Pesquisa avançada

Young doctor Fabian travels to Lisbon to win back his ex-girlfriend Doro. While the two of them are gradually getting closer again they are being haunted by their fears. Fabian's jealousy once again puts their relationship to the test.

A morte de suas mães faz com que Catarina e seu próprio pai se encontrem em um estado emocional diferente daquele conhecido pela maioria dos pais e filhas.

Wayward boy punishes his mother's lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child's guise.

In summer, the Portuguese countryside is ravaged by fires. Otilia struggles between her job as a pool cleaner and the need to take care of her mother alone. Stunned by this suffocating daily life, the flames awaken in her solitude, despair and the desire to escape.

A child is spending the holidays with their family. The setting is perfect for relaxation and for wondering. Next to the house, workers are building a pond. Attracted to it, the child senses a presence, someone familiar yet still unknown.

The construction of a wall to keep women out, as well as the legacy of those same women whose memories have made the walls to crumble.

What is a border? Besides the many uses and misuses of this word in our daily lives, a border is made by the people that inhabit it. This simple principle is the base of Iván Castiñeiras' masterful debut: Gods of Stone. Narrated as an odyssey moving back and forth in time, the film encounters the population living around the most ancient border in Europe: the one dividing Spain and Portugal. From smugglers to kings, from children to shepherds, this stunningly beautiful land becomes the theatre for history repeating itself. Addressing some of the crucial issues that interest many peripheral spaces in Europe, mining, and emigration, Gods of Stone shows the effects of far away political decisions on the daily life of common people. Castiñeiras' film is a true gem, an ode to a people absent from mainstream culture, that tells us stories of resilience and love, of political battles and exile, in a never ending cycle of life in which the struggles change shape but remain identical in their substance. Playful, poetic and heartwarming, shot in a sublime 16mm, Gods of Stone transcends ethnography and uses cinema to search, and find, the soul of the people it portrays.

Cosmos, dolphins, loneliness and techno. Butterflies, lovers and raves. We close our eyes, and travel the entire universe in a single night.

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

A mass of humans on a raft gradually come to life as they sense a chance for rescue. It would be their last.

Elsie wakes Löic from a hidden grave in the forest. He does not remember anything, just what they are: vampires. With his memory slowly returning, Elsie fears that the love she feels for Loïc may not be enough to keep him by her side.

..so the past and the future merge into a single present, in the terrible and unusual life of the Cursed Courtyard. " Ivo Andric"

On a secluded island lives an autonomous community of children who don't speak, communicating only in gestures. Guided by the eldest among them, they operate like an agrarian commune with strict rules and beliefs. Adults are banished into the surrounding woods, and every year, the oldest member of the village is sent to jump off a cliff a ceremony that is believed to bestow eternal youth on the chosen one. This way of life is threatened when one adventurous child heeds the call of the forbidden forest.

Márcia is a social media pro and knows all the best poses and filters for perfect selfies. Her son, Flávio, helps her to take photos of herself. This is how she manages to hook up with famous rapper Da Reel Chullz on Instagram.

It is the year 2066, and the sole survivor of an enigmatic cult recounts his country's traumatic history and the events that led to the rise and collapse of this cult. As he reminiscences, ghosts from 2014 and the years before appear as witnesses. Part dream documentary, part city symphony, this hybrid film traces the lineage of oppression as inscribed both in Singapore's physical landscape, as well as its collective unconscious. The narrative voice-over reflects on that which is forgotten, subjective, and polymorphic in history. This unusual film is a thoughtful look at the legacy and future of this strange Southeast Asian island.

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting, returning the next day and starting again until they ripen. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

The chorus of dawn descends the burned mountain, echoing in the shale walls of a Portuguese village. Ruby awakens and stands in the half light. Outside, her dog Frankie has run away. Daughter of two worlds, the one that the English parents left behind and the Portuguese land of her upbringing that still calls her a foreigner, Ruby moves between the borders of both, without belonging to either. Her best friend, Millie, will be returning to England; the end of their childhood meets the end of a warm summer day.

SORTES follows the life of the inhabitants scattered around Serra de Serpa. And through the voices of the popular poets becomes a portrait of those who stayed and a requiem for those who did not.

After a spell cast by Grandmother Faraway, her filmmaker grandson, the oldest of a small countryside Portuguese family, encounters the ghost of his other grandmother, Maria, who had passed away two years before, singing in her old house.