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Showing posts with label James Doig. Show all posts
Showing posts with label James Doig. Show all posts

Saturday, December 27, 2025

"The Jewelled Hand and Other Tales of Mystery and the Macabre" by Lionel Sparrow

I first heard the name of Lionel Sparrow nearly twenty years ago via James Doig, whose first anthology of Australian weird fiction, Australian Gothic (2007), contains two stories by Sparrow. It is fitting now that Doig has published a collection of twenty-four of Sparrow's tales, bracketed by those two stories. The first, the titular story, appeared in August 1887, and the second, "The Vengeance of the Dead," appeared in July 1907.  All of the twenty-four stories in the collection appeared in the national periodical, The Australian Journal, from 1887 (when Lionel Sparrow was about 20) through February 1910 (when he was about 43). 

The tales are what might be termed Poe-drenched--that is, the themes of Poe are foremost in Sparrow's tales. In his Introduction, Doig writes: "What is particularly striking about these stories is their excessiveness--we have violent murder, mutilation, disfiguring disease, and torture (both physical and psychological)." Sparrow (1867-1936) was active throughout his life in newspaper work. The Gothic-styled tales in The Australian Journal seem an aberration from much of the rest of his output; the stories really would not have been out of place in Weird Tales magazine, founded in 1923. Indeed there is a finesse to the writing and the atmosphere that elevates them a bit above most of the stories that appeared in Weird Tales

The Jewelled Hand and Other Tales of Mystery and the Macabre came out in late October, in trade paperback and Kindle from Valancourt Books, who have excellently designed the print volume. .  

Since 2007 Doig edited other books (including a collection of stories by Ernest Ferenc)  and anthologies of Australian stories.  I made, initially for my own use, an index of which stories appeared in which books, and posted it here on Wormwoodiana.  Doig has also published one volume of his own fiction, the excellent short story collection Friends of the Dead (2015) from Sarob Press. It was limited to only 200 copies and hasn't been reprinted. I keep hoping that there will be a follow-up volume, and perhaps coinciding with it, a paperback release of the first collection. 

Saturday, July 19, 2025

R.R. Ryan - another primary source

 Another brief but interesting source of information about Rex Ryan/R.R. Ryan.  The 1939 England and Wales Register provides details about Rex Ryan and his wife, Anne.  Rex Ryan's occupation is given as 'writer (fiction)' - not surprising given that he'd written a succession of thrillers under the name R.R. Ryan and other pseudonymous names for Herbert Jenkins.  This indicates he'd given up acting and managing theatres by this time. The occupation of his wife, Anne, is given as 'unpaid domestic duties'.

The address on the book contract for R.R. Ryan's final novel, No Escape (1940), is the same as the residence given in the register - 80b Lansdowne Place, Hove. The contracts for his previous novels give the address 16 Granville Road. Electoral rolls and telephone directories indicate that the Ryans moved from Granville Road to Lansdowne Place in 1939. 



Thursday, July 10, 2025

Lionel Sparrow Collection - The Jewelled Hand and Other Tales of Mystery and the Macabre

 I've written before about obscure Australian author, Lionel Sparrow (1867-1936) on Wormwoodiana and in Lost Souls of Horror and the Gothic.


Now the good folk at Valancourt Books are about to publish a huge collection of his work titled The Jewelled Hand and Other Tales of Myster and the Macabre in a classic Valancourt jacket.


The book collects 24 stories published in the long-lived Australian publication The Australian Journal: A Weekly Record of Literature, Science and the Arts (1865-1962). The Australian Journal is yet to be digitised by the National Library of Australia and copies of it are hard to come by.

A journalist and newspaper proprietor, Sparrow lived and worked almost in his entire life in the tiny Victorian town of Linton (the population in 2016 was 580). He contributed some extraordinarily imaginative and often brutal tales to one of Australia's premier literary magazines and here is a rare chance to sample his work.  The book can be pre-ordered here.


Friday, April 15, 2022

Mark Hansom Revealed

 An anonymous message (actually by researcher John Herrington) to an old post on Mark Hansom has finally revealed Hansom's identity - an obscure English writer named Ronald Muirden (1898-1981).  John discovered a newspaper article in the Kensington News and West London Gazette, dated 22 January 1954.  The article is about his daughter, a young pianist, and refers to Muirden as the author of about 50 novels under the pseudonym of Mark Hansom, though I suspect the journalist meant to say he has written 50 novels under different pseudonyms including Mark Hansom.  Here is the article in full:

MUSIC REVIEW By DENBY RICHARDS  

Kensington Spotlight No 23 BARBARA MUIRDEN 

Next Sunday January 24th at 7.45 pm in the Recital Room of The Royal Festival Hall a young Kensington artist is giving her first major recital. The programme is an interesting and enterprising one including the Funeral March Sonata in B flat Minor by Chopin, three of the popular Songs without Words by Mendelssohn Liszt’s energetic Spanish Rhapsody and Hindemith’s Sonata No 2. The Recital opens with Bach’s Fifth French Suite in G.

Barbara Muirden began playing the piano at 7 years of age won a Scholarship to the Tobias Matthay Pianoforte School a year later. Her teacher there was that fine pianist-teacher .

In 1946 when Barbara was only 18 she added the letters LRAM and ARCM to her name. In the same year she also gained the Ada Lewis Scholarship to the Royal Academy of Music where she studied .

She is now studying with Frederick Jackson who besides being a first-rate professor is also regarded most highly as the trainer and conductor of the London Philharmonic Choir. 

Barbara Muirden lives in the West Cromwell Road with her parents.  Her father Mr Ronald Muirden is a well-known Kensington personality who has spent most of his life in the publishing world. He has written about 50 novels under the pseudonym of Mark Hansom whose The Wizard of Berner’s Abbey was described by a critic as the "creepiest story since Dracula”.  This is not a reflection on the genial character of its author and his versatility and good-natured humour are shared by Barbara Muirden to whom this column wishes every success in her musical career.


The British Library catalogue shows three novels under his name published by Wright & Brown and a couple of books on stuttering.  A blog post here reveals some more information about him (that he wrote thrillers and westerns) and provides a photograph (though the photo looks a bit too recent to be Ronald, who died in 1981 aged 82):  


He also appears to have been the press officer for the Kensington Liberal Party in the 1950s and early '60s, when he resigned to pursue a career lecturing and giving classes on stuttering.  FreeBMD has entries for Ronald Muirden: born in December 1898 at Marylebone, married to Dorothy Worthy at Hackney in March 1927 and died at Exeter in September 1981.  The Fictionmags index includes a story under his own name, "The Two Victories", published in The Smart Set in April 1925.  Presumably he was one of the stable of prolific writers for W&B in the 1930s who wrote under different pseudonyms.  

