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Lia, a retired teacher, has promised to find her long-lost niece, Tekla. Her search takes her to Istanbul where she meets Evrim, a lawyer fighting for trans rights, and Tekla starts to feel closer than ever.

Amalie works hard to fit in to a world where having it all is what matters - looks, money and dancing skills. Then she meets Michael, the street-dancer, who is different from any other person she has met.

Fifteen-year-old Fanny spends the summer with her parents at their vacation home, cherishing time with her terminally ill mother through simple pleasures like swimming and walks, creating final memories before an impending loss.

A 15-year-old ticket scalper in Kabul dreams of Bollywood until the Soviets force him into a state facility.

The grounded and romantic Kári loves the simple life he has in a small village on an isolated island, in one of the smallest countries in the world. But times soon take a turn for the worse. The only source of income for the local community is the fish factory where he works, and when it faces closure, the workers and his best friend look for a way out. But unlike most young people on the island, Kári wants to stay. He is at peace with things as they are, and even when everyone is chasing a better future somewhere else, Kári decides to stay and face the challenges head-on. Because for him, his home town is The Last Paradise on Earth.

Two Danish-Korean adoptees return for the first time to the country they were once born in. Confronted with the spirit of their Motherland and the personal stories of the fellow adoptees they meet in the city of Seoul, Karoline and Thomas are hurled into an emotionally disorienting journey that forces both of them to question and face their own destiny and identity. Operating in a hybrid field THE RETURN is partially based on director Malene Choi's personal experience as well as stories shared by adoptees that Malene encountered in Seoul while shooting the film.

Atmospherically shot on 16mm film, Transnistra is an intimate and vital account of love and friendship in a complex, contradictory world. Award-winning director Anna Eborn (Pine Ridge) intimately follows a group of young people as they move from a sweltering, carefree summer through an unforgiving winter in the self-proclaimed state of Transnistria, where the national flag still holds the hammer and sickle.

Employees attempt to hide the death of a leopard to save the zoo where they work.

The dangerous paranoia lurking beneath the seemingly idyllic existence of a family of hermits living on a remote island begins to come to the fore when their daughter starts to question her parents' worldview.

On an isolated island, Ester goes about her mundane life, quietly obeying her religious parents. One day the rebellious Ragna moves to town, and together they enjoy the summer nights, dreaming about something different, something better.

Based upon unpublished diaries, the film assumes the role of an anthropologist observing remote shepherd communities in Afghanistan where wolves and sheep have equal importance.

The philosopher Edmund Burke has fled London, debt collectors and a ramping midlife crisis to go on a grand tour of the Alps to rewrite his book on the Sublime in this 18th century road movie.

It is summer and they all live here, at the Pine Ridge Reservation in South Dakota, USA.

A highly stylized collage-like portrait of a group of teenage girls bonded entirely over social media. With dashes of the look of early chat rooms and crafted collaboratively with the cast of non-actors, this is the girl-gang film that melds documentary, fiction, punk and web aesthetics.

Cannes-awarded Frida Kempffs first feature documentary is a poetic and intimate story about the guardian angels behind addicts who want to start a new life.

A fictional story developed on the basis of the life of a real woman, Pia (60), who is developmentally disabled. Pia's mother (84) is getting old and Pia is worried about what will happen when her mother dies, afraid of being alone.

Anna Eborn's portrait of an octogenarian Swedish woman in Ukraine LIDA is a modern, poetic, cinematic experience. It is not a conceptual movie nor meant to be consumable in a straight way. By blending time and places - a narrative painting is created about a family love that only exists in memories. These are told in a timeless way by the main character Lida and her son and sister, mixing them, so that the characters can communicate with each other, regardless of the miles and hours separating them. The film is an impressionistic, dreamy piece about beautiful characters, that span generations and who have lived through the war, a war that they aren't a part of, or involved in, but are, nonetheless, irreversibly affected by. Now they can only be connected to each other through their common memories, and the distances between them seem to vanish. Lida is an old Babushka, who is the last Old-Swedish speaking person in a former Swedish settlement from the 18th century in Ukraine. LIDA is about the cycle of time and a community with a unique language disappearing.

The idealistic Lærke is put to the test when she drags her boyfriend and child to her parents' St. Hans Eve party, because what should have been a cosy family moment soon turns into a psychological power struggle between two generations. When Lærke ends up being brought down by her own principles, she throws herself into a last childish attempt to take back control.

Can I add a country on the map for myself?

Luna wants her ex, but becomes friends with Johan. Johan gets tired of Luna, so Luna wants Johan

Anna Eborn's picturesque and moving film about an ageing babuschka's life in a remote corner of Ukraine.