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An adaptation of the Sherlock Holmes story about a father trying to gain control of his daughter's inheritance does not include Watson.

The strained expression on the face of one maid servant in a group of six, gives to the mind of Sherlock Holmes, the master of all detectives, the clue to the unraveling of this remarkable and unusual mystery. The maid and the butler planned and carried out a daring robbery in which they secured a mysterious ritual which told of a hidden treasure and gave directions for the finding of the money and jewels. Following the directions, the butler and the maid locate the hidden fortune, but coming suddenly in possession of such enormous riches, turned the head of this daring woman. The decision was reached in an instant, "I will have it all," and just as the butler handed out the treasure laden box, she allowed the heavy flag stone to crash down upon him. Imprisoning him in this death trap where the treasure had lain for years. When he arrived on the scene. Holmes wanted a clue. By clever grouping of the servants of the household, he flashed the old parchment hearing the ritual and watched their faces. Only the maid recognized the ritual and her startled look gave Holmes his entering wedge. The forcing of a confession from the woman is quickly brought about in most dramatic fashion.

A sensational detective story, founded on the romance of Leon Sazie. The noted criminal who terrorized all Europe is shown in these three Zigomar reels in a dramatic and intense struggle for supremacy with Paulin Broquet, the celebrated detective, who takes the two in the most varied and finest resorts. It is literally a chase through the entire continent, with Broquet now having the upper hand and again Zigomar in its possession. Zigomar is the leader of a band of men who persist in plundering rich and poor. They know Broquet is on their trail and set a trap for him. However, he escapes, and in the melee which follows, when he nearly captures Zigomar, the latter also flees. A wonderful feature of this production is the "Will o' the Wisp" dance which the noted dancer, Esmée, performs at a ball in the Moulin Rouge in Paris. The festival begins by a magnificent procession, in which the dancer is carried in a litter, bedecked with jewels. In the succeeding darkness, tiny flames light up and Esmée appears clad in white veils. She appears in the semi-darkness as a white apparition. Then the dance becomes gayer, the dancer turns faster, like a flower with changing colors, and finally sinks exhausted to the floor. There are effects of colored light in this picture that never have been seen before. Immediately following there is a scene of great contrast when Zigomar sets fire to the place and the scene ends in wild disorder.

An adaptation of Our Mutual Friend, one of four Dickens features made at Nordisk in Copenhagen between 1921 and 1924.

Max Pledge, a young savant, is trying to perfect his invention which will enable a person to see the other person with whom he is talking over the telephone. He becomes so absorbed in his work that he will not see anyone. His sweetheart, Daisy, calls and he tells her he is too busy at the time, but if she will go home he will telephone her and she can see him then as he expects to have the invention ready for the first successful test. Daisy is very much vexed at his inattention and determines to teach him a lesson by way of a practical joke. She asks her chum to join in her prank of dressing the chum up as a man with a mustache, so when Max calls up be shall see his sweetheart apparently kissing another man. Evening comes. Max telephones and his first test is a perfect success. He first sees his Daisy, then he sees the supposed man kiss her. His jealousy and anger is so ungovernable and through the hard work perfecting his invention his mind gives way. He forgets everything, cannot recognize anyone. The doctors say the only way to restore his reason is to reproduce the same scene, but to give it an explanatory ending. The moving picture camera is called into service. The scene is re-enacted with the same tragic gestures as before. The supposed man with the mustache kisses Daisy as before. Max watches intently; suddenly the artificial mustache falls off and he at once recognizes Daisy's girl chum. Slowly his reason returns. The joke of it dawns upon him and he folds Daisy in his arms, never to doubt again.