Well done to John Herrington!


Friday, April 23, 2021

James Doig and the Australian Weird

Over the last decade and a half, James Doig has quietly shown himself to be the premiere authority on classical Australian weird fiction and fantasy. I've enjoyed his anthologies, and the single-author collection by Ernest Ferenc (whose work also appears in multiple anthologies), not to mention Doig's own excellent fiction (ten stories) in the Sarob Press volume Friends of the Dead (2015).

Last summer I learned of a new (to me) anthology from 2019, and after acquiring it I made for my own reference a table of contents to the five anthologies (plus the Ferenc collection), so I could more easily recall which stories appeared in which book. I thought I'd share with Wormwoodiana my contents listing and title index. 

At least one book (Australian Nightmares, 2008) is currently unavailable, and the listing for the others oddly do not come up at Amazon.com via a search by Doig's name (though they do at Amazon.co.uk). Yet the Amazon.com links do come up if you search via bookfinder.com. I have no idea why. 

Books:


Australian Gothic: An Anthology of Australian Supernatural Fiction, ed. James Doig
    Mandurah, W.A.:  Equilibrium Books, 2007
    [n.p.]: Borgo Press, 2013
    [Contains: “Introduction”;  “The Spirit of the Tower” by Mary Fortune;  “Little Luiz” by B.L. Farjeon; “The House by the River” by G.A. Walstab; “The Ghost from the Sea” by J.E.O. Muddock; “Spirit-Led”, “A Haunt of the Jinkarras” and “The Boundary Rider’s Story” by Ernest Favenc; “Cannabis Indica” by Marcus Clarke; “Norah and the Fairies” by Hume Nisbet; “The Ghost-Monk” by Rosa Praed; “Lupton’s Guest: A Memory of the Eastern Pacific” by Louis Becke; “A Colonial Banshee” by Fergus Hume; “A Strange Experience” by A.F. Bassett Hull; “A Bushman’s Story” by Frances Faucett; “The Death Child” by Guy Boothby; “The Jewelled Hand” and “The Vengeance of the Dead” by Lionel Sparrow; “The Cave” and “The Forest of Lost Men” by Beatrice Grimshaw;  “The Cave of the Invisible” by James Francis Dwyer; “Where the Butterflies Come From” by William Hay; “The Vampire” by W.W. Lamble; “Hallowe’en” by Dulcie Deamer.]   


Australian Nightmares: More Australian Tales of Terror and the Supernatural, ed. James Doig
    Mandurah, W.A.:  Equilibrium Books, 2008
    [Contains: “Introduction”;  “Acknowledgements”; “The White Maniac: A Doctor’s Tale” by Mary Fortune; “The Silent Sepulchre” by Charles Junor; “What the Rats Brought” and “On the Island of Shadows” by Ernest Favenc; “The Odic Touch” by Hume Nesbit; “Told in the ‘Corona’s’ Cabin. On Three Evenings” by J.A. Barry; “The House of Ill Omen” by Rosa Praed; “A Thing of Wax” by Morley Roberts; “The Prophetic Horror of the Great Experiment” and “The Precipitous Details of the High Mountain and the Three Skeletons” by James Edmund; “The Strange Case of Alan Heriot” by Lionel Sparrow; “The Blanket Fiend” by Beatrice Grimshaw; “The Phantom Ship of Dirk Van Tromp” by James Francis Dwyer; “The Pledge” by Helen Simpson; “The Watch” and “The House That Took Revenge” by Vernon Knowles; “The Story of the Waxworks” by Rosaleen Norton; “The Undying One” by Roger Dard.] 



Australian Ghost Stories, ed. James Doig
    Ware, Hertfordshire:  Wordsworth Editions, 2010
    [Contains:  “Introduction”; “The White Maniac:  A Doctor’s Tale” by Mary Fortune;  “Spirit-Led” by Ernest Favenc; “A Haunt of the Jinkarras” by Ernest Favenc;  “The Mystery of Major Molineaux” by Marcus Clarke;  “The Bunyip” by Rosa Campbell Praed; “Lupton’s Guest: A Memory of the Eastern Pacific” by Louis Becke;  “The Haunted Pool: A Tale of the Blue Mountains” by Edward Wheatley;  “A Colonial Banshee” by Fergus Hume;  “The Devil of the Marsh” by H.B. Marriott Watson;  “The Accursed Thing” by Edward Dyson;  “The Third Murder: A New South Wales Tale” by Henry Lawson;  “The Death Child” by Guy Boothby;  “A Strange Goldfield” by Guy Boothby;  “Sea Voices” by Roderic Quinn;  “The Cave” by Beatrice Grimshaw;  “The Cave of the Invisible” by James Francis Dwyer;  “Hallowe’en” by Dulcie Deamer.]



Australian Hauntings: Colonial Supernatural Fiction, ed. James Doig
    Mandurah, W.A.:  Equilibrium Books, 2011
    [n.p.]: Borgo Press, 2013
    [Contains:  “Acknowledgements”; “Introduction”; “Jerry Boake’s Confession” by Ernest Favenc; “The Track of the Dead” by Ernest Favenc; “Blood for Blood” by Ernest Favenc; “In the Night” by Ernest Favenc; “A Strange Occurrence on Huckey’s Creek” by Ernest Favenc;  “The Wraith of Tom Imrie”by William Sylvester Walker; “Hulk No. 49” by J.A. Barry; “Miss Crosson’s Familiar” by Rosa Praed; “The Ghost of Brigalow Bend” by “Wanderer”; “The Spectre of the Black Swamp: An Overlander’s Story” by Edwin M. Merrall; “Chronicles of Easyville” by Patrick Shanahan; “Point Despair” by H.B. Marriott Watson; “A New Species” by Robert Coutts Armour; “De Profundus” by Robert Coutts Armour; “The Story of the Stain” by Sophie Osmond; “The Sorcerer of Arjuzanx” by Max Rittenberg; “The Queer Case of Christine Madrigal” by A. E. Martin, “The Hollmsdale Horror” by A. E. Martin; “The Pythoness” by Helen Simpson; “The Evil That Men Do” by Patience Tillyard.] 

