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Children of the Jedi: Star Wars Legends (Star Wars - Legends) マスマーケット – 1996/6/1


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In Children of the Jedi,  Barbara Hambly introduces a new character: Callista, a  brave Jedi warrior of long ago who gave her life  to foil one of the Empire's darkest plans, a plot  to destroy a stronghold that was sanctuary for the  wives and children of the Jedi knights. Suddenly,  the dreadnought is rearming itself, intent on  destruction. Only Luke Skywalker can feel its evil  presence as well as the mysterious influence of  that powerful woman who should have died decades ago.

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One of the Empire's most devious inventions was a mammoth unmanned dreadnought, governed by a sophisticated artificial intelligence. It was deployed to crush a stronghold where many Jedi family were sheltered. Crippled during the war against the Empire, the vessel has drifted through space for years. But now it is slowly reactivating and resuming its inexorable mission--one that will draw Luke Skywalker aboard the death ship for the challenge of his life, while Han and Leia try to piece together the ancient mysteries of the ancient Jedi enclave. Here is a novel that delivers all the wonder, adventure, action, and suspense that have thrilled a legion of loyal fans.authorization.

抜粋

Chapter 1
 
Poisoned rain speared from an acid sky. The hunter scuttled, stumbled a dozen yards before throwing himself under shelter again. A building, he thought—hoped—though for a second’s blinding terror the curved shape lifted, writhing, into a toothed maw of terror from which darkness flowed out like the vomited stench of rotting bones. Serpents—tentacles—twisting arms reached down for him with what he would have sworn were tiny cobalt-blue hands … but the burning rain was searing holes in his flesh, so he closed his eyes and flung himself among them. Then for a clear moment his mind registered that they were blue-flowered vines.
 
Though the stink of his own flesh charring still choked his nostrils and the fire scorched his hands, when he looked down at them his hands were whole, untouched. Realities shuffled in his mind like cards in a deck. Should those hands be stripped away to bone? Or should they sport a half dozen rings of andurite stone and a thin scrim of engine grease around the nails?
 
In what reality were those fingers limber, and where did he get the notion a moment later that they were twisted like blighted roots and adorned with hooked nails like a rancor’s claws?
 
He didn’t know. The sane times were fewer and fewer; it was hard to remember from one to the next.
 
Prey. Quarry. There was someone he had to find.
 
He had been a hunter all those years in shrieking darkness. He had killed, torn, eaten of bleeding flesh. Now he had to find … He had to find …
 
Why did he think the one he sought would be in this … this place that kept changing from toothed screaming rock mouths to graceful walls, curving buildings, vine-curtained towers—and then falling back again to nightmares, as all things always fell back?
 
He fumbled in the pocket of his coverall and found the dirty sheet of yellow-green flimsiplast on which someone—himself?—had written:
 
HAN SOLO
ITHOR
THE TIME OF MEETING
 
“Have you seen it before?”
 
Leaning one shoulder on the curved oval of the window, Han Solo shook his head. “I went to one of the Meetings out in deepspace, halfway from the Pits of Plooma to the Galactic Rim,” he said. “All I cared about was sneaking in under the Ithorians’ detection screens, handing off about a hundred kilos of rock ivory to Grambo the Worrt and getting out of there before the Imperials caught up with me, and it was still the most … I dunno.” He made a small gesture, slightly embarrassed, as if she’d caught him out in a sentimental deed of kindness. “ ‘Impressive’ isn’t the right word.”
 
No. Leia Organa Solo rose from the comm terminal to join her husband, the white silk of her tabard billowing in her wake in a single flawless line. “Impressive” to the smuggler he’d been in those days, navigationally if nothing else: She’d seen the Ithorian star herds gather, the city-huge ships maneuvering among one another’s deflector fields with the living ease of a school of shining fish. Linking without any more hesitation than the fingers of the right hand have about linking with the fingers of the left.
 
But this today was more than that.
 
Watching the Meeting here, above the green jungles of Ithor itself, the only word that came to her mind was “Force-full”: alive with, drenched in, moving to the breath of the Force.
 
And beautiful beyond words.
 
