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In memoriamViswanath’s social commentary and love for classical art are things that can be learned and borrowed, but his deft hand that manoeuvres all these threads into a single tapestry of cohesive beauty belongs to him alone.Courtesy: Wikimedia.Commons/ UttamdabiWhen you are tasked with writing about a man who is a true master at what he did, your hands hover over the keyboard, not knowing where to start. Ever since K Viswanath’s recent demise, social media has been filled with videos of scenes from his 50 films, most of which can be considered masterpieces depending on who you are asking. Viswanath had managed to create a filmography teeming with cinema that tries to teach, without shortchanging the viewer's expectations. You can see his reverence for art in films as early as Kalam Marindi (1972). Films like O Seetha Katha (1974), Siri Siri Muvva (1976), and Seetamahalakshmi (1978) had characters practising some form of art.