 

Ghost and Mystery Stories, by Ernest Favenc, ed. by James Doig
    [n.p.]: Borgo Press, 2013
    [Contains: “Introduction”;  “My Story”; “The Lady Ermetta; or, The Sleeping Secret”; “The Medium”; “The Dead Hand”; “Jerry Boake's Confession”; “A Haunt of the Jinkarras”; “The Last of Six”; “The Spell of the Mas-hantoo”; “Spirit-led”; “The Ghost's Victory”; “Malchook's Doom”; “The Red Lagoon”; “The Track of the Dead”; “Blood for Blood”; “In the Night”; “The Ghostly Bullock-bell”; “My Only Murder”; “An Unquiet Spirit”; “The Boundary Rider's Story”; “A Strange Occurrence on Huckey's Creek”; “The Unholy Experiment of Martin Shenwick, and What Came of It”; “Doomed”; “The Mount of Misfortune”; “The Blood-debt”; “On the Island of Shadows”; “The Haunted Steamer”; “The Girl Body-stealer”; “M'Whirter's Wraith”; “The Land of the Unseen”; “What the Rats Brought”; “The Kaditcha: A Tale of the Northern Territory”; “Bibliography”.]


Beyond the Orbit: Australian Science Fiction to 1935, ed. by James Doig
    [n.p.]: Wildside Press, 2019
    [Contains:  “Introduction”; “What the Rats Brought” by Ernest Favenc; “The Land of the Unseen” by Ernest Favenc; “The Instrument” by H.B. Marriott Watson; “Lost Wings” by Beatrice Grimshaw; “The Social Code” by Erle Cox; “Beyond the Orbit” by Robert Coutts Armour; “Take It as Red” by Robert Coutts Armour; “After 1 Million Years” by J.M. Walsh; “The Gland Men of the Island” by Max Afford; “The Inner Domain” by Phil Collas; “The Bluff of the Hawk” by Desmond Hall and Harry Bates; “The Reign of the Reptiles” by Alan Connell; “Dream's End” by Alan Connell.]

    

Contents, alphabetically by author:

Max Afford
“The Gland Men of the Island”
    Beyond the Orbit (2019)

Robert Coutts Armour
“Beyond the Orbit”
    Beyond the Orbit (2019)
“De Profundus”  
    Australian Hauntings (2011)
“A New Species”  
    Australian Hauntings (2011)
“Take It as Red”
    Beyond the Orbit (2019) 

J.A. Barry
“Hulk No. 49”  
    Australian Hauntings (2011)
“Told in the ‘Corona’s’ Cabin. On Three Evenings”
    Australian Nightmares (2008)

Louis Becke
“Lupton’s Guest: A Memory of the Eastern Pacific”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)

Guy Boothby
“The Death Child”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)
“A Strange Goldfield”
    Australian Ghost Stories (2010)

Marcus Clarke
“Cannabis Indica”
    Australian Gothic (2007)

Phil Collas
“The Inner Domain”
    Beyond the Orbit (2019)

Alan Connell
“Dream's End”  
    Beyond the Orbit (2019)
“The Reign of the Reptiles”
    Beyond the Orbit (2019)

Erle Cox
“The Social Code”
    Beyond the Orbit (2019)

Roger Dard
“The Undying One”
    Australian Nightmares (2008)

Dulcie Deamer    
“Hallowe’en”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)

James Francis Dwyer
“The Cave of the Invisible”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)
“The Phantom Ship of Dirk Van Tromp”
    Australian Nightmares (2008)

Edward Dyson
“The Accursed Thing”
    Australian Ghost Stories (2010)


James Edmund
“The Prophetic Horror of the Great Experiment”
    Australian Nightmares (2008)
“The Precipitous Details of the High Mountain and the Three Skeletons”
    Australian Nightmares (2008)


B.L. Farjeon
“Little Luiz”
    Australian Gothic (2007)

Frances Faucett
“A Bushman’s Story”
    Australian Gothic (2007)

Ernest Favenc
“Blood for Blood”  
    Australian Hauntings (2011)
    Favenc, Ghost and Mystery Stories (2013)
“The Blood-debt”
    Favenc, Ghost and Mystery Stories (2013)
“The Boundary Rider’s Story”
    Australian Gothic (2007)
    Favenc, Ghost and Mystery Stories (2013)
“The Dead Hand”
    Favenc, Ghost and Mystery Stories (2013)
“The Ghost's Victory”
    Favenc, Ghost and Mystery Stories (2013)
“The Ghostly Bullock-bell”
    Favenc, Ghost and Mystery Stories (2013)
“The Girl Body-stealer”
    Favenc, Ghost and Mystery Stories (2013)
“Doomed”
    Favenc, Ghost and Mystery Stories (2013)
“A Haunt of the Jinkarras”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)
    Favenc, Ghost and Mystery Stories (2013)
“The Haunted Steamer”
    Favenc, Ghost and Mystery Stories (2013)
“In the Night”
    Australian Hauntings (2011)
    Favenc, Ghost and Mystery Stories (2013)
“Jerry Boake’s Confession”  
    Australian Hauntings (2011)
    Favenc, Ghost and Mystery Stories (2013)
“The Kaditcha: A Tale of the Northern Territory”
    Favenc, Ghost and Mystery Stories (2013)
“The Lady Ermetta; or, The Sleeping Secret”
    Favenc, Ghost and Mystery Stories (2013)
“The Land of the Unseen” Beyond the Orbit (2019)  
    Favenc, Ghost and Mystery Stories (2013)
“The Last of Six”
    Favenc, Ghost and Mystery Stories (2013)
“M'Whirter's Wraith”
    Favenc, Ghost and Mystery Stories (2013)
“Malchook's Doom”
    Favenc, Ghost and Mystery Stories (2013)
“The Medium”
    Favenc, Ghost and Mystery Stories (2013)
“The Mount of Misfortune”
    Favenc, Ghost and Mystery Stories (2013)
“My Only Murder”
    Favenc, Ghost and Mystery Stories (2013)
“My Story”
    Favenc, Ghost and Mystery Stories (2013)
“On the Island of Shadows”
    Australian Nightmares (2008)
    Favenc, Ghost and Mystery Stories (2013)
“The Red Lagoon”
    Favenc, Ghost and Mystery Stories (2013)
“The Spell of the Mas-hantoo”
    Favenc, Ghost and Mystery Stories (2013)
“Spirit-Led”
    Australian Gothic  (2007)
    Australian Ghost Stories  (2010)
    Favenc, Ghost and Mystery Stories (2013)
 “A Strange Occurrence on Huckey’s Creek”  
    Australian Hauntings (2011)
    Favenc, Ghost and Mystery Stories (2013)
“The Track of the Dead”  
    Australian Hauntings (2011)
    Favenc, Ghost and Mystery Stories (2013)
“The Unholy Experiment of Martin Shenwick, and What Came of It”
    Favenc, Ghost and Mystery Stories (2013)
“An Unquiet Spirit”
    Favenc, Ghost and Mystery Stories (2013)
“What the Rats Brought”
    Australian Nightmares (2008)
    Beyond the Orbit (2019)
    Favenc, Ghost and Mystery Stories (2013)

