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After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.

When novelist Alessandro Battavia commits suicide, taxi driver Evangile and her brother Nord believe that they are characters imagined in a novel, probably one written by God. Because they see their lives as "merde," they go in search of God to get their story rewritten. Along the way--believing that everything is imaginary anyway--they shoot people, rob pharmacies, and tie up the residents of places where they squat. They also gather a taxi full of eccentrics, including a priest, Battavia's suicidal widow, and a policewoman; various couples pair off. Soon life imitates art: the events and ellipses seem lifted from modern fiction as the group's quest for God continues. What's real?

The sexually charged work of both Hans Bellmer and Louise Bourgeois informs the visage and formation of the central female character.