Advanced search

Back from war in Afghanistan, a young British soldier struggling with depression and PTSD finds a second chance in the Amazon rainforest when he meets an American scientist, and together they foster an orphaned baby ocelot.

Grieving her mother's death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way. A stranger in the City of Angels, Lexi's reckless searching leads to cautious discoveries in an atmospheric and introspective quest.

Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into a meditative journey exploring the history of freakdom, vision, and (in)visibility. Shot entirely from director Reid Davenport's physical perspective - mounted to his wheelchair or handheld - the film serves as an unequivocal rebuke to the norm of disabled people being seen and not heard. I Didn't See You There expands on the tradition of point-of-view cinema by incorporating a disabled aesthetic generated through Davenport's own embodiment.

WHAT WE LEFT UNFINISHED tells the story of five unfinished fiction feature films from the Communist era in Afghanistan (1978-1991), and the people who went to crazy lengths to make them, in a time when films were weapons, filmmakers became targets, and the dreams of constantly shifting political regimes merged with the stories told onscreen. This tight-knit group of Afghan filmmakers loved cinema enough to risk their lives for art. Despite government interference, censorship boards, scarce resources, armed opposition, and near-constant threats of arrest or even death, they made films that were subversive and, in the filmmakers' opinions, always "true" to life. All five films - THE APRIL REVOLUTION, DOWNFALL, THE BLACK DIAMOND, WRONG WAY, and AGENT - completed principal photography before being canceled by the state or abandoned by the filmmakers. WHAT WE LEFT UNFINISHED brings together newly rediscovered and restored footage from these unfinished films with new footage shot in the same locations, and stories from behind the scenes, as told by the directors, actors and crew who worked on the films. Archival fictions, present-day recollections, and both imagined and real visions of Afghanistan slip and slide into each other in a film that reminds us that nations are inventions, and films can reinvent them.

Kev, Cona, Hélène, and Aurélien are multigenerational cannabis and wine farming families fighting to preserve their legacies and lands in Humboldt County, California, and southern France, respectively.

Follows Philadelphia artist Jesse Krimes, who created spectacular works while incarcerated and continues to use his work to inspire and challenge.

The life, ideas and impact of Hungarian artist László Moholy-Nagy.

Cuba's ambitious National Art Schools project, designed by three young artists in the wake of Castro's Revolution, is neglected, nearly forgotten, then ultimately rediscovered as a visionary architectural masterpiece.

A feature-length documentary about how we imagine disease, and how that affects what we do when we encounter illness, outbreaks, doctors, treatments, and disability in real life.