Juraj Herz(1934-2018)

Juraj Herz wurde am 4 September 1934 in Kezmarok, Czechoslovakia [ora Slovakia] geboren. Er war Regisseur und Schauspieler, bekannt für Habermann (2010), Der Leichenverbrenner (1969) und Die Jungfrau und das Ungeheuer (1978). Er war mit Therese Herz verheiratet. Er starb am 8 April 2018 in Tschechische Republik.

7,0

8,0

7,5

4,7

Cesta do Ríma
6,3
- Antikvár
- 2015
Slovensko 2.0
5,2
- 2014
The Collected Shorts of Jan Svankmajer: The Early Years Vol. 1
8,2
Video
- Visitor
- 2003
Des Kaisers neue Kleider
5,7
- Plafond
- 1994
Die dumme Augustine
6,7
- Magician
- 1993
Gagman
7,8
Miniserie
- Mack
- 1988
Die Galoschen des Glücks
6,2
- Secretary
- 1986
Zastihla me noc
6,9
- Film director (Synchronisation)
- 1986
Der Autovampir
5,8
- Dracula in silent film
- 1982
Bulldoggen und Kirschen
4,9
- Dirigent
- 1981
Der neue Vater
6,4
- 1980
Das neunte Herz
6,7
- Count Merlini
- 1979
Wie wär's mit Spinat?
7,0
- vedoucí kosmetického salónu Netusil
- 1977
Pacho, hybský zbojník
7,9
- Kunzt
- 1976
Die Spur führt ins Berghotel
6,1
- Host (Nicht genannt)
- 1976

Alternativer Name
- Georg Herz
Geboren am
- 4. September 1934
- Kezmarok, Czechoslovakia [now Slovakia]
Verstorben
- 8. April 2018
- Prag, Tschechische Republik(nicht bekannt gegeben)
Ehepartner
- Therese Herz1989 - ? (1 Kind)
Andere Arbeiten
Unproduced screenplay "Nadsamec" ("Supermale") co-authored with Milos Macourek, based on novel by Alfred Jarry. A provocative dark sci-fi comedy that counted on the surprising casting of Macourek's and Herz's mutual friend, screenwriter Pavel Jurácek, in the title role. After the Communist Party found Jurácek to be 'persona non grata', the project was dropped. A few years later, the writers tried to pitch the script again, and at one point Macourek was supposed to be the director as he seemed to be less controversial than Herz, but even that time the script was not produced.

Zitate
[on Morgiana (1972)] the head dramaturg Ludvík Toman said that it was a sadomasochist film and it had to be banned. Then he also told me that he thought I would make a romantic film, so I tried to explain to him that it is romantic, but he couldn't understand that because he thought that I made it too scary. He couldn't catch that in romanticism the writers also used lots of scary, eerie moments. I was forbidden to make films for the next two years.