Henri is surrounded by fawning courtiers, who hide behind their smiles a deadly intent to do away with him at the first opportunity in favor of his brother, Duc d'Anjou. There is but one man who is honestly Henri's friend. This man is Chicot the Jester, a huge, handsome, fearless fellow, true as steel, to those who called him friend, deadly as venom to those who dared betray him or his sovereign, and the only person who may speak the truth to the king. Chicot the Jester is given an order by the king for the arrest of the gallant Count De Bussy, whose deserved popularity with the ladies of the court irritates the petulant Henri constantly. Chicot the Jester had the courage of his convictions; he was a man who dared. Knowing his friend De Bussy to be guiltless, he tore the court order into shreds and ordered De Bussy into retirement at the peaceful castle of Baron de Meridor, whose beautiful daughter, Diana Chicot, knew to be the adored one of De Bussy's heart. How De Bussy complied; how he was waylaid by the king's men within Diana's gates; how Diana nursed him secretly; how the uncouth Count de Monsoreau had the beauty kidnapped upon De Bussy's return to court; how De Monsoreau married her before Chicot, who had overheard the plot could interfere.

The Dytiscus is a species of the water beetle and they are abundant in stagnant water. The pictures give an unusually accurate idea of the development of this carnivorous insect. These scientific subjects are difficult to make, owing to the details necessary and this particular film contains a struggle between a Tripon which has been caught in the jaws of the Dytiscus for which the camera man had to wait a number of days before the exact situations desired could be secured.

Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.

The story of "Jack" is well-known. It is a beautiful story of a natural child. His mother, Ida de Borancy, worships the dear little nameless and fatherless being whom she decides, as he is getting on in years, to place in a boarding school. The child's professor of literature is a certain Amaury D'Argenton, a failure of the faculty, and an uninspired poet. During one of her visits to the institution, Mme. de Borancy is attracted by D'Argenton, and falls in love with him. The "Ne'er-do-Well" soon gives up his starving position and makes his abode with her, exercising over her absolute control. He soon learns to hate little Jack and forces her to leave him permanently at school. The poor child, unaccustomed to the separation, runs away, only to find, when he arrives at his former home, that his mother has moved and is now living thirty miles away. He undertakes the journey on foot, and reaches his mother's house completely exhausted. Here he meets Dr. Rivals and his daughter, Cecil. One day Jack, while out for a stroll, meets a peddler on the road, a Mr. Belisaire, worn out with fatigue and privations. Greatly moved, the boy takes him home and is giving him food, when D'Argenton arrives, throws out the peddler and sends Jack away as an apprentice. A new life now opens to Jack, and for two years he labors diligently in the iron works of Indret, living with his foreman, Father Roudick. The latter's nephew, a gambler, steals a small fortune that was to constitute his cousin's dowry, and Jack is charged with the theft, cruelly beaten and dragged before the Magistrate. . Filled with remorse, the real culprit acknowledges his guilt and returns the money. The unpleasantness of that adventure, coupled with the insufficient wages he receives, impels Jack to seek another position. He makes for the seacoast, and ships aboard a trans-Atlantic steamer as a stoker. One night a collision takes place. The boat is struck below the water lines and every man makes a wild, frantic rush to save himself, every man for himself. As by a miracle Jack is saved and returns to his old home, irresistibly attracted by a desire to see his mother. Thanks to the devotion of good old Dr. Rivals, Jack, who has gone through a terrible illness, is restored to health. The two young people fall in love with one another, which is encouraged by the doctor, provided that Jack will study to take his place. Jack goes to Paris to take up his studies, rents a room, where his mother seeks refuge when maltreated by D'Argenton, D'Argenton discovers her retreat and begs her to come back to him. It is in vain that Jack drives him away, for, by means of a touching letter, he succeeds in inducing her to return. The hate he bears Jack is not yet gratified, and he writes to Cecil threatening to reveal her true identity to Jack. She, fearing the outcome of such a revelation, decides to break off the engagement. When Jack learns of this he starts for Paris. In despair he tramps the road all night, and finally drops to the ground, worn out by cold, fatigue and despair. He is carried to the home of Belisaire, and the doctor is hastily summoned, who diagnoses the case as an acute attack of consumption, and orders Jack taken to a hospital. Here a last vision recalls to him his past life, all the hardships and miseries he has endured. He yearns to press in his arms once more his mother, however guilty she may have been, and whom he heartily forgives, but the ravages of disease have sapped his strength and, just as she enters the room, Jack passes to the Great Beyond, his last wish denied him.