The high, thick masses of raincloud were breaking. Slanting torrents of light played on the jungle canopy only meters below the lowest-riding cities, sparkled on the stone and plaster and marble, the dozen shades of yellows and pinks and ochers of the buildings, the flashing, angled reflections of the antigrav generators and the tasseled gardens of blueleaf, tremmin, fiddleheaded bull-ferns. Bridges stretched from city to city, dozens of linked antigrav platforms on which thin streams of Ithorians could be seen moving, flowerlike in their brilliant robes. Banners of crimson and lapis fluttered like sails, and every carved balcony, every mast and stairway and stabilizer, even the wicker harvest baskets dangling like roots beneath the vast aerial islands were thick with Ithorians.
 
“You?” Han asked.
 
Leia looked up quickly at the man by her side. Here above the endless jungles of Bafforr trees the warm air was fresh, sweet with breezes and wondrous with the scents of greenness and flowers. Ithorian residences were open, like the airy skeletons of coral; she and Han stood surrounded by flowers and light.
 
“When I was little—five, maybe six years old—Father came to the Time of Meeting here to represent the Imperial Senate,” she said. “He thought it was something I should see.”
 
She was silent a moment, remembering that puppyfat child with pearls twined in her thick braids; remembering the smiling man whom she’d never ceased to think of as her father. Kindly, when it sometimes didn’t pay to be kind; wise in the days when even the greatest wisdom didn’t suffice. Bail Organa, the last Prince of the House of Alderaan.
 
Han put his arm around her shoulders. “And here you are.”
 
She smiled wryly, touched the pearls braided in her long chestnut hair. “Here I am.”
 
Behind her the comm terminal whistled, signaling the receipt of the daily reports from Coruscant. Leia glanced at the water clock with its bobbing amazement of glass spheres and trickling fountains, and figured she’d have time to at least see what was happening in the New Republic’s capital. Even when embarked on a diplomatic tour that was three-quarters vacation, as Chief of State she could never quite release her finger from the Republic’s pulse. From bitter experience she had learned that small anomalies could be the forerunners of disaster.
 
Or, she thought—scrolling through the capsule summaries of reports, items of interest, minor events—they could be small anomalies.
 
“So how’d the Dreadnaughts do in last night’s game?” Han went to the wardrobe to don his jacket of sober dark-green wool. It fit close, its crimson-and-white piping emphasizing the width of his shoulders, the slight ranginess of his body, suggesting power and sleekness without being military. From the corner of her eye Leia saw him pose a little in front of the mirror, and carefully tucked away her smile.
 
“You think Intelligence is going to put the smashball scores ahead of interplanetary crises and the latest movements of the Imperial warlords?” She was already flipping through to the end, where Intelligence usually put them.
 
“Sure,” said Solo cheerfully. “They don’t have any money riding on interplanetary crises.”
 
“The Infuriated Savages beat them nine to two.”
 
“The Infuriated …! The Infuriated Savages are a bunch of pantywaists!”
 
“Had a bet with Lando on the Dreadnaughts?” She grinned across at him, then frowned, seeing the small item directly above the scores. “Stinna Draesinge Sha was assassinated.”
 
“Who?”
 
“She used to teach at the Magrody Institute—she was one of Nasdra Magrody’s pupils. She was Cray Mingla’s teacher.”
 
“Luke’s student Cray?” Han came over to her side. “The blonde with the legs?”
 
Leia elbowed him hard in the ribs. “ ‘The blonde with the legs’ happens to be the most brilliant innovator in artificial intelligence to come along in the past decade.”
 
He reached down past her shoulder to key for secondary information. “Well, Cray’s still a blonde and she’s still got legs.… That’s weird.”
 
“That anybody would assassinate a retired theoretician in droid programming?”
 
“That anybody would hire Phlygas Grynne to assassinate a retired theoretician.” He’d flipped the highlight bar down to Suspected Perpetrator. “Phlygas Grynne’s one of the top assassins in the Core Worlds. He gets a hundred thousand credits a hit. Who’d hate a programmer that much?”
 
Leia pushed her chair away and rose, the chance words catching her like an accidental blow. “Depends on what she programmed.”
 
Han straightened up, but said nothing, seeing the change in her eyes.
 
