Photo by Mark Meth Cohn from The Nikon Comedy Wildlife Awards
There’s a new litter of coyote pups hanging out in the Graceland cemetery in Chicago. They are learning how to coyote.
Sound on!
A digital scrapbook by the author of Steal Like An Artist and other bestsellers.
Photo by Mark Meth Cohn from The Nikon Comedy Wildlife Awards
Throwback to September: “Angry ram takes down a drone… and its owner”
I was looking for the angry ram with my fpv quadcopter, I got a bit close & he managed to hit it knocking it into a bush, luckily no harm done. When I went to retrieve the drone he followed me, I had my hands full so he got me pretty good.
Animals attacking drones
I was delighted to find out that animals attacking drones is a whole genre. Go, animals!
Photographer Thomas Roma spent three years in a dog park in New York City in order to catch their shadows. The aim of his collection is to show us that through their shadows their primal and wild aspect nature is reflecting.
On shadows and silhouettes
Funny how much those photos look like cave paintings.
See also Tom Waits’ shadow:
In the Victorian age, tracing silhouettes was a popular way to capture likenesses:
Cartoonists and artists take heed. As Matt Groening says,
The secret of designing cartoon characters — and I’m giving away this secret now to all of you out there — is: you make a character that you can tell who it is in silhouette. I learned this from watching Mickey Mouse as a kid. You can tell Mickey Mouse from a mile away…those two big ears. Same thing with Popeye, same thing with Batman. And so, if you look at the Simpsons, they’re all identifiable in silhouette. Bart with the picket fence hair, Marge with the beehive, and Homer with the two little hairs, and all the rest. So…I think about hair quite a lot.
He’s not the only animator to bring up the subject:
“We need to see edges to recognize the form.”
Artists find inspiration everywhere.
Image 1:
Andy Warhol
source material for Cow Wallpaper, 1965
©AWF
Image 2:
Andy Warhol
Cow Wallpaper, 1966
©AWF
Andy Warhol’s cow wallpaper
Can I just say how delighted I am that The Warhol Museum tumblr reblogged me? If only I could get to Pittsburgh to see that Corita Kent show…
“How To Draw A Penguin” by Oliver Jeffers
See also: “How to draw a bear thinking” by Jon Klassen
Throwback to September: “Angry ram takes down a drone… and its owner”
I was looking for the angry ram with my fpv quadcopter, I got a bit close & he managed to hit it knocking it into a bush, luckily no harm done. When I went to retrieve the drone he followed me, I had my hands full so he got me pretty good.
Animals attacking drones
I was delighted to find out that animals attacking drones is a whole genre. Go, animals!
Ernst Oppliger, Noah’s Ark, papercut, 1982
More of his work, here. Check out some of the work of Andrea Dezso, too.
(Detail photo via jenbekman)
“The Don Quixote-Sancho Panza combination, which of course is simply the ancient dualism of body and soul in fiction form, recurs more frequently in the literature of the last four hundred years than can be explained by mere imitation. It comes up again and again, in endless variations, Bouvard and Pécuchet, Jeeves and Wooster, Bloom and Dedalus, Holmes and Watson (the Holmes-Watson variant is an exceptionally subtle one, because the usual physical characteristics of two partners have been transposed). Evidently it corresponds to something enduring in our civilization, not in the sense that either character is to be found in a ‘pure’ state in real life, but in the sense that the two principles, noble folly and base wisdom, exist side by side in nearly every human being. If you look into your own mind, which are you, Don Quixote or Sancho Panza? Almost certainly you are both. There is one part of you that wishes to be a hero or a saint, but another part of you is a little fat man who sees very clearly the advantages of staying alive with a whole skin. He is your unofficial self, the voice of the belly protesting against the soul. His tastes lie towards safety, soft beds, no work, pots of beer and women with ‘voluptuous’ figures. He it is who punctures your fine attitudes and urges you to look after Number One, to be unfaithful to your wife, to bilk your debts, and so on and so forth. Whether you allow yourself to be influenced by him is a different question. But it is simply a lie to say that he is not part of you, just as it is a lie to say that Don Quixote is not part of you either, though most of what is said and written consists of one lie or the other, usually the first.”
From “The Art of Donald McGill”
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