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Story Of Life Quotes

Quotes tagged as "story-of-life" Showing 31-48 of 48
“In the story of life"Hope" is the Hero who protects the Lady Love "Dream (Desire from the bad guy "Fear".”
Wordions

Mia Sheridan
“Everyone tells a story about who they are in their own head. That story defines you, dictating all your actions and all your mistakes. If your own story is filled with guilt and fear and self-hatred, life can look pretty miserable. But, if you're very lucky, you might have a person who tells you a better story, one that takes up residence in your soul, speaking louder than the woeful tale of which you've convinced yourself. If you let it speak loudly within your heart, it becomes your passion and your purpose. And this is a good thing, the best of things. Because it is the very definition of love, nothing less.”
Mia Sheridan, Leo

“You are not a story, your life is a story and you
are the writer, write an inspiring one.”
Wordions

Mehmet Murat ildan
“Without seeing the whole picture and without knowing the whole story of a man’s life, our judgements about him will most probably be wrong and unfair!”
Mehmet Murat ildan

“You are not a story, your life is a story and you
are the writer, write an inspiring one.”
Drishti Bablani, Wordions

“Storytelling is ultimately the only way that we know besides song, dance, painting, and music to share with our tribesmen what it means to be human, express the indefinable feelings that unite humankind.”
Kilroy J. Oldster, Dead Toad Scrolls

“A shaman and a writer each serve as their communities’ seers by engaging in extraordinary acts of conscientious study of the past and the present and predicting the future. An inner voice calls to the shaman and an essayistic writer to answer the call that vexes the pernicious spirit of their times. Shamanistic writers induce a trance state of mind where they lose contact with physical reality through a rational disordering of the senses, in an effort to encounter for the umpteenth time the great unknown and the unutterable truths that structure existence. An afflicted person seeking clarification of existence cannot ignore the shamanistic calling of narrative exposition. Thus, I shall continue this longwinded howl – making a personal immortality vessel – into the darkness of night forevermore.”
Kilroy J. Oldster, Dead Toad Scrolls

M.H. Rakib
“جب انسان کو جينے کا سليقۂآجائے تووہ مرنے کی خواہش نہيں کيا کرتا۔”
M.H. Rakib

“Language is our identity tool and by using experience, observation, and imagination, we each discover the words that give voice to our lives. To tell our stories is the human method of perforating our isolation tanks, the means to encapsulate what we previously learned, and the mechanism that allows us to enter the universal dialogue of compassion. Sharing the pandemonium of our life’s stories full of grime, love, noise, and steeped in emotional chaos is the act that ultimately binds us to our family, friends, and community. All lovers know each other stories. Farmers, villagers, big city hobnobs, and the citizens from all nations share a conjoined thread through storytelling that seriously investigates the collective human condition.”
Kilroy J. Oldster, Dead Toad Scrolls

Craig D. Lounsbrough
“To recklessly excuse a failure is to believe that I’ve effectively erased it from the story of my life, when I’ve actually imprinted it in indelible ink.”
Craig D. Lounsbrough

“Storytelling creates a healing serum. The thematic unguent of our personal story represents a fusion of the ineffable truths that each of us must discover within ourselves.”
Kilroy J. Oldster, Dead Toad Scrolls

“Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.”
Kilroy J. Oldster, Dead Toad Scrolls

“An author’s operating charter is to unearth embedded symbols that reflect complementary and inconsistent relationships of our collective assemblage, combine harmonizing and contradictory conceptions that motivate us, and delve larger truths out of variable and erratic elements of human nature.”
Kilroy J. Oldster, Dead Toad Scrolls

“Narrative nonfiction is an act of conception and construction; it is formation of a personal legend from the mist of memory using mental hydraulics plied with the tools of logic, structure, design, and imagination. An engaged mind possesses a documentary sensibility that fabricates a memoirist identity, which alliance mollifies their bleak interior critic. A conscientious mind hews a residue of meaning from the verisimilitude of a person’s metafictional baggage. A basic impulse of all free people is to speak to an appreciative audience. Writing the story of our life constitutes asserting the universal human right to declare and define who we are. When we write our story, we become a stakeholder of our place in the world, we affirm the right to shape our future, and avow the verity to heal our torn souls.”
Kilroy J. Oldster, Dead Toad Scrolls

“Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.”
Kilroy J. Oldster, Dead Toad Scrolls

“Each of us, along with our ancestors, inhabits the same cosmos. When we tell stories, we enter the stream of human consciousness; we take with us into the Ring of Time the people whom we crossed paths with in our earthly sojourn.”
Kilroy J. Oldster, Dead Toad Scrolls

“Unlike uplifting light fiction, narrative nonfiction’s trammeled territory provides no safe room where an unnerved writer can banish their unpleasant memories. Narrative nonfiction must make use of our sour feelings, pungent memories, gloomy thoughts, and other indigestible nougats of a black disposition. Given a choice between experiencing nothing and inconsolable grief, the writer will always take the epic grief that composes the grandeur of human tragedy. Without a mask of consolation to shunt the unseemly undercurrent that disturbs them, writers whom dabble in memoir or personal essay writing must swallow hard and make use of the entire range of their toxic temperament. The tonicity of narrative nonfiction need not be bleak, but it must be true to the full panoply of both positive and negative emotions that heave through the writer’s torrid veins.”
Kilroy J. Oldster, Dead Toad Scrolls

“Art is not just a display of beauty. Art also reflects what is ugly, and it celebrates the grotesque. An artist frequently creates what we describe as beautiful by depicting what is at first glance unpleasing, peculiar, or abnormal and casting the unpleasant, strange, or outlandish images into a more agreeable light that reaches deeper truths.”
Kilroy J. Oldster, Dead Toad Scrolls

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