Im August 1977 ereignen sich in einem scheinbar gewöhnlichen Haus in Enfield, Nordlondon, eine Reihe von bizarren und erschreckenden Ereignissen.Im August 1977 ereignen sich in einem scheinbar gewöhnlichen Haus in Enfield, Nordlondon, eine Reihe von bizarren und erschreckenden Ereignissen.Im August 1977 ereignen sich in einem scheinbar gewöhnlichen Haus in Enfield, Nordlondon, eine Reihe von bizarren und erschreckenden Ereignissen.
- Nominiert für 2 BAFTA Awards
- 6 Nominierungen insgesamt
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This 3 part series has arrived on the TV channel Pick recently, not long after I went to watch The Conjuring 2, which is based on the Enfield poltergeist. However, it is important to point out that, if you enjoyed The Conjuring 2 or not, this series is played out very differently and made to entertain you more than terrify you. The characters are portrayed very differently to the film, so much so, you need to see the stories as completely separate. Timothy Spall is genius as can be expected and the story line is based more around him than the family. Very enjoyable short series and definitely worth a watch. I've recorded all three episodes and will definitely watch them again.
I saw the adverts for the Enfield haunting and was so excited and I have not been disappointed I think the Enfield Haunting is a great believable representation of the events that actually occurred. It's scary but it's not with the usual stupid scares it's eerie it makes you think about it after you've watched it really does imprint on your opinion of the paranormal. Timothy Spall's acting as usual is brilliant and so very believable. I also think the little girl who plays Janet will go very far her she is also very talented in acting by her portrayal in the Enfield Haunting. The Enfield haunting is just great really, great actors, great representation great everything! It's so fascinating that the events actually happened it's made me want to read more into the events of the Enfield Haunting. The only negative I will have to mention is that Sky Living most definitely take the shine of it with the amount of adverts they ram Into the programme you get to see around 5 minutes of the programme and then an advert. Seeing as there's only three episodes you think they would have the Curtisy not to do this. the Enfield haunting probably could have managed to be a short film rather then the three episodes. However it is most definitely worth the watch.
Not as exciting as James Wan's/New Line Cinema version of the same Enfield poltergeist, but very enjoyable and more believable.
3 part british haunted house mini series made in 2015. Very well acted, and with a good amount of decent chills.
Based on a "true" story from the 70's. I also like that it is filmed as if it was made in the 70's. Well made for british tv.
The conjuring 2 was based on the same case.
Based on a "true" story from the 70's. I also like that it is filmed as if it was made in the 70's. Well made for british tv.
The conjuring 2 was based on the same case.
The Enfield Poltergeist was, to many of us growing up in 1970s Britain, a terrifying story. Between 1977 and 1979, a council house in Enfield, England, was supposedly the home to a poltergeist, the definition of which is noisy ghost. The main focus of the poltergeist activity was towards young Janet Hodgson, giving some credence to the experts belief that poltergeists hone in on pre-pubescent teenagers. The events at the house caused a media storm, enticing specialists, believers and sceptics to visit and fuel a fire that still simmers away today.
Interestingly the title of this British production has it right, in that calling it a haunting at least doesn't lie to the viewers. As with Tobe Hooper's 1982 film, Poltergeist, the presence of a poltergeist spirit is pretty much a side-bar to another story, where Hooper's film went off to another dimension, Kristoffer Nyholm & Joshua St Johnston's film here dials into grief and absent parents, then choosing to grab demonic possession and mediums for its big shocks.
Many liberties have been taken with the facts, with added outside interests brought in to flesh a story out. Though the core essence of the story, the suspicions of truth etc, remain. The Enfield Haunting is a grand and unsettling production, undeniably scary for those that buy into the possibility of a haunting of this type being real. The performances are led by quality thespians, Timothy Spall and Juliet Stevenson, both of whom play grief and distress with a shattering conviction, and young Eleanor Worthington Cox as Janet is a bundle of exciting promise. Period detail is first class, though the house used here is some way away from the actual house of the events, while the opening credits are superb, even if they only tantalise as regards the alleged events in the girls' bedroom and disappointingly don't form part of this story.
If this pic has longevity of interest in its own land, or even being capable of garnering interest away from the shores of the UK? Is tricky to say at this point. Because ultimately it plays out with familiar horror conventions, like it's cashing in on the recent cravings for Conjuring and Insidious kinks. Ironically, the team behind The Conjuring have reconvened to make a sequel - about The Enfield Poltergeist. Now I wonder if that one will actually be about a poltergeist... 8/10
Interestingly the title of this British production has it right, in that calling it a haunting at least doesn't lie to the viewers. As with Tobe Hooper's 1982 film, Poltergeist, the presence of a poltergeist spirit is pretty much a side-bar to another story, where Hooper's film went off to another dimension, Kristoffer Nyholm & Joshua St Johnston's film here dials into grief and absent parents, then choosing to grab demonic possession and mediums for its big shocks.
Many liberties have been taken with the facts, with added outside interests brought in to flesh a story out. Though the core essence of the story, the suspicions of truth etc, remain. The Enfield Haunting is a grand and unsettling production, undeniably scary for those that buy into the possibility of a haunting of this type being real. The performances are led by quality thespians, Timothy Spall and Juliet Stevenson, both of whom play grief and distress with a shattering conviction, and young Eleanor Worthington Cox as Janet is a bundle of exciting promise. Period detail is first class, though the house used here is some way away from the actual house of the events, while the opening credits are superb, even if they only tantalise as regards the alleged events in the girls' bedroom and disappointingly don't form part of this story.
If this pic has longevity of interest in its own land, or even being capable of garnering interest away from the shores of the UK? Is tricky to say at this point. Because ultimately it plays out with familiar horror conventions, like it's cashing in on the recent cravings for Conjuring and Insidious kinks. Ironically, the team behind The Conjuring have reconvened to make a sequel - about The Enfield Poltergeist. Now I wonder if that one will actually be about a poltergeist... 8/10
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- WissenswertesThe actual poltergeist was a male called Bill Wilkins but writers changed the name for the TV show as they wanted to add dramatic change to his life story.
- PatzerDuring the series, the type of ringing the phones make is consistently wrong; "trim phones", the type that appear in The Enfield Haunting make trill buzzing sounds, not a bell ring.
- VerbindungenFeatured in BAFTA Television Awards 2016 (2016)
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