Mary Fortune
“The Spirit of the Tower”
    Australian Gothic  (2007)
“The White Maniac: A Doctor’s Tale”
    Australian Nightmares (2008)
    Australian Ghost Stories  (2010)

Beatrice Grimshaw  
“The Blanket Fiend”
    Australian Nightmares (2008)
“The Cave”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)
“The Forest of Lost Men”
    Australian Gothic (2007)
“Lost Wings”  
    Beyond the Orbit (2019) 

Desmond Hall and Harry Bates
“The Bluff of the Hawk”
    Beyond the Orbit (2019)

William Hay
“Where the Butterflies Come From”
    Australian Gothic (2007)

A.F. Bassett Hull  
“A Strange Experience”
    Australian Gothic (2007)

Fergus Hume
“A Colonial Banshee”
    Australian Gothic (2007)
    Australian Ghost Stories (2010)

Charles Junor
“The Silent Sepulchre”
    Australian Nightmares (2008)

Vernon Knowles
“The Watch”
    Australian Nightmares (2008)
“The House That Took Revenge”
    Australian Nightmares (2008)

W.W. Lamble
“The Vampire”
    Australian Gothic (2007)

Henry Lawson
“The Third Murder: A New South Wales Tale”
    Australian Ghost Stories (2010)

A.E. Martin
“The Queer Case of Christine Madrigal”  
    Australian Hauntings (2011)
“The Hollmsdale Horror”  
    Australian Hauntings (2011)

Edwin M. Merrall
“The Spectre of the Black Swamp: An Overlander’s Story”  
    Australian Hauntings (2011)

J.E.O. Muddock
“The Ghost from the Sea”
    Australian Gothic (2007)

Hume Nisbet
“Norah and the Fairies”
    Australian Gothic (2007)
“The Odic Touch”
    Australian Nightmares (2008)

Rosaleen Norton
“The Story of the Waxworks”
    Australian Nightmares (2008)

Sophie Osmond
“The Story of the Stain”  
    Australian Hauntings (2011)

Rosa Campbell Praed
“The Bunyip”
     Australian Ghost Stories (2010)
“The Ghost-Monk”
    Australian Gothic (2007)
“The House of Ill Omen”
    Australian Nightmares (2008)
“Miss Crosson’s Familiar”  
    Australian Hauntings (2011)

Roderic Quinn
“Sea Voices”
    Australian Ghost Stories  (2010)

Max Rittenberg
“The Sorcerer of Arjuzanx”  
    Australian Hauntings (2011)

Morley Roberts
“A Thing of Wax”
    Australian Nightmares (2008)

Patrick Shanahan
“Chronicles of Easyville”  
    Australian Hauntings (2011)

Helen Simpson
“The Pledge”
    Australian Nightmares (2008)
“The Pythoness”  
    Australian Hauntings (2011)

Lionel Sparrow
“The Jewelled Hand”
    Australian Gothic  (2007)
“The Strange Case of Alan Heriot”
    Australian Nightmares (2008)
“The Vengeance of the Dead”
    Australian Gothic  (2007)

Patience Tillyard
“The Evil That Men Do”  
    Australian Hauntings (2011)

William Sylvester Walker
“The Wrait of Tom Imrie”  
    Australian Hauntings (2011)

J.M. Walsh
“After 1 Million Years”
    Beyond the Orbit (2019) 

G.A. Walstab
“The House by the River”
    Australian Gothic (2007)

“Wanderer”
“The Ghost of Brigalow Bend”  
    Australian Hauntings (2011)

H.B. Marriott Watson
“The Devil of the Marsh”  
    Australian Ghost Stories (2010)
“The Instrument”  
    Beyond the Orbit (2019) 
“Point Despair”  
    Australian Hauntings (2011)

Edward Wheatley
“The Haunted Pool: A Tale of the Blue Mountains”
    Australian Ghost Stories (2010)






Saturday, August 3, 2019

Margaret Enid Griffiths - Early Vaticination in Welsh

I was pleased to pick this up the other day, a study of medieval Welsh prophecies.  It was a favourite book when I was studying years ago and draws from a huge amount of manuscript material from Peniarth Manuscripts and Llanstephan Manuscripts in the National Library of Wales.  There is also a lot on Welsh folklore and, as you would expect, Geoffrey of Monmouth and the four ancient books of Wales, which are replete with prophetic material.  My interest was the later medieval period, particularly prophecies relating to the revolt of Owain Glyndwr, which Shakespeare had Hotspur joke about in Henry IV Part 1:

I cannot choose: sometime he angers me
With telling me of the mouldwarp and the ant,
Of the dreamer Merlin and his prophecies,
And of a dragon and a finless fish,
A clip-wing'd griffin and a moulten raven,
A couching lion and a ramping cat,
And such a deal of skimble-skamble stuff
As puts me from my faith.

This gets the flavour of Welsh prophecy quite right and must have been amusing to Shakespeare's audience.

The author of Early Vaticination in Welsh is Margaret Enid Griffiths about whom I knew nothing except the note in foreword that the book was based on her MA thesis and that she had died tragically aged 26.
Searching through digitised newspapers uncovers a few more facts about her life.  She was a gifted student at Aberystwyth (not surprising, then, the use of all that manuscript material at the National Library of Wales), who gained a double first and a MA.  A short notice in the Western Mail & South Wales News of 4 July 1930 provides more information:

"Miss M. Enid Griffiths, who died suddenly at the early age of 26 years at the residence of her parents, Mr John Griffiths, M.E., and Mrs Griffiths, Tremle, Treorchy, was a distinguished student at Aberystwyth University College, where she a achieved a "Double First" and later took her M.A. degree with distinction. A host of old college friends deplore her death.  For the last four years she was the English mistress at Porth County School and was exceedingly popular both with the staff and pupils.  Her dramatic ability was outstanding, and the Welsh drama movement has lost by her death one of its most promising devotees.

A representative gathering assembled for the funeral on Thursday, the burial being in Treorchy Cemetery.  The funeral was among the largest every seen in the district, and sympathisers lined the streets to pay a tribute of esteem."


One wonders what might have been.  

The book was edited by her thesis supervisor T. Gwynn Jones and published by the University of Wales Press in 1937.  It remains a landmark volume and is still cited today.

The book itself is a nice association copy as it is Gwynn Jones' own copy.


