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Showing posts with label superman. Show all posts
Showing posts with label superman. Show all posts

Thursday, 13 September 2018

DC Cinematic Universe lose both Superman and Batman

Reports are that the floundering, DC Cinematic Universe has lost both it's Superman and Batman with Henry Cavill confirmed as leaving the Superman role. This week, The Hollywood Reporter quoted sources saying that Cavill is done with the Man of Steel, and this was followed by the New York Post reporting that Ben Affleck is hanging up his Batman cape.

The DC cinematic universe seems to be in a right mess.


Warner Brother's released a statement that included the following:




"While no decisions have been made regarding any upcoming Superman films, we've always had great respect for and a great relationship with Henry Cavill, and that remains unchanged."

Although the Warner's statement doesn't come right out and say that Cavill is leaving the role, it doesn't deny it either. A similar situation exists with Batman at the moment with neither Warners nor Affleck confirming that he is finished with the role, however reports have surfaced that Warners have requested digital mock ups of Game of Thrones actor, Kit Harrington in the role.


Sunday, 22 May 2016

Truth Justice and the Corporate American Way

When Joe Shuster and Jerry Siegel created Superman way back in 1938, the naive young men did not consider the fact that their creation would be taken, though stolen may be more apropos,  away from them - how could they? At the time of Superman's creation there was no superhero industry and their creation, that champion of the underdog, defender of the people, would largely be responsible for setting off a bandwagon that continues to roll, maybe faster then ever, today.  Without Superman there would have been no Batman and without those two costumed punchers there wouldn't even be a superhero genre as we know it.

Shuster and Siegel came of age during the Great Depression - as young men they were drawn to each other because of a shared interest in popular culture - they were geeks before the word had been coined. Siegel dreamed up the character that would develop into Superman in 1934. He described the character to his friend, Joe Shuster who immediately started to sketch the character based on his friend's description.

An early version of Superman as drawn by Shuster.
The pair put an initial strip together, as pictured left, but their character, then called The Superman was rejected by every publisher the pair approached. It is interesting to note that two years before Siegel came up with the idea of his invincible crime fighter, his father was killed during a robbery.

On June 2, 1932, Jerry Siegel's father Mitchell, a Jewish immigrant from Lithuania, died during a night-time robbery at his Cleveland second hand clothes store.
The 60-year-old died during the robbery. It is quite possible that this tragic event would lead to Siegel creating a bullet-proof crime fighter.

Initially Superman's origins were vague but as the two men continued to shop their creation around to uninterested publishers, they added to Superman's mythos - naming him Clark Kent and explaining his powers as due to the fact that he was an alien from another planet. It is interesting to note that much of Superman's origin as known today was not invented by Siegel but by Batman co-creator, Bill Finger who wrote up the origin story after Siegel had been kicked off the strip by Detective Comics.


In 1935 Shuster and Siegel started selling strips to National Allied Publications, but they were unable to sell the Superman concept to the publisher. The idea was considered too ridiculous and publishers couldn't see how the character would fit into their comic books which were largely occupied by westerns and detective stories. However when the pair submitted Superman to newspapers with the hope that the character could become a syndicated strip, they were told to show the stories to Detective Comics

'I submitted 'Superman' to Detective Comics, together with other proposed comics. In early December (1937) , I visited Detective Comics, Inc. in New York and was invited to submit strips to be considered for their proposed new comic book, Action Comics. Soon after, I submitted 5 strips for consideration. Vin Sullivan, editor of Detective Comics, Inc., wrote to me on January 10, 1938: "I have on hand now several features you sent.... The one feature I liked best, and the one that seems to fit into the proposed schedule, is that 'Superman'. Joe Shuster


 Shuster and Siegel were delighted in the interest in their character and after a meeting with Vin Sullivan they sold their strip to Detective Comics  Inc for $130 - the deal meant that  all rights in the character. This was one of the most audacious deals since Peter Minuit convinced the Indians to sell Manhattan Island for $24.

