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Romeo And Juliet Quotes

Quotes tagged as "romeo-and-juliet" Showing 121-133 of 133
Raquel Cepeda
“Shakespeare had it right all along: Love will kill you in the end.”
Raquel Cepeda, Bird of Paradise: How I Became Latina

William Shakespeare
“The world is not thy friend, nor the world's law.”
William Shakespeare, Romeo and Juliet

Sarah Rees Brennan
“Hark,” he said, his tone very dry. “What stone through yonder window breaks?”
Kami yelled up at him, “It is the east, and Juliet is a jerk!”
Sarah Rees Brennan, Unspoken

William Shakespeare
“O, mickle is the powerful grace that lies
In herbs, plants, stones, and their true qualities:
For nought so vile that on the earth doth live
But to the earth some special good doth give,
Nor aught so good but strain’d from that fair use
Revolts from true birth, stumbling on abuse:
Virtue itself turns vice, being misapplied;
And vice sometimes by action dignified.
Within the infant rind of this small flower
Poison hath residence and medicine power:
For this, being smelt, with that part cheers each part;
Being tasted, slays all senses with the heart.
Two such opposed kings encamp them still
In man as well as herbs, grace and rude will;
And where the worser is predominant,
Full soon the canker death eats up that plant.”
William Shakespeare, Romeo and Juliet

William Shakespeare
“Tis torture and not mercy. Heaven is here,
Where Juliet lives, and every cat and dog
And little mouse, every unworthy thing,
Live here in heaven and may look on her,
But Romeo may not. More validity,
More honorable state, more courtship lives
In carrion flies than Romeo. They may seize
On the white wonder of dear Juliet’s hand
And steal immortal blessing from her lips,
Who even in pure and vestal modesty,
Still blush, as thinking their own kisses sin.
But Romeo may not. He is banishèd.
Flies may do this, but I from this must fly.
They are free men, but I am banishèd.
And sayst thou yet that exile is not death?
Hadst thou no poison mixed, no sharp-ground knife,
No sudden mean of death, though ne'er so mean,
But “banishèd” to kill me?—“Banishèd”!
O Friar, the damnèd use that word in hell.
Howling attends it. How hast thou the heart,
Being a divine, a ghostly confessor,
A sin-absolver, and my friend professed,
To mangle me with that word “banishèd”?”
William Shakespeare

William Shakespeare
“my heart is wondrous light,
Since this same wayward girl is so reclaim'd.”
William Shakespeare, Romeo and Juliet

Mark Knopfler
“Juliet, the dice were loaded from the start. / When you gonna realize it was just that the time was wrong, Juliet?”
Mark Knopfler

William Shakespeare
“Boy, this shall not excuse the injuries that
Thou hast done to me.
Therefore turn and draw.”
William Shakespeare, Romeo and Juliet

Rae Hachton
“We are all Romeos looking for our Juliet, but never finding her.”
Rae Hachton, Frankie's Monster

Jennifer Sturman
“I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew--that after this, nothing would be the same .
And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's.
Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book.”
Jennifer Sturman

William Shakespeare
“Bear hence this body and attend our will. Mercy but murders, pardoning those that kill.”
William Shakespeare, Romeo and Juliet

Lee  Smith
“I want to be Tragedy, I want to be Juliet, I want to be Romeo. Thus with a kiss I die.”
Lee Smith, On Agate Hill

“I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.”
Roger Allam, Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company

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