A reminiscence of her act ten years ago, recalling how she had secretly married Jean Roussel, flashes through the mind of Mathilda, daughter of Professor Stangerson, when her father asks her to become the wife of Robert Darzac, and how their wedding certificate could not be filed as her husband was imprisoned for passing counterfeit money. But she soon dismisses the horror upon the thought that Roussel must have been dead (she never having heard from or of him) and at last consents to the announcement of her betrothal to Darzac. Roussel, however, was still alive and soon learns of the engagement of Mathilda. By a subterfuge he manages to get a note to her telling her that he still loves her and begging her to flee with him to America. Mathilda was too frightened to answer, so Roussel in a jealous rage goes to the residence of Mathilda and hides in the yellow room occupied by her. Mathilda, who had been out walking with her father and fiancé, returned and feeling tired goes direct to her room, where she comes face to face with Roussel, who cautions her not to utter a word of alarm. But Mathilda was very much afraid and screams. In order to stop her, Roussel chokes her into unconsciousness and leaves her for dead. That evening as she joins her father he notices that she is unusually pale and advises her to retire early. She does and no sooner had the household retired when a shot comes from the room of Mathilda. Upon investigation the father finds that his daughter is lying unconscious upon the floor with a deep gash in her head, but no trace of her assailant could be found for the doors and windows were all locked from the inside. Professor Stangerson places the solving of the mystery in the hands of Rouletabille, a noted detective, and inspector Larson, They are given adjoining rooms in the Stangerson castle, and in his work of unraveling the enigma, Rouletabille finds under the bed of Mathilda a hair and a bloody handkerchief. Then Mathilda receives another letter from Roussel, which makes her change her room. At midnight the detective hears sounds coming from the yellow room, and stations Larson and the professor at both ends of the gallery, but no one is found. Previously the detective had caught a glimpse of a bearded man and has come to the conclusion that he must be in the house. He is also surprised to learn that Larson's hair is the color of that which he had found in Mathilda's boudoir. Larson, who was none other than Roussel, sends Mathilda another note and fearing the surveillance of Rouletabille, he invites the detective to supper in his room. He drugs the wine which is drunk by the detective, and as the latter is examining Larson's hair he notices a bad wound in the inspector's hand and then falls unconscious. Rouletabille's assistant brings him around, and after forcing from Larson the marriage certificate deliberately gives him a chance to escape. Then the detective gives Mathilda the unrecorded marriage document, the destruction of which means her freedom to marry Darzac. The mystery of the yellow room was cleared by the detective's remarkable deduction which shows that the deep gash in the head of Mathilda had been caused by a vision of her assailant and she, in a subconscious state, had discharged the revolver in self-defense and in falling had landed against a table, and the ugly wound in Larson's hand had been done when she had her encounter with him in the yellow room.

Since the days of earliest mythology the spider and his web have been a favorite figure of speech. Here we see interesting specimens of these spiders, which inhabit all quarters of the world and grow to their largest size in the tropics. The arachnidium, wherewith they spin the barely visible silky threads which are used for their webs, have been closely studied by inventors and utilized in their models for reproducing this function mechanically. The delicate webs which these gossamer threads form are at once the spider's home and his means of catching his prey. Commercially, they have been used as cross-lines in telescopes, and even utilized for textile fabrics; but in the latter instance, only as curious. The male spider is larger than the female, whose eggs are numerous and usually enveloped in a cocoon. Although the spider's bite is fatal to other insects, it does not affect mankind.

The cub journalist comes to the aid of a recently remarried woman, whose late criminal husband turns out to be still alive.

Nick Carter, the famous detective, is ordered to prosecute the gang of Zigomar. Carter gets into various thorny situations but manages to escape every time, helped by Olga, a former girlfriend of Zigomar.

