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An oblique yet penetrating fable about the sociological connective tissue between the scene of a young woman's murder and much larger ideological and institutional forces-a far-right, xenophobic political party, the estate of a New York art dealer-mapped out across a wordless audiovisual collage of legal documents, archival materials, and upstate location footage.

A young man-with a small, diminishing supply of money-drifts in and out of the New York apartment of a couple traveling overseas.

In a city afflicted by a series of increasingly violent protests, a dying young man is visited in his apartment by a refugee, a political radical, and a priest.

Inside a small apartment, a student engages in a series of household chores while slowly suffering from an illness that will inevitably cause his death.

An anonymous young man appears unexpectedly in the Brooklyn apartment of a young couple, promising the two graduate students a more authentic, less insular lifestyle with him in Berlin. Attracted to what they consider the young man's sincere political and artistic preoccupations, the couple quickly withdraws from school, quit their jobs, destroy their belongings, and wait impatiently for the return of the stranger, who never reappears.