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ASSA is set in Crimea during the winter in 1980. A young musician (Bananan) falls for a mobster's (Krymov) young mistress (Alika). The parallel story line involves a 19th Century assassination plot.

The young mistress of a large estate suddenly becomes the target of several assassination attempts. The famous Hercule Poirot begins an investigation, the result of which will stun even him.

In fact, people who then appear around Mitya are all unique, eccentric and the space of the apartment house begins to have an unrealistic character as a miniature of unstable society in the end of Soviet Union.

Ex-boxer just released from prison. His wife dropped him, he don't have job and money. Racketeers trick him into a gang and he join to gang while holding a grudge against gang leader.

The fantastic components allow Solovev to create displaced references between the cinematic narrative and the historical chaos during the last year of the Soviet empire.

A documentary about the first Soviet labor camp created by Lenin in 1923, that became the "mother of the GULAG" prison system according to Aleksandr Solzhenitsyn.

The era of perestroika, people get the opportunity to see the world, not only go on a tourist trip, but also move to a permanent place of residence in another country. Tamara, a simple girl from a provincial town, is opting for the United States. She is not only moving to Chicago, but also gaining a place there under the sun. Now you can think about restoring family relationships. Tamara left a sister in Ivanovsk. Tamara calls her to her. She is ready to assist Natasha, to do everything necessary so that she firmly stands on her feet in the overseas country. But, oddly enough, Natasha does not want to accept such a generous gift from her sister and is not going to leave her hometown. She lives well here, she has her own business. And Natasha hopes that she will be able to arrange a personal life.