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BayView Entertainment, LLC have released the slasher horror film By The Devil’s Hands: The 666 Killer on Digital Platforms including to rent/buy on Amazon Prime Video worldwide. By The Devil’s Hands: The 666 Killer will arrive on AVOD Digital Platforms worldwide from 22nd October 2024. Featuring award-winning actress Arianne Martin, and Reece [...]

The post BayView Entertainment release slasher horror By The Devil’S Hands: The 666 Killer first appeared on Horror Screams Video Vault - Supporting Independent Horror.

BayView Entertainment, LLC have released the slasher horror film By The Devil’s Hands: The 666 Killer on Digital Platforms including to rent/buy on Amazon Prime Video worldwide.

By The Devil’s Hands: The 666 Killer will arrive on AVOD Digital Platforms worldwide from 22nd October 2024.

Featuring award-winning actress Arianne Martin, and Reece Rios

By The Devil’s Hands: The 666 Killer is from Writer and Director Christopher Abram and the film stars Susana Gibb, Reece Rios and Arianne Martin.

Synopsis:

25 years ago, the mysterious 666 Killer left a trail of corpses. When the Killer’s thirst for blood gets renewed, only the unsuspecting Jamie Anderson (Susana Gibb) stands in his way. “By the Devil’s Hands” explores the dark troubled world of the infamous 666 Killer and the last hypnotic hours of his victims as he continues his campaign of carnage! 6 days…6 victims…6 ways to Die!

About BayView Entertainment, LLC

BayView Entertainment, LLC...

Stars: Matthew Tompkins, Arnold Vosloo, Michael Ironside, Arianne Martin, Damon Carney, Hayden Tweedie, Erin Marie Garrett, John Walpole, Morgana Shaw, Michael Crabtree, Susana Gibb, James Cable, Tom Zembrod, Brandi Price | Written and Directed by Jon Keeyes

I thought I’d try to watch a few more new horror movies by the end of 2018 – December is usually just for Christmas movies for me – but The Harrowing sounded interesting from the few things I’ve read about it so I gave it a go.

The first thing I noticed about The Harrowing is that it looks great. I honestly don’t know its budget but I can assure you this would be what most would call a ‘low budget movie’. And it proves that low budget doesn’t mean that your film should look amateur. Here the picture is the highest of quality, the sound is perfect but also, the one thing...

Blake Eckard’s Coyotes Kill For Fun screens Saturday, November 4th at 7:00pm at The Tivoli Theater (6350 Delmar Blvd, St. Louis) as part of this year’s St. Louis International Film Festival. Ticket information can be found Here.

In “Coyotes Kill for Fun,” the latest from Northwest Missouri indie filmmaker and Sliff favorite Blake Eckard, a backwoods babysitter agrees to help an abused mother of two escape her lunatic boyfriend, but his psychotic brother is headed back to the area, and he has a fraught history with everyone involved. Filmed over three years in Missouri, Montana, and La, “Coyotes” had a long gestation: Two-thirds was first shot back in March 2014, and a trio of cinematographers — Eckard, St. Louisan Cody Stokes, and American-indie legend Jon Jost — passed the baton behind the camera. Despite the prolonged production, “Coyotes” maintains a totally consistent — and utterly original — vision. The film features such Eckard regulars as Tyler Messner,...

Blake Eckard’s Coyotes Kill For Fun screens Saturday, November 4th at 7:00pm at The Tivoli Theater (6350 Delmar Blvd, St. Louis) as part of this year’s St. Louis International Film Festival. Ticket information can be found Here.

Blake Eckard’s Backroad Blues screens Sunday, November 5th at 1:30pm at the .Zack (3224 Locust St.). The Backroad Blues screening is a free event.

In Coyotes Kill For Fun, the latest from Northwest Missouri indie filmmaker and Sliff favorite Blake Eckard, a backwoods babysitter agrees to help an abused mother of two escape her lunatic boyfriend, but his psychotic brother is headed back to the area, and he has a fraught history with everyone involved. Filmed over three years in Missouri, Montana, and La, “Coyotes” had a long gestation: Two-thirds was first shot back in March 2014, and a trio of cinematographers — Eckard, St. Louisan Cody Stokes, and American-indie legend Jon Jost...

Take a gander at this preview for Fallout 4: Far Harbor, which will be released on Xbox One, PlayStation 4, and PC on May 19th. Also in today’s Horror Highlights: a trailer / release details for Don’t Look in the Basement 2, info on a live digital séance from the team behind The Darkness, Crypt TV’s “One Sentence Scare” Contest, and details and teaser images for Hunting the Legend Part II.

Fallout 4: Far Harbor Gameplay Details and Trailer: “Preview your journey to Far Harbor, the next game on for Fallout 4. Far Harbor docks on Xbox One, PlayStation 4, and PC on Thursday, May 19th.

In Far Harbor, a new case from Valentine’s Detective Agency leads you on a search for a young woman and a secret colony of synths. Travel off the coast of Maine to the mysterious island of Far Harbor, where higher levels of radiation have created a more feral world.

