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The story of this political thriller takes place in the 90s and follows one night of the life of the Deputy Minister Nikola and his wife Ana. Nikola Ristanovski and Verica Nedeska star in the main roles of the couple.

Based on a children's book written by Zivko Cingo in the 1970s, the movie is about the difficult transition in Macedonia after World War II.

The harder a young paramedic tries to find out why she is receiving mysterious videos of a brutal crime streamed on Facebook, the clearer it becomes to her that she was also involved.

A detective runs into his violent brother he hasn't seen in twelve years. While trying to help him, his actions trigger repercussions that will shake their lives to the core.

A well situated Macedonian doctor lives comfortably with his wife in Montenegro thanks to the money inherited from his parents. Suddenly, he faces with such unexpected reversals in life.

The core theme of the Blue Hour is the transitional period of the 1990s when the modern lifestyle clashes with the conservative values of the very people who have migrated to the capital of the country. It is centrally depicted through the conflicting relationship between a mother and a daughter. Petra, who has made a life for herself in the big city has a crush on her office co-worker Igor and is trying hard to start a meaningful relationship. Her mother's visit from a provincial town in the south not only jeopardizes her efforts, but adds to the already palpable disconnect between the mother and daughter. But soon it will be New Year's Eve, and everybody is hoping for the best.

A man named Nikos and a woman named Anastasia are sent to steal a very important ancient rock, will they make it?

A director faces film cancellation, company troubles and relationship end. Rather than repaying Sergej, he buys used camera gear, takes his ex's car without permission and drives off, believing he can make his film solo.

Vlado, a misanthropic screenwriter, clings to solitude until unexpected encounters shake his worldview, forcing him to confront the life he's avoided.

Two poets from Macedonia and Montenegro fall in love at a poetry festival and their innocent exuberance reflects the promise that the country they lived in, held. Both, their love and the promise their homeland held, end up unfulfilled.

Is the right way always forward? Is there only one way in life we follow? Do we have a choice on that way? Can we choose our co-passengers? Are we all moving with our own average speed along this way?