However unfair the deal was Shuster and Siegel were certainly aware of that they were giving up the rights to their creation. The original contract they signed read,

'I, the undersigned, am an artist or author and have performed work for strip entitled SUPERMAN
In consideration of $130.00 agreed to be paid me by you, I hereby sell and transfer such work and strip, all good will attached thereto and exclusive right to the use of the characters and story, continuity and title of strip contained therein, to you and your assigns to have and hold forever and to be your exclusive property and I agree not to employ said characters by their names contained therein or under any other names at any time hereafter to any other person firm or corporation, or permit the use thereof by said other parties without obtaining your written consent therefor. The intent hereof is to give you exclusive right to use and acknowledge that you own said characters or story and the use thereof, exclusively. I have received the above sum of money.
Sgd. Joe Shuster
Sgd. Jerome Siegel
Returned by mail on March 3, 1938'

The character made his debut in the first issue of Action Comics - Superman was shown on the cover, dressed in a figure hugging blue suit with a flowing red cape. He was lifting a green car up over his head, while a terrified, bug eyed witness flees directly into the foreground of the frame. In the background another man can be seen running away from this strange man who can lift an entire car not only off the ground but up above his head.

The cheque which Siegel and Shuster received for their first Superman story.
The character was an immediate success - as the lead feature, 13 pages per episode, he became a hit with young readers, and just a year after his debut the character was given his own title in which his story took up the entire issue, all 64 pages. This was a first for comic books at a time which when the accepted format was for anthologies featuring several different characters. Superman, issue one sold incredibly well and the character soon became a household name across America.



In 1947 Siegel and Shuster sued Detective Comics Inc for the rights  Superman and a "just share" of all profits that the publisher and its partners made from the character. The suit was filed with the Supreme Court of the State of New York, in Westchester County.

Siegel and Shuster argued that the March 1, 1938 contract, in which they sold Superman to Detective Comics, should be voided because it lacked sufficient consideration for Siegel and Shuster. Judge Young, however, ruled that the $130 mentioned in the contract was "superfluous" because Detective Comics was exercising its right of first refusal which had been agreed upon in an employment contract in December 1937. He concluded that the true consideration to Siegel and Shuster in the March 1938 contract was simply to have Superman appear in print.

Again in 1969, Siegel and Shuster sued Detective Comics Inc in United States District Court for the Southern District of New York over ownership of Superman, based on the Copyright Act of 1909, which allowed the creator of the work to apply for copyright renewal after 28 years.
The court found that in the 1947 final consent judgment, Siegel and Shuster had transferred "all their rights" to the Superman character to National (Detective Comics parent company) , including the renewal term. This decision was based on the legal precedent set by Fred Fisher Music Co. v. M. Witmark & Sons, in which the US Supreme Court ruled that an author could in writing convey his renewal rights in advance of their vesting.

The court also ruled that Superman was a work made for hire, despite the fact that Siegel and Shuster had been developing the character long before they began employment at National. The court argued that  National had rejected Siegel and Shuster's earlier prototype of Superman and that the revised version that appeared in Action Comics #1 was made under the supervision of Detective Comics.


Siegel and Shuster were dismayed but they would not give up their battle to regain the rights to their creation - by this period the character was being worked on by other writers, and Siegel and Shuster had even lost their creator credits from the Superman comic strips. And In 1975, Warner Bros. announced the production of a Superman movie to be directed by Richard Donner. Siegel publicly condemned the project and drew attention to his mistreatment by DC Comics.

Siegel wrote in a press release -


'I curse this movie.Why am I putting this curse on a movie based on my creation of Superman?
Because cartoonist Joe Shuster and I, who co-originated Superman together, will not get one cent from the Superman super-movie deal.

Superman has been a huge money-maker for 37 years. During most of those years, Joe Shuster and I, who originated the character Superman, got nothing from our creation, and through many of those years we have known want, while Superman'S publishers became multimillionaires.