Thursday, August 1, 2019

DULCIE DEAMER - THE DEVIL'S SAINT

First published in 1924, Dulcie Deamer's witchcraft novel, The Devil's Saint, has recently been reprinted by Ramble House with my 2014 Wormwood article about the author as the introduction.  Deamer was a writer, occultist and all-round Bohemian, a fixture in the Kings Cross literary scene in the 1920s, 30s and beyond.  Certainly her occult interests are highlighted in this book, which includes all sorts of magical lore from her wide reading on the subject.  It's also a racy love story that ends on an up-beat note.  A portion of it was reprinted as a short story in an Australian literary magazine illustrated by Norman Lindsay, and previously posted on Wormwoodiana.


Thursday, March 21, 2019

John P. Quaine: Catalogue of Penny Bloods (1931)

Melbourne book dealer  John P. Quaine (1883-1957) is well known for fooling Montague Summers into adding some invented Penny Blood titles into his Gothic Bibliography (1940).  As Michael Anglo explains in his book, Penny Dreadfuls and Other Victorian Horrors (1977),

"Montague Summers.....was certainly fooled by [John. P. Quaine,] an extremely knowledgeable Melbourne bookseller with a sense of humour, who issued an important catalogue for collectors in the 1930s. Stanley Larnach, a writer and collector of ‘dreadfuls’ who lived in Sydney, New South Wales, and was a leading member of the Book Collector’s Society of Australia, said that Quayne’s catalogue included two beautiful ‘dreadful’ titles: ‘The Skeleton Clutch; or, The Goblet of Gore’, a romance by T. Prest issued in penny parts (E.Lloyd 1841); and ‘Sawney Beane, the Man-Eater of Midlothian’ by T. Prest issued in penny parts (E.Lloyd 1851). Montague listed both of these splendid titles, which were Quayne inventions, in his Gothic Bibliography."

The catalogue in question may be the one preserved in a Scrapbook of Bloods in State Library of Victoria, MS 3700/3 (though it doesn't include "The Skeleton Clutch").  Described as "late 1940s-1950s, comprising press clippings, illustrations clipped from journals, published bibliographies of penny bloods, book sales, lists of penny dreadfuls and penny bloods; also, seventy letters from the Melbourne bookseller J.P. Quaine (1951-1957) to Stanley Larnach, Walter W. Stone and J.K. Moir."


Here is the catalogue in Mr Quaine's inimitable style, replete with "fierce cuts" and rarae aves.  I've made a few comments in square brackets.  "James & Smith" is Penny Dreadfuls and Boys' Adventures : the Barry Ono Collection of Victorian Popular Literature in the British Library (1998).  "Summers" is his Gothic Bibliography.  The list clearly isn't the original catalogue, but has been typed by someone, presumably Stanley Larnach.





Copy of Sales List From J.P. Quaine, 139 Commercial Rd, South Yarra, Melbourne, Victoria. 1931.

Rare Penny Dreadfuls offered from my own Private Collection.  All unobtainable anywhere else in Australia.


1.  Edwin J. Brett’s “Boys of England”.  The four first vols., a reissue dated 1876 et seq., bound in 2 large vols.  Containing dozens of the best “bloods” issued by Brett.  Only £4, less than quarter the London price.  SOLD.


2.  Brett’s “Young Men of Great Britain”.  The first 4 vols.  Original Editions, 1868 et seq.  Bound in 3 vols, with all the rare gory illustrations and coloured Xmas Number.  £5-10-0.


3.  “Young Men of Great Britain”, odd vol. 1880.  Contains “Ned Nimble amongst the Pirates” complete.  Good order.  Only 20/-


4. “Young Men of Great Britain”, thick vol containing numbers between 1884 and 1886, not quite complete.  One vol. 20/-.


5.  Brett’s “Jack Harkaway Series”.  Broken series, 13 vols, original covers. £3.  A Mint set of this rarity sells at 20 guineas in London.


6.  “Handsome Harry of the Fighting Belvedere”. Exceedingly scarce, wants 2 leaves, original cloth. 15/-.  A perfect copy worth £4.
[James & Smith, 102]


7.  “Broad Arrow Jack”, a perfect copy.  Coloured Front.  A bargain at £4. 2 others bound in.
[Edwin Harcourt Burrage, Broad-arrow Jack.  James & Smith, 89]


8.  “The Rival Apprentices” and “Rupert Dreadnought” or “The Secret of the Iron Chest”, with all gory woodcuts, 2 bound in 1 vol.  £3.
[Vane Ireton Saint John, The Rival Apprentices, a Tale of the Riots of 1780.  James & Smith, 581.  Vane Ireton Saint John, Rupert Dreadnought; or, The Secrets of the Iron Chest.  James & Smith, 582-584]


9.  “The London Apprentice” by Pierce Egan, Large vol, of over 90 numbers, each with a quaint cut.  Well bound copy in Mint Order.  Sold for £5-10-0.


10.  “Black Bess or The Knight of the Road”.  A tale of Dick Turpin, is the longest Penny Blood in history.  Just recently an article in the Herald from a London Paper referred to it as being in the possession of a man who refuses to sell at any price.  2 vols, which contain two thirds of the original 254 numbers, gory cuts. £2.
[James & Smith, 674; Summers, 247]


11.  Aldine “Tip Top Tales” 40 Blood-thirsty little penny books with coloured covers issued in the Nineties.  One coloured wrapper missing.  Bound in 5 dumpy vols. £2-5-0. (300 others, loose, for £20.)


12.  “Tom Wildrake’s Schooldays”.  A cloth copy of this rara avis midst old boy’s books.  London value at least £5, my price £2.
[James & Smith, 189-191]


13.  Hogarth House “Shot and Shell Series”.  The six vol set by George Emmett.  2 thick vols, with Brett’s “Comic History of London” bound in. 2 vols. £4


14.  Mint bound copy of that famous old boy’s book “Tom Tartar”. £1.
[E. Harcourt Burrage, Tom Tarter at School; or, True Friend and Noble Foe.  James & Smith, 118]


15.  “Will Watch, the Bold Smuggler”. 1852. 47 Penny Numbers each with a quaint cut.  Well bound. 30/-.
[Summers, 558]


16.  “The Parricide”, by G.W.M. Reynolds.  The rarest of his works.  Never knew of another in Australia and heard of few in England.  Original issue 1847. £2.  Even the cheap Dick’s reprint is rare now.
[G.W.M. Reynolds. The Parricide; or, A Youth’s Career of Crime.  Summers, 457]


17.  The ORIGINAL Penny Weekly issue of Hugo’s “Esmerelda, or the Hunchback of Notre Dame”. Small vol, well bound, dozens of cuts.  35/-.


