Füge eine Handlung in deiner Sprache hinzuAn intimate and emotional drama for BBC Two about the revolutionary Bloomsbury group.An intimate and emotional drama for BBC Two about the revolutionary Bloomsbury group.An intimate and emotional drama for BBC Two about the revolutionary Bloomsbury group.
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I TRIED (I really did) with the first episode of LIFE IN SQUARES but after twenty minutes my brain started to dig a tunnel through my spine and tried to escape the UTTER TEDIUM of this smug little series. Worse, the episode moved with all the speed and urgency of a glacier, unlike my brain digging the escape tunnel.
It was like being trapped in a room with a gang of self-regarding teenage Hipsters and Emos all moving in slow motion because of clinical depression.
Frankly (and this is rare) I gave up after that twenty minutes and I won't be returning.
Were the Bloomsbury Set a significant collection of artistic types who paved the way for the freedoms we enjoy today or a bunch of tedious and ultimately irrelevant posers only of interest to similar posers who write long serials for the BBC? Discuss.
It was like being trapped in a room with a gang of self-regarding teenage Hipsters and Emos all moving in slow motion because of clinical depression.
Frankly (and this is rare) I gave up after that twenty minutes and I won't be returning.
Were the Bloomsbury Set a significant collection of artistic types who paved the way for the freedoms we enjoy today or a bunch of tedious and ultimately irrelevant posers only of interest to similar posers who write long serials for the BBC? Discuss.
Life in Squares is a confusing and dull three part period drama about the tangled love affairs of the Bloomsbury Group.
Virginia (Lydia Leonard) married Leonard Woolf (Al Weaver) who soon realises that she is mentally fragile, while her sister Vanessa (Phoebe Fox) turned her affections towards Duncan Grant (James Norton) who teams up with her and his male lover. In fact Grant is the love and leave em kind when it comes to male relationships.
As the drama progresses the younger actors are replaced by an older set of actors and the Bloomsbury group attitude towards free love and creativity gets bleaker as World War Two approaches and losses are felt.
Amanda Coe's script was not easy to follow and seemed sparse which explains why I felt bored and listless.
Scandinavian director Simon Kaijser goes for Nordic noir pacing and a murky look which did not work for this three parter that needed to be faster moving and brighter.
Virginia (Lydia Leonard) married Leonard Woolf (Al Weaver) who soon realises that she is mentally fragile, while her sister Vanessa (Phoebe Fox) turned her affections towards Duncan Grant (James Norton) who teams up with her and his male lover. In fact Grant is the love and leave em kind when it comes to male relationships.
As the drama progresses the younger actors are replaced by an older set of actors and the Bloomsbury group attitude towards free love and creativity gets bleaker as World War Two approaches and losses are felt.
Amanda Coe's script was not easy to follow and seemed sparse which explains why I felt bored and listless.
Scandinavian director Simon Kaijser goes for Nordic noir pacing and a murky look which did not work for this three parter that needed to be faster moving and brighter.
I recorded this mini series because being a fan of Woolf's writing and being interested in Keynes I was interested in the topic. I delayed watching it because of the potential for lascivious sexism and cliché I have observed in other artistic works regarding the Bloomsbury set.
I started watching it when I was ill and was gripped. I like the way the author focused on Vanessa Bell and the avoidance of sexist representations of the women, as is so often the case, especially where there is a break from accepted relationship convention.
I was so glad the author just introduced some characters by name and didn't over explain who everyone was and list their achievements. Unlike a previous reviewer I was glad the snobbishness and self importance and flaws of individuals was not written out.
I particularly enjoyed the inclusion of angelica's experience. This took the examination of the group far beyond previous works I have encountered, giving the story some real emotional meaning.
Over all this series seemed to me to be an exploration of relationships. It reminded me of Phillip Larkin's poem of parenthood.
I started watching it when I was ill and was gripped. I like the way the author focused on Vanessa Bell and the avoidance of sexist representations of the women, as is so often the case, especially where there is a break from accepted relationship convention.
I was so glad the author just introduced some characters by name and didn't over explain who everyone was and list their achievements. Unlike a previous reviewer I was glad the snobbishness and self importance and flaws of individuals was not written out.
I particularly enjoyed the inclusion of angelica's experience. This took the examination of the group far beyond previous works I have encountered, giving the story some real emotional meaning.
Over all this series seemed to me to be an exploration of relationships. It reminded me of Phillip Larkin's poem of parenthood.
It's part two of Life in Squares tonight about the Bloomsbury Group and Virginia Woolf on BBC2 tonight at 21.00. In the first episode we romped through nearly ten years and saw how the embryonic group grew out of some Cambridge male graduates in the modern Bohemian squares of Bloomsbury. They were young free and single and OK. for money and everything was exciting. We saw how the complex relationships of Vanessa (nee Stephen) Bell, Virginia (nee Stephen) Woolf and the death of Thoby Stephen who brought the group together for their Thursday evening meetings. Painter Vanessa Stephen and her writer sister Virginia embarked on a life of unexpected and emerged from the whaleboned strictures of Victoria England. It was a remarkably accurate portrayal and covered a lot of ground in a short hour long program. I loved the lighting and treatment of some difficult subjects which set up tonight's second episode for an exciting continuation.
This series is a remarkable portrait of the Bloomsbury group, and the large cast is universally excellent. The sexual radicalism of many of the characters is handled in a way that is very explicit but also sensitive. One imagines that some viewers would find some of the scenes shocking, especially those involving Duncan Grant's sexual relationships with other men.
But the writers and artists in the Bloomsbury group were all about disregarding the constricting social norms of early 20th century England, so it is appropriate that this series contains some graphic scenes and images.
The photography is very artistic and evocative, and it suggests Vanessa Bell's modernist perspective as an artist. Vanessa is at the heart of the drama, and her character is fully developed and very nuanced. Her love for the gay painter Duncan Grant, superbly played by James Norton, is perhaps the most poignant of all the romances that are shown here.
I wish more attention had been paid to Virginia Woolf who was, after all, the most significant and most brilliant of the Bloomsbury group. Her emergence as a novelist, the woman who became England's greatest novelist of her era, is glossed over. But the series is so unusually in its atmospheric depiction of the lives of these various free spirits that Virginia not getting enough attention can be forgiven.
I would definitely like to see more series about authors and artists whose lives defied social conventions.
But the writers and artists in the Bloomsbury group were all about disregarding the constricting social norms of early 20th century England, so it is appropriate that this series contains some graphic scenes and images.
The photography is very artistic and evocative, and it suggests Vanessa Bell's modernist perspective as an artist. Vanessa is at the heart of the drama, and her character is fully developed and very nuanced. Her love for the gay painter Duncan Grant, superbly played by James Norton, is perhaps the most poignant of all the romances that are shown here.
I wish more attention had been paid to Virginia Woolf who was, after all, the most significant and most brilliant of the Bloomsbury group. Her emergence as a novelist, the woman who became England's greatest novelist of her era, is glossed over. But the series is so unusually in its atmospheric depiction of the lives of these various free spirits that Virginia not getting enough attention can be forgiven.
I would definitely like to see more series about authors and artists whose lives defied social conventions.
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- WissenswertesAl Weaver who plays, Leonard Woolf also plays a character named Leonard in Grantchester.
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