Füge eine Handlung in deiner Sprache hinzuAfter a teenage girl named Grace goes missing, her parents along with the help of an investigator seek to find her, while also juggling their own secrets and stories between them.After a teenage girl named Grace goes missing, her parents along with the help of an investigator seek to find her, while also juggling their own secrets and stories between them.After a teenage girl named Grace goes missing, her parents along with the help of an investigator seek to find her, while also juggling their own secrets and stories between them.
- Auszeichnungen
- 4 Gewinne & 11 Nominierungen insgesamt
Vito de Francesco
- Ted
- (as Vito De Francesco)
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Sue Brooks films are always refreshing, stylish, and unmistakably Australian. Looking for Grace does justice to Brooks fine understanding of the complexities of the human condition and the struggles and subsequent lessons encountered within family life. This is a bold and insightful film, paced in Brooks unique style. I found this film immensely satisfying despite the fact that the interweaving of the characters personal stories confused me a little at times this technique did not detract from the films overall intrigue. The all Australian cast was well chosen and the cinematography captured the desolate emptiness of the desert landscape and added strength to the metaphor of distance within this small family's relationships. This is a great film!
Being a fan of previous works from Sue Brooks and Alison Tilson I attended the Melbourne premiere of Looking For Grace with a solid expectation of enjoying their uniquely real approach to story telling. I was not disappointed. The film skillfully took me on a journey to explore the wonderful Western Australian landscape and unravel each characters story...their whereabouts,actions and emotions leading up to and during the time of Grace's disappearance. I was challenged to fit each of these life stories together - a bit like a jigsaw puzzle - but they all fitted perfectly - in the end. I really enjoyed this unfolding real life drama with great acting, laughs and very painful surprises.
Another disappointment for me, from the local film industry for 2016. After an awe-inspiring 2015, I guess the next year could never live up to it, but so far there doesn't seem to have been either a runaway hit nor an impressive Australian movie to cheer for. 'Looking For Grace' is sadly looking for a purpose, as it seems to be very caught up in its conceit, but not really making any great insights or character development during its healthy 100 minute duration.
I've enjoyed some of Sue Brooks' earlier work; especially 'Road to Nihill' but this one just fell flat and felt overdone and without credulity. Why Radha Mitchell's lead character was allowed to cultivate such an over the top accent; escapes me. It made her seem a caricature and the serious storyline reduced to whimsy or light comedy. Lkewise thespian for many decades,Richard Roxburgh was painfully broad and faux comedic, where a more grounded and considered performance would have worked so much better. As with 'The Daughter' (another disappointing and forced dramatic work), Odessa Young really saves this movie too. With a naturalistic style and interesting presence, the actress really gives 'Looking for Grace' its saving grace, as the protagonist to this very choppy and muddy narrative. At the other end of the age spectrum, veteran Terry Norris brings real warmth and character to the film; but again the plot inserts him but doesn't really explain how he is there and how he is able to help the main characters. Ultimately, the plot and the film really don't hang together, and combined with some woeful over- acting, it is hard to get too excited about this movie.
Per capita, Australia must have more skilled cinematographers than any country in the world, and 'Looking for Grace' thankfully has a terrific eye in Katie Milwright who gives the film a terrific sense of place and scope. I only wish that the screenplay had provided everybody something more coherent and meaningful to work with.
I've enjoyed some of Sue Brooks' earlier work; especially 'Road to Nihill' but this one just fell flat and felt overdone and without credulity. Why Radha Mitchell's lead character was allowed to cultivate such an over the top accent; escapes me. It made her seem a caricature and the serious storyline reduced to whimsy or light comedy. Lkewise thespian for many decades,Richard Roxburgh was painfully broad and faux comedic, where a more grounded and considered performance would have worked so much better. As with 'The Daughter' (another disappointing and forced dramatic work), Odessa Young really saves this movie too. With a naturalistic style and interesting presence, the actress really gives 'Looking for Grace' its saving grace, as the protagonist to this very choppy and muddy narrative. At the other end of the age spectrum, veteran Terry Norris brings real warmth and character to the film; but again the plot inserts him but doesn't really explain how he is there and how he is able to help the main characters. Ultimately, the plot and the film really don't hang together, and combined with some woeful over- acting, it is hard to get too excited about this movie.
Per capita, Australia must have more skilled cinematographers than any country in the world, and 'Looking for Grace' thankfully has a terrific eye in Katie Milwright who gives the film a terrific sense of place and scope. I only wish that the screenplay had provided everybody something more coherent and meaningful to work with.
This movie very, very slowly draws you in, beguiling you with all the trivial little details of the characters life, while building a family dynamic that eventually hits you over the head with brutal force. This is highly skilled, visionary, storytelling. The direction is steely strong, while delivering a wistful atmosphere. All performances are strong with Odessa Young a stand out in the prime role and of course the other key actor ( the australian outback) setting an overwhelming tone. This is a movie for the patient viewer, a viewer who is prepared to submit to the vision of the director and then eventually be rewarded with an unexpected tragic conclusion.
My wife and I endured an hour of "Looking for Grace" before we both conceded that life is too short to waste on crap like this and walked out of the cinema. The acting was tedious, the pacing horrendous, the script a dogs breakfast and it was just a painful experience. The timing of the actors was shocking, it was like watching the early rehearsals of a poorly directed stage play, I think the director was on sleeping tablets at the time of the directing! Australian movies have enough trouble drawing big audiences which is wrong,our movies are up there with the best in the world, this dud however is not in that category and will certainly not attract too many "bums" on seats.
Wusstest du schon
- WissenswertesThe scene set in an outback bar in the wheat fields of WA contains two extras at the bar. The extras were not in fact Australian, but two British holiday makers passing by during filming.
- PatzerAt the end of the movie they are heading home, but they are heading west into the sunset, with the pipeline still on the right hand side, which is the same direction they were heading out towards Ceduna when they were trying to find Grace.
- VerbindungenFeatured in Looking for Grace: Behind the Scenes (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Buscant la Grace
- Drehorte
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 147.164 $
- Laufzeit
- 1 Stunde, 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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