Black
- 2015
- 1 Std. 35 Min.
IMDb-BEWERTUNG
7,0/10
4723
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen Mavela, member of the notorious youth gang Black Bronx, falls madly in love with a boy from a rival gang, she is forced to make a choice between loyalty and love. A choice that will hav... Alles lesenWhen Mavela, member of the notorious youth gang Black Bronx, falls madly in love with a boy from a rival gang, she is forced to make a choice between loyalty and love. A choice that will have dramatic consequences.When Mavela, member of the notorious youth gang Black Bronx, falls madly in love with a boy from a rival gang, she is forced to make a choice between loyalty and love. A choice that will have dramatic consequences.
- Auszeichnungen
- 10 Gewinne & 11 Nominierungen insgesamt
Sanâa Alaoui
- Mina
- (as Sanaa Alaoui)
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'Yes, I read books by Shakespeare', says a young gang member jokingly when he is interrogated by the police. Without doubt, this scene in 'Black' is meant as a little innuendo. The film is the latest cinematographic adaptation of Shakespeare's play 'Romeo and Juliet'.
'Black' is set in Brussels, where territories are divided between Moroccan street gangs and rival gangs of black Africans. When Moroccan teenager Marwan is waiting in the police station after having been arrested for theft, he meets the pretty African girl Mavela, who is caught for the same reason. They exchange telephone numbers, and start an affair. Because they are members of different gangs, this is enough reason for an exchange of violent attacks by the gangs. Several girls are gang raped or forced to participate in holdups, the boys organize gang fights.
The film is very fast-paced and dynamic, capturing the inner city gang life with dark, sinister images and impressive establishing shots, making Brussels look like an urban jungle not much different from the Bronx or Compton.
But beneath this succession of beautiful shots, there is not much substance. The screenplay doesn't contain much suspense because everyone knows the Romeo and Juliet storyline. The dialogue consists mostly of four letter words. The characters are mostly one-dimensional. All white cops are sadistic racists, all black men are heartless macho's, all girls are sexy and submissive. The film makers miss the opportunity to develop interesting characters, like Mina, a policewoman of Moroccan descent. We never learn how she copes with being hated by members of her own ethnic group.
In view of the Paris attacks of November 13th, the film has an interesting extra dimension. The Moroccan street gang is named '1080', which is the zip code for Molenbeek, the quarter in Brussels where the atrocities were being prepared and planned. You can't help but think that Marwan could just as well have been one of the attackers.
Another interesting thing are the subtle references to Belgian linguistic squabbles. From time to time, Marwan and Mavela switch from French to Dutch, but purely in a mocking way. They hate the Flemish policemen who address them in Dutch, and when Marwan tells his imprisoned brother that he wants to start a legitimate garage business, he is accused of being 'Flemish'. Knowing that both directors are from Flanders, this is a nice pun.
'Black' is set in Brussels, where territories are divided between Moroccan street gangs and rival gangs of black Africans. When Moroccan teenager Marwan is waiting in the police station after having been arrested for theft, he meets the pretty African girl Mavela, who is caught for the same reason. They exchange telephone numbers, and start an affair. Because they are members of different gangs, this is enough reason for an exchange of violent attacks by the gangs. Several girls are gang raped or forced to participate in holdups, the boys organize gang fights.
The film is very fast-paced and dynamic, capturing the inner city gang life with dark, sinister images and impressive establishing shots, making Brussels look like an urban jungle not much different from the Bronx or Compton.
But beneath this succession of beautiful shots, there is not much substance. The screenplay doesn't contain much suspense because everyone knows the Romeo and Juliet storyline. The dialogue consists mostly of four letter words. The characters are mostly one-dimensional. All white cops are sadistic racists, all black men are heartless macho's, all girls are sexy and submissive. The film makers miss the opportunity to develop interesting characters, like Mina, a policewoman of Moroccan descent. We never learn how she copes with being hated by members of her own ethnic group.
In view of the Paris attacks of November 13th, the film has an interesting extra dimension. The Moroccan street gang is named '1080', which is the zip code for Molenbeek, the quarter in Brussels where the atrocities were being prepared and planned. You can't help but think that Marwan could just as well have been one of the attackers.