18.  Hugo’s “Hans of Iceland”.  The first English Edition.  Cruikshank’s fine fierce plates.  £3-10-0.  London price – Ten guineas.


19.  Brett’s “Barons of Old; or the Robbers of the Rhine”. Each number has several cuts, also 3 coloured plates are bound in the vol.  35/-.
[James & Smith, 13]


20.  “Dark Deeds of Old London” and another Brett “Blood”. 25/-.
[James & Smith, 340]


21.  “Bravos of Alsatia” and one other Brett “Blood” in one vol. 30/-.  SOLD.
[James & Smith, 337]


22. “Massacre of Glencoe” by Reynolds, in one vol: original numbers. 20/-. SOLD.
[Summers, 404]


23. “Kenneth” by Reynolds, original issue in one vol. 15/-, Gilberts illustrations.
[Summers, 152-3]


24. “Gentleman George, the King of the Road”, with sequel “King of Diamonds”, with all the cuts, and 2 others in one vol. £2-10-0.
[James & Smith, 68-69]


25.  “Dashing Duke; or the Mystery of the Red Mask”. 20/-.
[James & Smith, 683]


26.  “The Outlaws of Epping Forest”, a real gory old ‘un, fierce cuts. £2.
[James & Smith, 440-441]


27.  “Manfrone the One-Handed Monk”.  Mrs Radcliffe, early edition.  Well Bound leather back, gilt title.  Dated 1839.  10/6.
[Summers, 398]


28.  Pirated American edition of “Oliver Twist”.  Very rare. 20/-.  SOLD.


29.  Dickens imitation, “Dombey and Daughter”, Penny numbers, each with crude cut, neatly bound.  Sells at Five pounds in London.  My price £2-2-0.  SOLD.
[Summers, 298]


30.  Autobiography of the Author of the above item (self-styled “Chief Baron Renton Nicholson”.) with his autograph.  This is a unique volume, and of immense interest to Dickensians. £1.  SOLD.


31. “Tales of Chivalry; or Adventures by Flood and Field”. Original cloth, each Penny number has a curious cut, issued in 1839, but the condition is as if it was just off the press. £3-10-0.
[Tales of Chivalry, Perils by Flood and Field.  Summers, 523]


32.  “Jack Harkaway at School in America”, “Among the Pirates” and “At the Tales of Palms; the Last Stronghold of the Black Flag”.  These three tales selected by E.J. Brett and issued as the “American Series”.  One vol. 20/-.


33.  The Brett “Tom Floremall Series”, the three original series in one vol. 20/-.


34.  Brett’s “Boyhood Days of Jack Straw” and “Boyhood Days of Guy Fawkes”, the two in one neat vol.  20/-.
[James & Smith, 335-336]


35.  “The Corsican Brothers; or the Fatal Duel”. Really a piracy of Dumas’ play and book of the same title.  39 numbers, each with a lurid cut.  Magnificently bound.  A perfect Collector’s Copy!  1852.  Published by Purkess, who ranked high among the “Blood” producers. 30/-.


36.  A rare Lloyd “Blood”: “Adeline, or the Grave of the Forsaken”.  52 most fearsomely illustrated number.  First page was typed in by previous owner from a complete copy.  25/-
[James & Smith, 542; Summers, 222]


37. “The Cottage Girl; or Betrayed on Her Marriage Day”.  Neatly bound, each number with crude cut.  12/6.
[Elizabeth Bennett, The Cottage Girl; or, The Marriage Day.  Summers, 285]


38.  Ada the Betrayed; or, the Murder in the Old Smithy”.  This tale is quite unprocurable now.  This is the original issue in Lloyds Miscellany. 2 large vols with dozens of other loathsomely gory stories.  This journal was issued without illustrations.  2 vols. Dated 1842.  45/-
[James Malcolm Rymer, Ada the Betrayed; or, the Murder at the Old Smithy.  James & Smith, 541; Summers, 221]


39.  “The Ship-wrecked Stranger”, in 49 crudely illustrated numbers. 1850.  7/6. SOLD.
[Hannah Maria Jones, The Shipwrecked Stranger.  Summers, 502]


40.  “Rough and Ready Jack”, and 2 other Bretts bound in one gorgeous volume.  Mint order. 20/-.  SOLD.
[James & Smith, 538]


41.  The Green Eye of the Little Yellow God Among Books [in red ink].
“The Pixy” by G.M.W. Reynolds.  An Xmas story done in imitation of Dickens Xmas books.  The Great Auks Egg of Rarities! [again in red ink]  2 illustrations. Small pocket size.  Original edition. 15/-.  Sheer chucked away at that price.
[G.W.M. Reynolds, The Pixy; or, The Unbaptized Child. James & Smith, 528; Summers, 464-465]


42.  3 vols Fox’s “Boys Leisure Hour” First page was typed in by previous owner from a complete copy.  25/- £5.


43. 2 large vols “Boys Standard”. 3 smaller ones. £5.


44.  “Boys Halfpenny Standard”.  One vol. £1-10-0.


45.  “Young Men of Great Britain”, from 1868 to finish as “Boys of Empire & Young Men of Great Britain”.  Approx 60 vols. £25.


46.  Run of “Boys of England” from Vol 1 (1866) to last vol (No 66) in 1899.  Wanting a few between vols 20 and 40. £30.


Supplementary List of “Penny Number Bloods” at outrageously reduced prices.


47.  “The Wild Witch of the Heath; or the Demon of the Glen”.  1841.  Lacks the last number, but contains some of the most luridly gory cuts in the history of fierce literature.  25/-.


48.  “The Secret Oath; or the Bloodstained Dagger”. 1812. 7/6.  SOLD.
[Summers, 499]


49.  “The She-Tiger; or Felina the Female Fiend”. 1853.  Merely part of the tale, but an interesting example of ferocity.  7/6.
[Melchior Frédéric Soulié, The She Tiger of Paris: Containing a History of the Life and Adventures of a Celebrated French Lady of Fashion, Under the Name of Felina de Cambure.  James & Smith, 607; Summers, 501]


50.  “The Horror of Zindorf Castle”. A rare Lloyd “Blood”. 52 very alluring cuts sublime in their crude ghastliness.  25/-.


