Marseille

Marseille, well the dialogue or script sound like some cheap french soap opera, the scenery though is fantastic, views of the city are what kept me watching this jumbled up mess of a soap opera. Excessive reliance on sex scenes seem almost clichéd, whose screwing who, got to keep track of all of that useless drivel, scriptwriters should of got on with developing some proper dialogue and in depth characterization. The characters all come across as clichéd and tiresome, dreary dreary, but the panorama shots of the city do look so good. The marvelous french architecture and historic city buildings are interesting backdrops to all of this. It is supposed to be quite the crime infested city, and I guess that is real to a point, but I wish they could have given the characters more dimension, and stop with the excessive useless tiresome overdone sex scenes.

After House of Cards I hoped to enjoy a similar show in European setting this time. Depardieu with all the cast perform very well, but the script in general is rather flat. The behavior of major protagonists is illogical at times as if Netflix was very much in a hurry to release season one in 2016.

It would have been a very decent season if the script writers had studied better the psychological side of main protagonists.

Wrapping up: music is great, photo shooting pleasant to watch, location also fantastic, nonetheless it is far from West Wing or House of Cards milieu.

For a French series, I think it's a good beginning to a new era, it will open others ways to explore for the "french series industry" (yes by Netflix this time).

About the series it-self, it's quiet good, the script, trivia, camera shoots are good. Sometimes the dialogues are "weird" and I think even more when you understand French. About the actors, Magimel is good in this role and Depardieu is quite eaten by his past, we know almost everything about his films and there is no surprise about his playing. But all together have a sort of charm in the Frenchie way.

So I'll wait for the season 2.

Though I'm not french I've been living in France for almost 10 years and I speak french. I think I can understand why french people is hating this series. I presume they're looking into details that non- french speakers won't take notice: accents, way of acting, rhythm, dialogues, etc. The french viewers and filmmakers are used to other kind of stories and language (in addition, french people love to take down their own work! You won't never hear them saying "this is good", they will say "it's not bad/c'est pas mal")

The series is worth the watch. There's an evolution in the characters that might have been done better, but acting and script it's not as bad as critics have said. Not the best series I'll see this year, but I've loved it as it radically changed from most of the other options you have on Netflix: American or British productions.

I hope there'll be a 2nd season.

The script is born to mimic other political scripts. And be fateful to the nanny state state school indoctrination. Nothing original. Or creative. Stock characters in a stock story. The acting is so and so. The dialogue is crap. So it's hard to blame the actors. And the writers and producers are so in need of information! It is the French white middle class view on both the very low and the very high placed people in their society. A fairy tale about life in the ghetto or the political games. Probably a series about catholic syndicate men (not women), say the railway or the teachers, extorting more money from the rest of the society would have turned out far more engaging.

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