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1952, Paris. Nadia, a Red Diaper baby, has a sister, Polish parents, and at 15 is an active Communist. When cops beat her during an anti-American demonstration, she's rescued by a "Match" photographer. As the friendship becomes a love affair and her slogans are tested by new knowledge and emotion, some of the Red youth want to expel her. When she goes with Stéphane to a seaside photo shoot, her father goes to the police. Stéphane faces charges, so leaving to cover the war in Indochina looks appealing. In a parallel story, Nadia's mother meets again her prewar lover, released from Siberia, who challenges the French Reds with very real scars and word of Stalin's anti-Semitism.

Prague, 1920. Milena's father wants her to follow in his footsteps and be one of the first female doctors in Czechoslovakia, but she is determined to be a writer. She elopes to Vienna with the Jewish music critic Ernst Pollak, and starts a correspondence with Franz Kafka. She leaves Pollak and returns to Prague with her father, where she befriends and translates Kafka. As a journalist, Milena covers the 1923 Ruhr worker's strike and meets the communist architect Jaromir. They marry and have a daughter. Milena writes for a Marxist paper till her husband leaves for the Soviet Union. She then confronts the rise of Nazism in the years leading up to the Second World War, and ends up in a concentration camp.

A man whose family were killed during an attempted robbery in a railway station decides to take the law into his own hands when the police do not track down the killers.

Daniel Chetman is tired of the violent neighborhood, and takes on the local gangster Mathias Hagen and his tugs.

A prositute (Anges Sorel) tries to change her life after her release from prison, but a murderous slave organization, the Consortium, is determined to bring her back to the fole or kill her, which forces her to seek help from Liberty, an anti-Consortium organization.