51.  “The Cavern of Horrors; or the Miseries of Miranda”.  1833. 10/-. SOLD.
[Summers, 270]


52.  “The Black Monk; or the Secret of the Grey Turret”.  Lloyd. 1842.  Wildly illustrated with blood-curdling cuts. £5.
[James & Smith, 544; Summers, 248]


53.  “Sweeney Todd, the Demon Barber of Fleet Street”.  The rare Chas. Fox edition.  Practically a reprint of the original Lloyd issue, with the addition of further gruesome details.  Bound with “The Brigand of the Sea; or the Sailor Highwayman”, and another old-timer.  Coloured wrappers and cuts. £12.  Worth five times as much in London.
[James & Smith, 626; Summers, 519-521]


54.  “The Revenge of the Blighted Man”.  Lloyd. With all the fierce cuts.  1844.  This is one right out of the box.  35/-. 
[Possibly Alice Home: or, the Revenge of the Blighted One. A Romance of Deep Interest]


55.  “Melina the Murderess; or the Crime at the Old Milestone”.  Cuts. 20/-.  SOLD.


56.  “Three Times Dead; or the Trail of the Serpent”.  (Miss Braddon’s first story.)  Original issue in Half-penny Miscellany.  1864.  Crude cuts.  20/-.
[Mary Elizabeth Braddon, Three Times Dead; or, The Secret of the Heath.  Revised as The Trail of the Serpent; or, The Secret of the Heath.  Summers, 15]


57.  “The Wife’s Tragedy; or the Secret of the London Sewers”.  1850.  The 104 numbers of this choice old “Blood” backs all the rest off the board.  The quality of the cuts is indescribable! £2.
[Helen Porter; or, A Wife’s Tragedy and a Sister’s Trials.  Drop-head title is “The Wife’s Tragedy: A Secret of the Sewers of London.”  James & Smith, 289]


58.  “The Female Bluebeard”.  Many quaint cuts.  (By Eugene Sue.)  10/-.  SOLD.


59.  “The Cannibal Courtezan”.  Six humdinging cuts.  1866. 12/6.  SOLD. [May be an invented title]


60.  “The Parricide Priest; or the Murder in the Monastery”.  Cuts.  15/-.  SOLD.  [May be an invented title]


61.  “Mabel the Marble-hearted; or the Outcast’s Revenge”. Cuts. 1842. 20/-.  SOLD. [May be an invented title]


62.  “The Outcasts of London; or the perils of Pauline, the Victim of Crime.”  The first seven instalments of this famous story in an illustrated publication called The London Pioneer.  1844.  10/-.


63.  “Mabel; or the Child [JPQ has “Ghouls”] of the Battlefield”.  55 numbers, each with a gory cut.  Lloyd. 1846. 20/-.  SOLD. 
[James & Smith, 382]


64.  “The Blue Dwarf; or Love, Mystery and Crime”.  With coloured folding plates and innumerable fierce cuts.  Coloured wrappers. 3 vols in one. £3-10-0.
[James & Smith, 573; Summers, 250]


65.  “Wagner the Wehr-Wolf” by Reynolds, and several other “Bloods” by the same author, in one thick vol.  15/-.
[Summers, 550]


66.  “The Loves and Crimes of Paris”.  On its own as a thriller of the past.  29 numbers.  Vickers.  London. 1846.  Damaged badly.  3/6.
[Paul Feval, The Loves of Paris.  Summers, 393]


67.  “Walter the Archer; or the Robber Lords of the Mountains”.  Coloured wrapper.  Scarce.  Brett. 3/6.  SOLD.
[James & Smith, 684]


68.  “Florence Graham; or, the Pirate’s Daughter” [Quaine has “Penelope the Pirate’s Daughter].  Lloyd.  1847.  Crude cuts.  20/-.
[James & Smith, 515]


69.  “The Death Grasp; or the Father’s Curse”.  Weird cuts.  20/-.  SOLD.
[James & Smith, 476]


70.  “Rook the Robber”.  32 numbers.  Cuts.  Dicks.  London.  1868.  35/-.
[James & Smith, 160-161]


71.  “Under the Blood-Red Flag; or at War with the World”.  Cuts.  10/-.


72.  “The Murder of Maria Marten in the Red Barn at Polstead”, with all the strange engravings.  Original edition.  1828.  Polished calf.  Very rare.  £4.  SOLD.
[Maria Marten; or, The Murder in the Red Barn.  Summers, 400-401]


73.  “Burke and Hare, the Body snatchers”, with appropriate cuts.  Neat little vol. Well bound.  30/-
[Summers, 256]


74.  “The Bravo of Venice”, by ‘Monk’ Lewis.  Early edition, with fine frontispiece.  Only 7/6.
[Summers, 252-253]


75.  “The Robber Foundling”, a rare Lloyd “Blood”.  Weird cuts.  25/-.
[Possibly The Robber Chief; or, The Foundling of the Forest, though not a Lloyd title]

76.  “William Tell, the Patriot of the Mountains”.  Cuts.  Scarce. 10/-.
[Possibly William Tell, the Hero of Switzerland.  James & Smith, 431; Summers, 559]


77.  “The Mysterious Avengers; or the Voice of Blood”.  Cuts.  (Mentioned by George Saintsbury in one of his essays.)  Rare. 15/-.  [May be an invented title]


78.  “Ela the Outcast; or the Gypsy of Rosemary Dell”, by Prest, the author of Sweeny Todd.  (This work has been mentioned by Sala, as the before-mentioned Author’s best seller.)  Many fierce cuts.  35/-.  SOLD.
[James & Smith, 478; Summers, 305]


79.  “The Wreck of a Heart; or the Trials of Agnes Primrose”.  Really a travesty of Mrs Inchbalds “Nature and Art”, but a better tale because it has a more reasonable conclusion, melodramatic and gory.  Cuts.  20/-.


80. “The Lady in Black; or the Wanderer of the Tombs”, by Prest.  Lloyd. London.  1844.  Gory cuts.  40/-.  [May be an invented title]
[Possibly The Lady in Black; or, The Widow and the Wife.  James & Smith, 558]



81.  “The Doom of the Dancing Master”.  Original periodical issue, with all the crude illustrations.  10/6.  In book form also 10/-.


82.  “The Gypsy Chief; or the Haunted Oak, a Tale of the Other Days”.  This most sensational story is now rare in the weekly form.  Many plates.  10/-.  SOLD. 


83.  “Fatherless Fanny; or the Misfortunes of a Little Mendicant”.  Plates.  A morally immoral old story.  Now scarce.  5/-.  SOLD.
[Fatherless fanny; or, A Young Lady’s First Entrance into Life, Being the Memoirs of a Little Mendicant and Her Benefactors.  Summers, 320-321]


84.  “Doctor or Demon; or the Doom of the Deloraines”.  Original periodical issue.  1882.  10/6.  SOLD. 