Another interesting thing are the subtle references to Belgian linguistic squabbles. From time to time, Marwan and Mavela switch from French to Dutch, but purely in a mocking way. They hate the Flemish policemen who address them in Dutch, and when Marwan tells his imprisoned brother that he wants to start a legitimate garage business, he is accused of being 'Flemish'. Knowing that both directors are from Flanders, this is a nice pun.
Black is a dark and fast paced movie about a black African girl and a Moroccan boy who fall in love. While Romeo and Juliet centered around the love between two people from feuding families, Black turns this lovestory into a very current and global racial issue. In addition, the romanticism of the story is completely overshadowed by the grim reality and violence that come with life in a gang. However, no matter how well executed the movie is, that's it as far as content goes: a love story and violence. The two main characters are the only one's that are slightly developed, the rest are mainly a means to an end story wise. I would definitely recommend this movie because it's a very well made contemporary movie, but if you're expecting elaborate story lines and many in-depth characters, you might not enjoy this one 100%.
Very sad story showing how good people living in a criminal environment cannot escape their bad lives. Friend and enemy are preventing them from escaping the criminal and cruel lives. They even get punished for trying. The movie shows how loyalty is forced upon people living in that environment.
What makes it so sad is that the situation in this movie is realistic and happening for real.
The acting from the two lead actors - Marwan and Mavela - is absolutely fantastic and very natural.
What makes it so sad is that the situation in this movie is realistic and happening for real.
The acting from the two lead actors - Marwan and Mavela - is absolutely fantastic and very natural.
Adil El Arbi seems hell-bent on putting migrants into bad daylight, or one would hope...because if this was a factual portrayal of these people we would be right to want them gone as soon as possible. As far as the story goes Adil just took the Romeo & Juliet template and changed some characters names, ethnicities and locations and voila, the script almost wrote itself. Really, this drains the film of almost any surprises coz we all know how that story went. That's just being lazy Adil... As a plus, I do have to say the movie is well shot. The camera-work and cinematography is pretty good. The music as you might have guessed is horrible, atrocious rap music, that's what the gangsta boys listen to innit. But we all know that this is the lowest form of music after Flemish Butcher songs right? So turn the sound off or watch with earplugs. And now for the biggest problem of the whole movie: the characters. These are the biggest bunch of violent, stealing, raping a-holes you would never want to associate with, live in the neighborhood off or even encounter in your lifetime. Normally you as a watcher should be able to sympathize with or at least root for the protagonists but this film makes that very difficult. The black girl is about the only one you can feel for but the rest of these mothers could not die fast enough for me. Just as in 'IMAGE' these migrant characters have nothing but contempt for each other (Blacks vs Moroccans) but most of all for the working class Flemish people. We seems to be the bottom of the barrel for them. That nukes all hope that integrating these people in our society will ever have a chance, or that is what this film is shouting to us in capital letters. Adding insult to injury: this film is financed partially by the VAF, but the only Flemish words spoken in this flick are curse words like 'klootzak', 'makkak', 'hoer', etc...money well spent VAF... So if you want to get royally p*ssed off watch this movie, if you want a couple of hours of solid entertainment watch Deadpool.
This movie is well shot,I'll give it that. But the rest I hate more the more I think about it.
The characters are shallow, everyone's either a sadistic douche or a selfish douche. The script is just another Romeo & Juliet ripoff. And not a very original one.
And the message: according to this movie every young black person is a gangster. Not that they don't have aby other options, no. They want to be gangsters, they don't want to integrate into the society - cause they've been born black and they know it's the best life for them. Well, screw that message and screw this movie.
Wusstest du schon
- WissenswertesThis is the movie that caught the eye of Hollywood, and got directors Bilall Fallah and Adil El Arbi the job of directing Bad Boys for Life (2020), after Joe Carnahan dropped out.
- SoundtracksDans un bar à 5
B. Larry / C. Dufour / S. Bovy / F. Baudson
Performed by La Smala
Published by Edidions Team For Action
Courtesy of Sony Music
Top-Auswahl
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Details
Box Office
- Budget
- 1.200.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 1.692.776 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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