As far as Joe and I are concerned, we have been victimized by evil men and a selfish, evil company which callously ruined us and appears to be willing to abandon us in our old age, though our creation Superman has made and continues to make millions for them. Newspaper articles state National was paid $3,000,000 for the rights to make the Superman movie and that $15,000,000 will be spent to produce the movie. And the originators of Superman, Jerry Siegel and Joe Shuster, are not to receive one cent. 

WHAT AN INFERNAL, SICKENING SUPER-STENCH EMANATES FROM NATIONAL PERIODICAL PUBLICATIONS, INC. We hope the public will never forget this when seeing the Superman character, or National Periodical comic books. Do not patronize Superman because of this injustice.'




 Siegel found sympathizers such as Neal Adams and Jerry Robinson, who waged a public relations campaign for better treatment of comic creators in general. In order to avoid bad press, Warner Bros. agreed to give Siegel and Shuster a yearly stipend, medical benefits, and credit their names in all future Superman stories, in exchange for no longer contesting ownership of Superman.The stipend was initially $20,000 but rose over the years.

Shuster died in 1992 never having received his fair share of the Superman bonanza. DC Comics offered Shuster's heirs a stipend in exchange for never challenging ownership of Superman, which they accepted for some years. And when Siegel died in 1996 it seemed as if the legal battles regarding Superman were over once and for all.

This was not to be the case and the heirs of Siegel and Shuster have several times made legal claims against both DC Comics and the Warner studios who now own the rights to the character. The copyright to Superman was in its renewal term on October 27, 1998, the date the Copyright Term Extension Act became effective, which means it will expire 95 years after it was first secured. Therefore, Superman is due to enter the public domain in 2033


Warner Bros is finally free of the last copyright Kryptonite plaguing its ownership of Superman. The 9th Circuit Court of Appeals today handed the studio another legal win in its battle with the estates of the Man of Steel’s co-creators Jerry Siegel and Joe Shuster – and the court did it with some degree of humor. “In this appeal, we address another chapter in the long-running saga regarding the ownership of copyrights in Superman... FROM DEADLINE











Monday, 9 September 2013

Too old for latex


Iron Man 3 hits DVD today and I snapped up a copy this morning. This was one of the  superhero films I missed at the cinema, and although I enjoyed both previous Iron Man movies and loved The Avengers I think I'm getting tired of superhero movies. Either that or I'm getting too old for them - Man of Steel failed to excite me and for the most part I found it boring and the third Dark Knight movie, Dark Knight Rises I felt was deeply flawed. Those tacked on endings, all that bollocks about the auto-pilot, left a sour taste on what was otherwise  a brilliant superhero trilogy. Though in truth I don't think the Nolan Batman movies were really superhero movies at all, but rather dark crime thrillers that just happened to feature a man in a cape. So maybe the Dark Knight movies don't really count when talking about superhero movies.

The big news at the moment is that Superman and Batman are to team up in a movie and then after that Warners will make the long promised Justice League film... I'm underwhelmed by that and don't really give a toss. Mind you I'm not that bothered by the prospect of new Star Wars films either, so maybe I am turning into a grumpy old man after all.

I actually bought two DVD's today - Iron Man 3 and then the new Blu-Ray edition of The Treasures of Sierra Madre. I've seen Sierra Madre perhaps a dozen times and can't wait to watch the new Blu-Ray edition. And at the same time I don't think I could sit through The Man of Steel again.

So what is it? Am I a grumpy old man or is it the fact that Hollywood doesn't really make movies for grown ups these days? Whatever the reason I do suspect I'm too old for latex but I'm going to give Iron Man 3 a spin....expect a review here later this week, as well as a look at the new Blu-Ray of Treasures of the Sierra Madre.

 I expect Fred Dobbs will kick Tony Stark's arse.


Thursday, 22 November 2012

HAS THE JUSTICE LEAGUE MOVIE ALREADY STARTED

The climax of THE DARK KNIGHT RISES has provoked a great deal of controversy and debate - since Batman had to have died at the end of the movie fans are asking if  Christopher  Nolan cheated them.

Batman must have died -  After all, even if Bruce Wayne had leapt from The Bat the atomic blast would have killed him.

