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A university professor, who works with artificial intelligence linguistic models, begins to suspect that her husband has created an android version of their child. She feels compelled to help free the boy from the prison-like grasp.

On the birthday of the patriarch of the family, one of his sons decides to come out of the closet and test the tolerance of his nearest and dearest. But the surprises that he has up his sleeve do not end there.

Lara returns from Paris with her partner, Telmo, to settle in San Sebastian. Daniel has never left the city; today he lives with his girlfriend, Vera, and works for his mother's real estate agency. Lara and Daniel's lives cross while visiting a flat for sale; but this may not be the first time they have met. Halfway between the past and the present, STILLNESS IN THE STORM explores the love story of two people whose lives, in other circumstances, in other times, could have taken other paths.

Two men meet in a florist shop. Their talk will bring them through the city of San Sebastian and through their memories.

"Haiku, 1975 uses the reappearance of a man who died several decades before as an excuse to address how language and its different expressions create thought. The language of words has monopolized mankind. Does its use override all other languages?" "My idea is to talk about language and create a thought through the cinematic image, as other art forms do using different means. Haiku, 1975 doesn't answer the spectator's questions. The narrative is intended to leave unanswered the questions in the viewer's mind. I believe art should ask questions and the viewer needs to try to find answers on their own."

A spring and benign afternoon in a southern french beach, a boy and a girl, a mirror in a hotel room.