As Lord Glenarvan and his wife, Lady Helena, are cruising in their yacht, "Duncan," off the coast of their native land, Scotland, the crew harpoons an immense whale which discloses when it is disemboweled a bottle with a message referring to Captain Grant, who had set out in quest of land to colonize and who had lost his ship, the "Britannia," in latitude 37 degrees off the coast of South America. The interpretation of the message is rather uncertain, as the writing had been nearly obliterated. An advertisement in a daily newspaper to the effect that data concerning Captain Grant has been found brings Robert and Mary Grant, children of the shipwrecked mariner, to the residence of the lord to entreat him and his wife to sail for Patagonia to see if their father cannot be found. Lord Glenarvan assents, and, when on the ocean a few days, a stranger, who had mistaken the "Duncan" for the good ship "Scotia," upon which he was to sail to India, makes himself the laughing stock of the crew by speaking of the "Scotia," of its captain and of India. The stranger is recognized by the lord and his wife as Panganel, a learned geographer. He consents to accompany the expedition, and forty-two days later the yacht arrives at Concepcion, in Chile. The party are unable to obtain any data from the British consul concerning the shipwrecked captain, and they are in despair. Their sorrow is allayed, however, by Panganel who, after trying to make a more correct translation of the message, says that Grant must have been taken prisoner in the interior of South America. While Lord Glenarvan starts to cross the continent, following the 37th parallel as the document indicates, Tom Austin, the mate of the "Duncan." will double Cape Horn and await the party in the Atlantic at the 37th parallel. Abandoned by the guides at the foot of the Alps due to their fear of recent earthquakes, the party is led by Panganel. Toward night they take refuge in a hut which stands upon a glacier which later starts moving down the precipitous mountainside. They all escape with their lives, but discover that Robert is missing. Suddenly a condor soars through the air and they perceive Robert in its talons. They do not shoot for fear of killing him, but a peasant, with unerring aim, brings the bird to the ground and thus saves Robert's life. The peasant is found to be a Patagonian chief and he offers to guide the party through the vast wastes of land. Thalcave, the Patagonian chief, assists them in purchasing horses and supplies. The water supply gives out as they are crossing the desert, and Thalcave, who knows where water can be obtained, leaves the party in company with the lord and Robert. They come to the stream, but find that it is impossible for them to get back to the camp before night comes on, so they repair to an abandoned hut, where they are not long afterward disturbed by a herd of wild cattle. Robert essays to go for help. Mounted on his fleet-footed horse he out-distances the mad cattle, which are in pursuit of him, and reaches the camp safely. Thalcave and the lord arrive a short while later with the water. Heavy rains follow the drought and the surrounding country becomes a veritable lake. The adventurers seek safety in a tree, which is uprooted by the hurricane that comes on with nightfall. The party still clings to the immense tree and are thankful when the wind, which has subsided considerably, blows it upon a hill. From the top of the hill they perceive the "Duncan" and it is not long before they are on board. The party has crossed South America, but no trace of Captain Grant has been found. The message is again interpreted and it is found that a mistake had been made; the party should have gone to Australia instead of to South America. Arriving in Australia, the lord is accosted by a person named Ayrton, who offers his services as guide. He shows the lord a paper which states that he was once the quartermaster on Captain Grant's ship, but had left before the shipwreck. As a matter of fact he was discharged for inciting mutiny. As Ayrton, he is known as a peaceful miller; as Ben Joyce, he is the leader of a band of pirates. The lord, unconscious of his true character, hires Ayrton, and the party sets out for Melbourne, the men on horseback, the women in wagons drawn by oxen, while the "Duncan" is to sail to Melbourne under the command of Tom Austin. When an opportunity presents itself, Ayrton begins to put into effect his malignant scheme and starts in by poisoning the horses and oxen. The lord escapes on horseback to the nearest railway station to go to Melbourne to bring the crew of the "Duncan" to the assistance of the party. Ayrton, fearing discovery, secretly leaves the camp, but is shadowed by Robert to the rendezvous of the convict band. There he learns that they are to wreck the train in which the lord will he traveling. He rushes back to the camp, takes a swift steed, and dashes after the train. He catches up with it, climbs from the saddle of his horse on to the platform of the train, uncouples the car in which the lord is riding from the rest of the train and saves the lord's life. The lord and his young rescuer go back to camp only to come face to face with Ayrton, who thought that he had killed the lord. There is a struggle, in which the lord is wounded. Ayrton escapes. The "Duncan" must be reached and the lord, unable to use his right arm, dictates a letter to Tom Austin instructing him to sail to the 37th parallel on the east coast of Australia, from where he is to send a relief column to succor the party. But Ayrton has been eavesdropping and has heard the contents of the letter, so when the messenger, Mulready, who is to deliver the letter is on his way, he is intercepted by the pirate and seriously wounded. The party sets out a little later than the messenger, and they come upon him just in time to hear his dying words: "Stolen, the letter, Ayrton." After several days of hard and tedious traveling the party reaches the east coast of Australia, but no trace of the "Duncan" can be found. The lord charters a ship to reach Melbourne, but as she is in the hands of a drunken crew she founders off the coast of New Zealand. The adventurers escape by swimming, but upon coming ashore are made prisoners by the Maoris. The lord kills one of the tribe and in the melee that follows Panganel and Robert manage to escape. The prisoners' day of doom arrives on the morrow, and as they are cheering one another so that they may take their fate calmly, Robert and Panganel effect their rescue. They seek shelter in the Temple of Tabou, but are pursued by the Maoris. The captives blow up the sanctuary and escape by a subterranean passage to the sea. In the distance they observe a ship and embarking in canoes make for it, with the natives in hot pursuit. Death seems to threaten the lord and his associates by land and by sea. As he approaches the "Duncan," it would seem as if the ship were in the hands of pirates, for they open fire. But they aim at the pursuing Maoris, who are annihilated. Ayrton is a prisoner aboard the yacht. No trace of Captain Grant can be found and there is nothing for Lord Glenarvan to do but to return to Scotland. In the evening as the yacht is lying at anchor, Robert, who is walking the decks with his sister, sees in the offing a light. A cry of "Help," is then heard. Robert tells the man at the helm, but he ascribes it to the imagination of the youth. Morning breaks with the children disconsolate. A rocky promontory heaves in sight through the morning mist. Boats are lowered and directed toward the shore. Suddenly there bursts from the lips of Robert and Mary a cry of triumph. Upon a rocky headland stands a pathetic figure stretching out his arms to the children. It is their father. Their hearts are ready to burst with joy. Ayrton is marooned on the desert isle. As the "Duncan" sails homeward, the bandit can be seen silhouetted against the sky. The foiled desperado cannot deny a parting salute to the victims of his baseness, and the cannons of the yacht vomit forth a parting salute in reply, and that is the last of Ayrton.

