Faraaz
Directed by Hansal Mehta
Compared with Hansal Mehta’s other two films on global terrorism, Shahid and Omerta, Faraaz is a mellower more lenient and forgiving work. It is predominantly a discourse on true Islam and its subversion by terrorists as embodied in the two main characters Faraaz(Zahan kapoor) and Nibras(Aditya Rawal).
The dialogues between the two are sharp and relevant. Most importantly these dialogues never overstay their welcome, hence the film, though largely confined to a café held hostage by a bunch of misguided youngsters, never gets verbose. Instead Hansal Mehta brings in a sense of reined-in anxiety.
The agony of those outside the sealed café, whether the government officials or parents of the hostages(Juhi Babbar Soni, Amir Ali are both superb , though the former has a far more dramatic scope than the latter) is given as much priority as the terrorized hostages inside the café.
Directed by Hansal Mehta
Compared with Hansal Mehta’s other two films on global terrorism, Shahid and Omerta, Faraaz is a mellower more lenient and forgiving work. It is predominantly a discourse on true Islam and its subversion by terrorists as embodied in the two main characters Faraaz(Zahan kapoor) and Nibras(Aditya Rawal).
The dialogues between the two are sharp and relevant. Most importantly these dialogues never overstay their welcome, hence the film, though largely confined to a café held hostage by a bunch of misguided youngsters, never gets verbose. Instead Hansal Mehta brings in a sense of reined-in anxiety.
The agony of those outside the sealed café, whether the government officials or parents of the hostages(Juhi Babbar Soni, Amir Ali are both superb , though the former has a far more dramatic scope than the latter) is given as much priority as the terrorized hostages inside the café.
- 4.2.2023
- von Subhash K Jha
- Bollyspice
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