“Her name wasn’t on any of the lists,” he said as Leia walked, with the careful appearance of casualness, to the wardrobe mirror to put on her earrings.
 
“She was one of Magrody’s pupils.”
 
“So were about a hundred and fifty other people,” Han pointed out gently. He could feel the tension radiating from her like gamma rays from a black hole. “Nasdra Magrody happened to be teaching at a time when the Emperor was building the Death Star. He and his pupils were the best around. Who else was Palpatine gonna hire?”
 
“They’re still saying I was behind Magrody’s disappearance, you know.” Leia turned to face him, her mouth flexed in a line of bitter irony.
 
“Not to my face, of course,” she added, seeing Who says? spring to her husband’s lips and hot anger to his eyes. “Don’t you think I have to make it my business to know what people whisper? Since that was back before I held any power in the Alliance they say I got my ‘smuggler friends’ to kill him and his family and hide the bodies so they were never found.”
 
“People always say that about rulers.” Han’s voice was rough with anger, seeing the pain behind the armor of her calm. “It was true about Palpatine.”
 
Leia said nothing—her eyes returned for a moment to the mirror, to readjust the hang of her tabard, the braided loops of her hair. As she moved toward the doorway Han caught her arms, turning her to face him, small and slender and beautiful and not quite thirty: the Rebel Princess who’d turned into the leader of the New Republic.
 
He didn’t know what he wanted to say to her, or could say to her to ease the weight of what he saw behind her eyes. So he only brought her to him and kissed her, much more gently than he had first meant to do.
 
“The awful thing is,” said Leia softly, “that a day doesn’t go by that I don’t think about doing it.”
 
She half turned in his grip, her lips set in that cold expression that he knew hid pain she could not show even to him. The years of enforced self-reliance, of not giving way in front of anyone, had left their mark on her.

登録情報

  • 出版社 ‏ : ‎ Random House Worlds; Reissue版 (1996/6/1)
  • 発売日 ‏ : ‎ 1996/6/1
  • 言語 ‏ : ‎ 英語
  • マスマーケット ‏ : ‎ 416ページ
  • ISBN-10 ‏ : ‎ 0553572938
  • ISBN-13 ‏ : ‎ 978-0553572933
  • 寸法 ‏ : ‎ 10.62 x 2.72 x 17.2 cm