And yet we saw two odd seemingly tacked on endings after the explosion - one saying that the auto pilot was working and secondly we saw Bruce Wayne sitting in a cafe enjoying a drink with Catwoman. Now the auto pilot plot line is shit since we saw Batman in the cockpit only seconds before the explosion so that can be discounted - the autopilot couldn't have saved Batman. And the cafe scene in which Alfred spots Bruce could have been a dream since Alfred makes reference to such a recurring dream early in the movie.


Whatever happened it seems strange that a filmmaker like Nolan, whose scripts are thoughtful and wound tightly, would leave such a huge issue of plausibility lingering over his epic Batman trilogy. Well now there is a theory doing the rounds that at first seems ridiculous but is gaining enough credibility to make the national press. It is no secret that Christopher Nolan had a lot of input in the forthcoming Man of Steel movie and is in fact producing the movie - fans are speculating that during the new Supes movie it will be revealed that Superman actually saved Batman at the end of The Dark Knight Rises, and that this will lead onto a Justice League movie.

If that does turn out to be the case then it makes perfect sense of one of the more troubling aspects of The Dark Knight Rises - it would also pave the way for the Justice League movie that DC are so keen to see on the big screens, and if this does turn out to be the case then it is a stroke of genius. And it would also be a typical twist for Nolan to have thrown into the mix.

Superman saved Batman? - The more I consider it the more likely it becomes.


Saturday, 3 September 2011

The Man of Steel



There is much buzz about the forthcoming Superman reboot, The Man of Steel which will be directed by Zack Snyder and hit screens in 2013.  It’s still some way off but Superman has always had the ability to get the geeks, nerds and fanboys, of which the Tainted Archive is one, in a spin. And so in this post, a single blog entry, we will turn you into an Instant Superman expert.

These days he may not have the cool of Batman, but Superman was the first superhero and in many ways he is still the best. He’s been around since 1938 and since day one has been the most recognisable superhero of them all. Created by science fiction buffs, Jerry Siegal and Joe Schuster, Superman’s entry into print was arduous. When Action Comics 1 was published in June 1938, the character of Superman had been developing in the minds of his creators for more than five years, and had been turned down by publishers umpteen times. The Man of Tomorrow, it seemed, was too far ahead of his time for the conservative publishers of the period. It’s hard to imagine now, in this age of superheroes, just how unique a concept Superman was, but put yourself in the mindset of a population where westerns and crime stories were the height of fashion, then this story of an alien who gains super powers on Earth and travels around in a skin-tight costume ,righting wrongs and upholding the American way, seems  radical indeed.

The character had originally been conceived to fill in the funnies section of newspapers, and when the story was bought by DC several newspaper strips had to be joined together to make a complete story – it worked and Superman was an immediate success. The man of steel’s alter ego was firmly based on the then popular comedy actor, Harold Lloyd
The Superman of these early years was different to the character as we know him today – the biggest difference is that he couldn’t fly but was able to leap over incredible heights and distances.
During the 1940′s the character was developed and many of the key elements of the Supesiverse were brought to the fore – Louis Lane as the love interest for instance was an immediate success and the character of today is recognisable in these early strips. The character of Lex Luthor was accidentally drawn without hair for a newspaper strip version of Superman and an icon was born.

When the war broke out during this decade Superman’s villains, up to that point run of the mill masked bandits, suddenly took on  relevance as Superman was called into service with many patriotic war based stories. Supes was taking his brand of truth, justice and the American way to the Nazis who were decimating Europe.
The 1950′s saw the public becoming bored with costumed heroes as horror comics became increasingly popular, but Superman along with several other big name characters survived and indeed prospered throughout the decade. The character’s powers increased throughout the stories of the 1950′s. And he ended the decade as a kind of demigod – everything about him became super and the character could now boast:

