime, I recommend the documentary.
It took guts to film and release this documentary. I think that in the end, the main outcome of Snowden's revelations is that the US's and UK's reputations are ruined. The documentary includes footage of hearings on the surveillance in Brazil (whose president was a victim of the surveillance) and Belgium (the seat of the European Union, whose heads of state were victims). I suspect that the peoples of Eastern Europe are the most befuddled by the revelations. For years under the Soviet occupation they looked to the US as a beacon of freedom, and now they see that the US is no different from the USSR. The British government, meanwhile, comes across as a US proxy in Europe.
"Citizenfour" is a documentary that not only deserves a lot of recognition, but should spark more discussion about the surveillance apparatus. As for Edward Snowden, he remains in political asylum in Russia, and his partner Lindsay Mills has joined him there. Oliver Stone is now making a movie about his revelations. In the meantime, I recommend the documentary.
Wusstest du schon
- WissenswertesDirector Laura Poitras edited the film in Germany after flying directly there from Hong Kong with the Snowden footage, to prevent the FBI from showing up with a search warrant for her hard drives.
- PatzerIn the second CNN item (Friday, 53'), the Hebrew characters on the mobile phone in the background aren't censored in the first two shots. Afterwards the background has changed to only leave Latin characters on the dial pad.
- Zitate
Edward Snowden: Assume your adversary is capable of one trillion guesses per second.
- VerbindungenFeatured in The EE British Academy Film Awards (2015)
- Soundtracks02 Ghosts I
Performed by Nine Inch Nails
Written by Trent Reznor and Atticus Ross
Courtesy of The Null Corporation
Engineered by Chris Holmes
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 第四公民
- Drehorte
- Room 1014, Mira Hotel, Kowloon, Hong Kong, China(Snowden's hotel room)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.800.870 $
- Eröffnungswochenende in den USA und in Kanada
- 126.321 $
- 26. Okt. 2014
- Weltweiter Bruttoertrag
- 3.780.692 $
- Laufzeit
- 1 Std. 54 Min.(114 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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