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  • Paul Bedard
    5つ星のうち5.0 Unfairly Judged!
    2017年6月2日にアメリカ合衆国でレビュー済み
    Amazonで購入
    I'm not sure why this wonderful book has been so harshly reviewed. It is certainly the best Star Wars novel I have read; it has more of the emphasis on character and spiritual issues and less of the "military" focus of the (also excellent) Zahn books. Many reviewers focus on the perceived flaw of "too much description." Perhaps the issue here is that many Star Wars readers really want a movie and not a book. And many Star Wars novels attempt to satisfy this desire. So, don't pick this up unless you enjoy books as literature. The descriptions are beautiful and really carry the reader to truly alien places. The subplots about what it means to be authentically who you are weave together without feeling like they were constructed to do so. The characters of Cray and Nichos are well-drawn and their dilemma creates both existential and romantic angst. The vanished Jedi children, visible as "ghosts" to Leia, in their happiness and freedom, contrast with the terrible, pitiable " creatures" in the tunnels. Luke's "mission impossible" aboard the asteroid spaceship, and the humor and horror of the mind-altered aliens aboard, is exciting and memorable. The characterization of classic Star Wars alien races like Jawas, Sand People, and Gamorreans is very good. Overall, the dreamy and often depressing style which put so many other reviewers off is remarkably effective and does not make the book any less Star Wars-like.
    For me, one of the big flaws of the Expanded Universe has been that many of the adventures seem like mere trivial episodes which don't have lasting implications, don't show us anything new about the characters, aren't truly thought-provoking, and just don't need to have happened. Children of the Jedi feels like a series of really significant events in the lives of the characters. I feel I know more about even C3PO and R2D2.
    I'll close this review with a debate topic for Star Wars novel fans. Was it a good idea to link all the novels into one universe, so that each author was required to take into account the events of all the other books? While it's nice to have a continuity to follow and see new characters like Mara Jade pop up, it also seems to hamstring the authors, limiting what their imaginations can show us. No big changes can occur because the drawing board has to be left open for other writers. What if, instead, there had been no imposed continuity? Then each author would be beholden only to the movies, and could do whatever they wanted without fear of contradicting other authors or changing the universe to much for future authors. The the readers would truly not know what to expect- Luke could die, Vader could turn out to be alive, Earth could be discovered, and so on. Then when the book ended those ideas wouldn't ruin future novels.
    Perhaps even if the large continuity was maintained, there could have been "imaginary" stories, the way the old DC comics used to do - stories where Superman and Lois got married or Batman died, that were outside the continuity.
  • Kindle Customer Robin
    5つ星のうち5.0 Good read
    2024年9月3日にアメリカ合衆国でレビュー済み
    Amazonで購入
    I really liked the premise of this story. It had humor, romance, and plenty of action. I would love to have an update about deprogramming the Affytechons. Those scenes are some of my favorite. I would recommend this story to any reader who enjoys Star Wars fiction.
  • Jeff F
    5つ星のうち4.0 Solid and fast-paced read that genuinely feels like Star Wars.
    2014年11月20日にアメリカ合衆国でレビュー済み
    Amazonで購入
    Many of the Expanded Universe novels reused the same story tropes, quickly transforming them into cliches. In Children of the Jedi, author Barbara Hambly thankfully avoids using a kidnapping of Han and Leia's children as the central plot (Luke actually forbids their tagging along on the adventure). Although Hambly does use forgotten Imperial agents as the central villains, there is at least an attempt on her part to turn the villains into fully realized characters. As for the Star Wars staple of deadly superweapons, Hambly does utilize that well-worn plotline; however, the automated battleship Eye of Palpatine, staffed by all manner of bizarre alien creatures and controlled by a malevolent A.I. called the Will, provides a unique take on the superweapon trope, and I found myself genuinely enjoying the adventures of Luke and his Jedi students Cray and Nichos (both of whom could have used greater characterization, especially considering their actions at the novel's conclusion) in attempting to stop the ship from completing its mission. Also introduced in Children of the Jedi is Callista, a Jedi from the era of the Old Republic who has survived as a ghost aboard the ship and is Luke's love interest; Callista is another intriguing character whose potential is perhaps not fully realized in this novel. However, the author does show a gift for depicting the characters we all love from the movies; there's plenty of soul-searching and ruminations on the past from both Luke Skywalker and Princess Leia, and while Hambly's Han Solo is a bit weakly characterized, she is also able to make C-3PO vital to the plot. Despite the use of too much technobabble in the early chapters of the novel, I found Children of the Jedi to be a fast-paced and entertaining read, and a much better Star Wars "love story" than The Courtship of Princess Leia. It's not The Thrawn Trilogy, and Hambly is second to Timothy Zahn when it comes to getting inside these characters' heads, but it is light years ahead of most of the other Expanded Universe novels.
  • Mark
    5つ星のうち3.0 Not as bad as everyone says, but not great either.
    2016年10月16日にアメリカ合衆国でレビュー済み
    Amazonで購入
    I don't think that this book is horrible. I think that it is fairly comparable to one of Zahn's books, which I also only think are okay, neglecting the romance with Callista.

    I think that Hambly has a good grasp of the characters. She writes Han well, her Luke is the Luke that has defeated Thrawn, fallen to the Dark Side and defeated the resurrected emperor, and established the Jedi Academy on Yavin, having watched Gantoris die under his watch and Kyp murder billions with the Sun Crusher. As such, Luke is a brooding and experienced character.

    He is rendered incapable much of the book due to an injury. This is a very Zahn-like trope, for in Heir to the Empire Luke is also rendered incapable due to the ysalamiri. As such, his effectiveness is greatly diminished as a Jedi. Provided that I want to see Luke blazing in glory as a mighty hero, I am sort of annoyed that he is so frequently put into narrative circumstances where he is a weak character. I'm not sure if this is just a coincidence or because the writers are hesitant to develop him as a Jedi as jarringly as Veitch did in Dark Empire, but it's not something I particularly appreciate.