  • Unlimited super strength, speed, stamina, endurance and durability.
  • Extreme longevity
  • Enhanced mental processes, defences, and genius level intellect.
  • Unlimited physical senses (sight, smell, touch, taste, hearing).
  • Ability to perceive the entire electro-magnetic spectrum and various other forms of energy.
  • Flight
  • Flight across the universe to distant galaxies and solar systems,flying through space warps near earth and emerging many light years away.
  • X-ray vision
  • Heat Vision
  • Precise muscle control and vocal control.
  • Freezing/hurricane breath.
  • Super-Ventriloquism
  • Super-Hypnosis

The decade saw a  new writing team which  introduced elements that would quickly become part of the brand – The Fortress of Solitude was invented by writer, Otto Binder who had been poached from rival title, Captain Marvel and Superman’s pal, Jimmy Olsen also made his first appearance during the decade.
The 1960′s may have been the silver age for comics but it was the golden age for Superman, and when Otto Binder left the title in 1960 he left behind much of the groundwork that writers of the title would find useful in the years to come.
By this period the character had now become well known in mediums other than comic books – he had conquered radio, TV and the early morning cinema screens. Kirk Alyn had become  the first actor to portray Superman on the screen in 1948′s Superman which was a serial filmed for the Saturday morning cinema shows. But it wasn’t until the 1951 TV series that an actor really became synonymous with the character. With George Reeves in the title role the series ran for 104 episodes, from 1952–1958.
The 1970′s  would not only see Superman: The Motion Picture, which even today stands as one of the best superhero movies ever made, but also reveal that Superman was beaten up by Muhammad Ali in one of the most surreal comic books ever. There were a troubled few years mid decade when a new creative team tinkered with the character and delivered an almost unrecognisable supesiverse – Clark Kent now worked for a TV news station and was an anchorman and many of his powers were removed to make him more vulnerable. However falling sales soon meant that the older elements were brought back  – Though Superman’s powers were never quite as great as they had been previously.
It was during the 1980′s that Superman was really reborn in the comics – The Crisis on infinite Earth storyline saw much of the DC universe rebooted. After this Superman found himself in the capable hands of writer, John Byrne who steered the character through come classic adventures. One even had Superman kill when he executed three criminals from Krypton – things would never be the same again.
The 1990′s dawned and by now comics had changed so greatly from the 1940′s titles that they were almost a different species, and no matter how many reinventions Superman had he was still firmly grounded in the 1950′s. The answer was to kill him – 1992′s Death of Superman arc was a sensation and sales hit an unheard of  six million copies of a single issue (Superman 75). The character did return as a long-haired bruiser in The Return of Superman but DC milked the death and there were many follow ups though none were quite as successful as the death and return arc.



And now we enter the new millennium with Superman now bigger than ever – the Smallville TV series has won Emmies, there have been several big screen movies with  three different actors playing the character, though thus far Christopher Reeves remains the definitive screen Superman. And in 2013 we will see yet another big screen version of Superman when Superman: The Man of Steel hits screens around the world.



Wednesday, 29 December 2010

Superman and Batman: Public Enemies

 DC/Warner Brothers direct to DVD movie.

Guess I'm a born again geek - I'm not really one for animated movies but I sat down to watch this movie with my son and although I wasn't expecting much I found it an enjoyable enough movie and surprisingly engaging. It certainly wasn't overly childish which, to be honest, was what I had expected it to be.

Firstly Lex Luthor's the president of the US - I'm not sure how that's happened but no doubt the storyline's been covered in the comic books. There is a world economic depression going on and Luthor manages to solve that particular problem and soon has the world economy booming again. However there's always a down side to everything and before the world's citizens can celebrate there is the problem of a large meteorite that is all that remains of the planet Krypton heading on a collision course with the Earth.

Luthor sets up a plan to destroy the meteorite with nuclear weapons but before doing so he frames Superman for the murder of Metallo and thus Superman and Batman end up as public enemies - they are on the FBI's Most Wanted and everything. Cue plenty of superhero battles as the heroes loyal to Luthor take on Supes and Bats before realising that Luthor actually has his own plans and doesn't want to destroy the meteorite at all.


Of course it all works out in the end with Supes and Bats saving the day but not before some suspenseful action and a thrilling climax that sees Batman sacrifice his life in order to save mankind - or does he?