Little Willie is asleep and in his dream he sees the victory of Jim Jackson over his white rival. The emotion makes him fall out of his bed. He shall be the avenger and he writes a note challenging Jackson to a fight, and signs it "Willie Whitehope." The training commences, severe and implacable. In the care of his trainer he submits to long runs, gymnasium, boxing matches and shower baths. At last Jackson is announced. He arrives, followed by a large escort. Willie waits firmly for him. Just what happened is best told in a great comedy film.

While excavating on the estate of the Count of Noyon, workmen unearth a huge box. The count, his friend Seville, and a Brahmin priest open the box, finding a glass coffin containing the body of a young Indian Princess.

A unique subject showing a peculiar species of fish, called "Amblystoma." These are displayed in the various stages from emerging in the embryo state until fully developed. Varieties of this fish are also shown and their methods of killing and eating live prey. Close-up views show the head and body of the fish, and its movements in the water are also clearly seen. When taken from the water this fish loses its gills and assumes an entirely different shape.

Willy's parents, janitors, leave the house in his care and he, of course, takes the job seriously. He starts by pushing aside a porter, who is carrying a trunk to an apartment above and a tenant who did not wipe his feet before entering the house. Annoyed by an organ grinder, Willy makes him get out in a hurry and becomes furious when he sees one of the tenants shaking a rug out of a window. Coming down the stairs, he notifies an old lady with a small dog. "No dogs in this house," says Willy. He spills some water over the old lady and lets the dog loose. It runs away, followed by its mistress. In spite of a notice that no orders will be given after ten o'clock in the morning, a few tradesmen, butcher, baker, grocer, etc., arrive and they are well received by Willy. As it is the day the rents are due, the landlord calls to collect them but Willy thinks it is not yet time and gets out a hose with which he wets everybody who has been watching him. Soon his mother returns and Willy receives proper punishment which his excess of zeal has won for him.

A portrait of the Flemisch city Bruges and its canals.