    Hambly's Leia is a character strong and confident in the force. She is able to physically separate from her body through the Force, just like Luke in the Jedi Academy trilogy. She is also able to use the force kinetically, drawing towards her a blaster with the Force.

    Unrealistically, she is the Chief of State of the New Republic traveling without ANY state-supplied bodyguards. For being such an important galactic figure, this strains credulity. Think about the movement of kings in the Middle Ages or how the president travels on Air Force One surrounded at all times by highly trained operatives. I know that Leia is allowed to be free of these things wholly owing to narrative caprice, but I would like to see her in more of an overt political leadership role rather than continuing as a "rebel princess" as she functions as here.

    It is nice that Hambly includes Mara and further develops the Emperor's Hand(s) concept, but it is unfortunate that she forgets how Thrawn taunted Mara Jade by alluding to the fact that are likely other Emperor's Hands. That Hambley didn't make this connection is unfortunate.

    Finally, Luke's romance with Callista. This happens rather suddenly, but I do think it is consistent with Luke's character development. Up to this point he has gone through a lot of darkness, stress, and strain, and it seems plausible that he would be particularly receptive to romantic companionship, especially from another Jedi. I think the writing of the romance could have been done a little better, but I'm genuinely happy for Luke at this point, ignoring the romantic developments that occur further down the road.

    Stylistically, I think that Hambly focuses too much on flowery description while ignoring geometrical, cardinal, and placement descriptions. Compare to Stackpole, who, if you really take the time to build his descriptions in your mind, you can really picture where everything is in relation to everything else, what the building looks like, what's in the room, what spacecraft look like, how far things are apart from everything else, etc. I appreciate this. Hambly on the other hand is describing a world as foreign and exotic as Morrowind and uses descriptive adjectives that are just puzzling enough to prevent me from cinematically seeing what she's trying to show me. I had to rely on Wookiepedia to try and picture some of the strange creatures she describes (like Affytechans). I don't appreciate that she almost intends to make it frustrating for the reader to really see the scenes she is describing. I really struggled to visualize the scene with the flower-bed gondolas with vines and catwalks, as well as the scene with Luke ascending a shaft with a trackball with some balloon-sled trailing him with trackers overhead shooting at him while he deflected the bolts with some handheld mirror -- it's just too many strange variables that aren't well-enough described to allow me to picture it all cinematically.

    I'd categorize this as an average book. I don't hate it, as others do, but I feel that Hambly's style of writing isn't comparable to the cinematic clarity of Stackpole's.
  • Cam T.
    5つ星のうち5.0 Children of the Jedi - A Hard-To-See Gem
    2007年7月14日にアメリカ合衆国でレビュー済み
    Amazonで購入
    When I first picked up a copy of the book, one thing that struck me was the excessive DETAILS contained within its pages. While it's nice to know some of what's considered normal in the Star Wars galaxy, there's such a thing as Too Much Information, which is, IMHO, Ms. Hambly's failing as an author.

    On the other hand, the plot, while not a fast-paced action-packed story that most Star Wars fans have come to expect, still contains a lot of 'history', including the never-launched "Eye of Palpatine" dreadnought, the Jedi Knight Callista who gave her life to stop it, and Luke's second (or 3rd, if you count Jem Ysanna in "Dark Empire II") love interest, while Leia and Han investigate Imperial dealings on a planet where a former concubine of the Emperor and her (and the Emperor's?) son Irek (Cool name!) are plotting a coup with the leading Houses of the Senex Sector. It's kind of a refreshing change from endless confrontations with the Empire.

    The main problem is that Ms. Hambly, while gifted with loquacity for detail, did not develop quite enough of a storyline to justify the full-length novel, which she seems to compensate for with the extensive detail, which made following the book rather difficult for me.

    When I got this cassette set, and listened to it, a lot of things in the story finally began to coalesce for me, and the plot flowed much more smoothly. I also enjoyed the performance by Anthony Heald, who I've been a fan of since I first saw him on (was it "Silence of the Lambs", Law & Order, Boston Public, or the X-Files?). Sound effects, music, and audio effects such as echoing voices in the caves, help make this story a good adventure, which not enough people seem to think was a good one.

    I am not one of those people. Are you? Decide for yourself!