I was surprised I enjoyed this movie as much as I did and found that there's plenty of subtle humour aimed at the mature audience as well as plenty for the kids to enjoy. Cartoons certainly weren't like this when I was a kid and this was was as well written and produced as any of those Manga movies which crop up on DVD or at the movies.

I've been told I should try more of these animated movies and next time one crops up I'll certainly be watching with more of an open mind.


Enjoyed that - nuff said.

Saturday, 18 December 2010

Britain - we don't need no superheroes!!!

I was a voracious comic book reader as a kid and the British comics were always my favourite but I could never understand why it was only the American comics that had the costumed superheroes and why British comics were more grounded in a kind of  comic book reality - the action was over the top but it came from heroics rather than superheroics. I remember Billy the Cat but that's all really and while Judge Dredd could, at a stretch, qualify as a costumed superhero he doesn't really since he has no super powers other than a squarer jaw than Ben Grimm.

The superhero was an American obsession or at least that was what I thought until I read an interesting article in issue 4 of Future Publishing's Comic Heroes. Apparently British comics had its share of costumed crime-fighters with super powers. The article by comics expert Lew Stringer lists several UK superheroes and although most of them were before my time it is an illuminating article.

The Dandy comic featured a character called The Amazing Mr X in the 1940's. The character was named Len Manners and he wore a curious costume and could summon incredible strength at will. There was also a character called Powerman who apparantly gained his powers from the ghost of Christmas Yet to Come. There was also a rather attractive fellow called Captain Magnet, as well as Maskman and Electro Girl.

One character I do have vague memories of was The Steel Claw but then only from reading old strips in copies of The Valiant that I've picked up over the years. The Spider is another character I remember and his adventures were still running when I was a kid, but he was more a super-villain than a superhero.
 By and large though British comics tended to focus on adventure strips - war stories, western adventures, sports stories and secret agents were always successful. Humour was also very popular in British comics and titles like The Beano, Dandy and Whizzer and Chips were dominated by humour strips.

 British superheroes just couldn't be taken as seriously as their American counterparts. Where they had Batman, we had Fishboy (Buster 1968) who was abandoned on a desert island and learned to breath underwater and grow webbed feet. Some other unlikely Brit heroes - Birdman from Baratoga (Smash 1970), Kangeroo Kid (Scorcher 1970) and Kid Chameleon (Cor 1970).

King Cobra featured in Hotspur comic and I do remember this character from my childhood but when Marvel UK launched in the UK in the early 1970's it was a massive success and the British superheroes seemed tame in comparison to all the new American characters that were cropping up. Of course most of the better known American strips such as Batman, The Fantastic Four, Spiderman and some others were already known on these shores and there had been British titles that had run the strips, but we now had entire titles dominated by the costumed heroes from across the pond. From then on UK comic publishers gave up on creating original superheroes and tended to concentrated on their strengths with titles such as Warlord and Battle Picture Weekly.

It was from this period onwards that I became aware of all the comics out there and whilst I would pick up titles like Planet of the Apes, Dracula Lives and Spiderman from time to time, my true allegiance was with the British comics such as Warlord and Battle which I absolutely adored and would never miss a single issue. It was not until 1976 when 2000AD came about that British comics were able to create characters that could compete with the likes of the Americans - characters like Judge Dredd were more than able to stand alongside the American heroes in terms of creating their own mythology.

The first truly successful British superheroes were created by the Americans - Marvel's Captain Britain made a stir with British comic book readers in the UK.