By John M. Whalen

“Kill or Be Killed” (2015) aka “Red on Yella, Kill a Fella,” is a low budget horror-western released on DVD by Rlj Entertainment that also attempts to be a tribute to the spaghetti westerns of the 60s and 70s and Sam Peckinpah’s “The Wild Bunch.” The plot is about a gang of outlaws in the year 1900 traveling 500 miles through Texas to get to a stash of gold that’s hidden at the bottom of a well in the sand dunes of Galveston Beach. The group is hounded on their journey by a mysterious being and one by one the gang members get picked off.

Like Peckinpah’s Wild Bunch these outlaws are a motley crew. Their leader, Claude “Sweet Tooth” Barbee, played by co-writer/director Justin Meeks, is very loosely based on real-life outlaw Sam Bass. As Meeks portrays him, Barbee is a man obsessed with...

S.F. Brownriggs cult classic Dont Look In the Basement gets a sequel 40 years later. Anthony Brownrigg the son of S.F. Brownriggs wrote and directed the sequel Id Dont Look in the Basement 2. The film is said to be a true sequel that completes the story that S.F. was unable to before his passing. Synopsis Dont Look In the Basement 2 will pick up the story of Sam after the end of the first film 40 years later. After Sam is moved to a new asylum in 2013 strange things begin happening there to the patients as well as the doctors. One doctor must find out whats causing everyone go delve even deeper into insanity before it overcomes him as well. Starring Andrew Sensenig Frank Mosley Arianne Margot Willie Minor...

In 1973 S.F. Brownrigg directed a low-budget horror flick called Don't Look in the Basement, which oftentimes hit theaters alongside Last House on the Left on a double-bill. Now, 40 years later, Brownrigg's son, Anthony, is intent on continuing the story, and we have the trailer for you right here. Dig it!

Andrew Sensenig, Frank Mosley, Arianne Margot, Willie Minor, Jr., Camilla Carr, and Megan Emerick star in Id: Don't Look in the Basement Part 2. Anthony Brownrigg and Megan Emerick wrote the script. Look for it sometime this fall.

The film will pick up after the events of Don't Look in the Basement, following the character of Sam around 40 years after he and his fellow asylum inmates ran amok. Sam is moved to a new asylum, where strange things begin happening once more.

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Some fourty years after the original film was released, Anthony Brownrigg – son of the original films director S.F. Brownrigg – brings us the long-awaited sequel Don’t Look in the Basement 2, featuring special effects from the ever-reliable Marcus Koch (100 Tears) and starring Andrew Sensenig, Frank Mosely, Arianne Margot, Camilla Carr, Megan Emerick, Scott Tepperman, Jim O’Rear, Brady McInnes, Chester Rushing, Carolyn King, Kim Foster, Libby Hall and Willie Minor as Sam.

In 1973, in a small town in Texas, Stephens Sanitarium was the site of a grizzly tragedy. Doctor Stephens was brutally murdered, and with no one else in charge, the patients took over control of the asylum. The result was mayhem, and the eventual death of almost all the patients as well. The only surviving patient was found a week later alone in the building. And since then has been moved to a state institution and labeled a dangerous murderer.

We return with another edition of the Indie Spotlight, highlighting recent independent horror news sent our way. Today’s feature includes details on a Wes Craven art exhibition, the first sighting of Megafoot, a 100 zombie films graphical print, first photos from Australian Horror film, Barrow, an interview with actor, writer, and filmmaker Sean Stone, and much more:

The Horror Legacy of Wes Craven Exhibit Details: “Wes Craven has been feeding our collective horror consciousness since 1972, when his first feature, “The Last House on the Left,” debuted. That film was gritty, raw and terrifying, it still causes a guttural reaction some 40 years later. In his career, Wes has created some of the most memorable moments in horror cinema, from the torture scene in “The Serpent and the Rainbow,” to the Johnny Depp’s explosive scene in “A Nightmare on Elm Street,” to the first glimpse of Michael Berryman’s savagery in “The Hills Have Eyes.

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers? Love Life Trailer A few weeks ago I talked about a trailer called New Kids Turbo. I received a good amount of e-mail letting me...

This week we can immerse ourselves in tales of American sentiment, French fantasy, English history, Italian romance and alien invasion.

"Avatar"

After more than a decade on hiatus, James Cameron returns from his days as "King of the World" with a mind on conquering a few new ones in this sci-fi epic that the director maintains will alter the face of moviemaking forever. (Early reviews seem to agree.) A galaxy away from Cameron's days as a miniature maker on Roger Corman's "Battle Beyond the Stars," "Avatar" blends performance capture technology with real world photography to create Pandora, where a troubled U.S. marine (Sam Worthington) is tasked with infiltrating the Na'vi, a tribe of primitive but proud aliens, via a genetically created body, though he finds his loyalties torn when he falls in love with one of their own (Zoe Saldana). The film's reported $300 million price tag is surely...