"The character was created by writer Chris Claremont and artist Herb Trimpe and originally appeared in Captain Britain Weekly, a British anthology comic that also included reprinted material featuring other Marvel Comics characters (such as Nick Fury and the Fantastic Four). The first few issues of the comic were also promoted with free gifts, including a cardboard Captain Britain mask and a Captain Britain boomerang - free gifts in the first three issues of a title were a tradition with UK comics. Chris Claremont left the series after just ten issues, midway through the 'Doctor Synne' storyline, and has since stated that this was because his view of the character and series was very different to that of the editor.Up to this point, the character had appeared exclusively in Marvel's UK comics - although some established Marvel characters such as Captain America and the Black Knight appeared, Marvel's American comics had not referenced these stories or acknowledged that Captain Britain was part of the same shared Marvel Universe.In 1978, though, Chris Claremont revisited the character and introduced him to an international audience, fully integrating him into the Marvel Universe via a story that starred Captain Britain and Spider-Man. Initially published as a black & white story in the UK's Super Spider-Man & Captain Britain comic, this was then coloured and reprinted in an American title, Marvel's long-running Marvel Team-Up series." FROM THE WIKI ENTRY

These days the American heroes are still being published in the UK by the likes of Panini and Titan, but there are still the odd British superhero popping up in titles like Clint, Judge Dredd Megazine and the long running 2000AD and it is the traditional war, sport and adventure strips that are no longer being produced and you know, I miss them.

Tuesday, 23 February 2010

SUPERMAN NETS A MILLION


A rare copy of the first comic book featuring Superman sold yesterday for $1 million, smashing the previous record price for a comic book.

A 1938 edition of Action Comics No. 1, widely considered the Holy Grail of comic books, was sold from a private seller to a private buyer, neither of whom released their names. The issue's cover features Superman lifting a car and originally cost 10 cents.

Wednesday, 10 February 2010

Superman on the way back

Deadline Hollywood reports Warner Bros. has approached director Chris Nolan, who resuscitated the Batman franchise with Batman Begins and The Dark Knight, to do the same for The Man of Steel. A new Superman movie would completely ignore the events of Superman Returns, which grossed $391 million worldwide but cost a whopping $270 million, in part because the project had so many false starts (remember when Tim Burton wanted Nicolas Cage to star?)

Nolan, who is putting the finishing touches on Inception (due July 16th) and is next slated to start work on a third Batman film, would not direct the Superman picture, but serve instead as a creative consultant and possibly as a credited producer. Bryan Singer, who directed Superman Returns and told me last year he still held out hope to get a shot at making another one, has moved on and is preparing to direct a new X-Men picture.

Also not returning will be Brandon Routh, whose career has pretty much fizzled since Superman Returns. I really liked the melancholy tone Singer brought to the Superman saga - the biggest problem with SupermanReturnsSuperman Returns was that Lex Luthor (Kevin Spacey) just wasn't enough of a villain - and I would have liked to see what Singer would have done having learned from his mistakes. Now we will never find out.

Don't expect Superman 3.0 in theaters any time soon, though. It will be at least a year, if not more, before a script is written and pre-production on the project begins in earnest.

Wednesday, 15 April 2009

Batman, Superman and the Marvel Crowd



A few of the blogs that I read daily have lately been posting Batman information so I wanted to highlight Batman Legends. This is a UK magazine published by Titan Magazines. It's bi-monthly and is made up of reprint material from the American originals.

When I was a kid it always used to annoy me that the American super hero comics seemed that much better than the UK versions but these days I think, that although made up of reprint material and thus never gaining the collector value of the original, the UK have the edge. The comics are bound in a nice limp back covers, like trade paperbacks and they are much more durable than the American originals. Titan also publish Superman Legends but I can't say I'm a regular reader of that title since I've never really been one for The Man of Steel.

Panini Books publish, in identical formats, the Marvel range over here in the UK and some of these titles are essential reading.

These titles are monthly and the company are currently running the Civil War storyline across their range of titles. I don't buy all of these but I do like Marvel Legends and Mighty World of Marvel. Avengers Unconquered is also very good. The company also publish A Fantastic Four title as well as Spiderman and the X men.

They're certainly a vast improvement over the UK editions we had as a kid - then the Marvel/DC adaptions were often printed in black and white as most UK comics were at that time.

Batman Legends is my favourite title in terms of story as I like the noir feel of the modern Batman. But the Marvel comics have the edge of the DC ones because each title has a lively letters page. Neither Batman or Superman have much of a letter page and, as with the American titles, I always enjoy the readers letters. Maybe that's the aging fanboy inside me.