85.  “The Dance of Death; or the Hangman’s Plot.”  Cuts.  1874.  10/6.  SOLD.
[James & Smith, 80]


86.  “Edith the Captive; or the Robbers of Epping Forest”.  104 cuts.  Fine copy. 40/-.
[James & Smith, 549]


87.  “Ruth the Betrayer”.  Fine copy. Many cuts.  15/-.  SOLD.
[James & Smith, 162]


88.  “Barnfylde Moore Carew, the Gypsy Gentleman”.  12 cuts.  Rare.  10/-.  SOLD.


89.  Emalinda, the Orphan of the Castle”.  Cuts. 10/-.  SOLD.


90. “Jessie the Morgue-keepers Daughter”.  Gruesome cuts.  1845.  20/-.  SOLD.
[Jessie the Mormon’s Daughter. James and Smith, 293; Summers, 375]


91.  “The Mysteries of the Dissecting Room”.  Horrific cuts.  1846.  20/-.  SOLD.
[Possibly Secrets of the Dissecting Room]


92.  “The Maniac Mother; or the Victim of Vice”.  Damaged.  10/6.  SOLD.  [May be an invented title]


93.  “The Monk”, by ‘Monk’ Lewis.  The Penny number Lloyd issues, with most fearsome cuts.  1848. £2.  SOLD.
[Summers, 419-426]


94.  “The Profligate Pope; or the Mysteries of the Vatican”.  Cuts in keeping with the Title and text.  1866.  20/-.  SOLD.  [May be an invented title]


95.  “The Mysteries of the Inquisition”, by Reynolds.  1846.  Contained in the rare first volume of the London Journal.  Terrific cuts.  20/-.
[James & Smith, 213; Summers, 434]


96.  “The Mysteries of Bedlam; or the Annals of a madhouse”.  Cuts.  25/-.  SOLD.


97.  “Vipont the Vulture”, an imitation of that rara avis midst “Bloods” – Varney the Vampire; or The Feast of Blood.)  The cuts are glorious in their repellancy.  £2.  SOLD.  [May be an invented title]


98.  “Tyburn Dick, the Boy King of the Highwayman; or Take Me Who Dare”.  The prosecuted issue of this rather ‘over the fence’ story, Mint order. Neatly bound with two other similar tales.  £4.  SOLD.
[Tyborn Dick, the Prince of Highwaymen.  Cover has the title Tyborn Dick; or, Take Me Who Dare.  James & Smith, 669]


99.  “Turnpike Dick, the Star of the Road”.  The desirable Chas.  Fox edition, with all the coloured wrappers.  3 vols. (60 numbers) in one.  £3.
[James & Smith, 348]


100.  “The Headless Horseman”.  Original edition.  1866.  Half calf. £10. 


101.  “Robin Hood; or the Merry Men of Sherwood”.  Pierce Egan’s original Penny number edition.  1841.  40/-.
[Possibly Pierce Egan the Younger, Robin Hood and Little John; or, the Merry men of Sherwood Forest.  Summers, 481]


102.  The same tale, re-issued in 1865, different cuts.  Three coloured plates. 10/-.


103.  “Robin Hood”.  Hogarth House edition, by George Emmet.  Mint copy.  Crude cuts.  Three copies.  15/- each.
[James & Smith, 185]


104.  “Jack Cade, the Rebel of London”.  1851.  Cuts. Last number out.  SOLD.
[Jack Cade, the Insurrectionist; A Tale of the olden Times.  Summers, 372]


105.  “Wat Tyler”, by Pierce Egan. Original edition 1844.  With fierce cuts. Damaged.  7/6.
[Summers, 553]


106.  Same tale, reprint with different cuts.  1864.  10/-.


107.  “The Black Bandits of the Rhine”, with four other tales.  Cuts.  20/-.


108.  “The Ned Nimble Series”, in 2 large vols, with all the coloured wrappers of the 11 vols.  £4-4-0.


109.  The World Famous Deadwood Dick Series.  5 vols containing the original ALDINE run from No. 1 “The Outlaw of the Black Hills” to No. 58.  Absolutely unobtainable anywhere else in the Universe.  Actually dumped at £25.


110.  The original Harkaway Series running through the Boys of England, 1871-1878.  £20.


111.  The original Penny Number and Shilling volume edition, sumptuously bound in 4 gilt-backed vols.  With all the coloured wrappers.  An exhibition set, lettered “Jack Harkaway” and decorated with crossed swords, an anchor and a sailing ship in gold ornament. £20.


112.  The Hogarth House Series of the American “Jack Harkaway”.  The set of seven with all the gory coloured wrappers and fierce crude cuts in one thick volume.  £6-10-0.


113.  “The Wild Riders of the Staked Plains; or Jack the Hero of Texas”, and 12 other equally choice “O’er Land and Sea” series, on one vol.  30/-.


114.  “Sawney Bean, the Man-eater of Midlothian”.  Fierce frontispiece.  20/-.  SOLD.  [invented title]


115.  “The Nameless Crimes of the Quaker City; or Devilbug the One-eyed Ghoul”.  A rare American Dime-a-number Dreadful.  Large thick vol. 15/-.  SOLD.  
[George Lippard's The Quaker City; or, The Monks of Monk Hall]


116.  “The Headsman of Old London Bridge”, and another Brett “Blood”. 1 vol. 15/-.
[James & Smith, 255]


117. “The Hunchback of Old St Pauls”, and 2 others in one vol.  20/-.


118.  “Alone in the Pirate’s Lair”, “The Brigand Muleteer; or the Scourge of the Pyrenees”, and “Alone Among the Brigands”.  2 vols.  35/-.
[James & Smith, 616-617, 77]


119. “Boys of England”, the last 26 vols. 1884 to 1899. £20.  A gift.


120.  Reynolds “Mysteries of London”. Original Penny numbers in 4 vols. 20/-.


121.  Reynolds “Mysteries of the Court of London”.  Original issue. 8 vols. 30/-. SOLD.


122.  “Catalina; or the Spaniard’s Revenge”.  9 numbers.  Cuts. 1847.  20/-.
[James & Smith, 287]


123.  “Jane Shore the Goldsmith’s Wife”.  Original numbers, bound.  7/6.
[Summers, 374]


124.  “The Jester’s Revenge, or the Seven Masks”, and three others in the one vol.  20/-.  SOLD.
[Summers, 375]


125.  “Under the Black Flag”, and 2 others in 1 vol. 25/-.  SOLD.
[Possibly Under the Pirate’s Flag.  James & Smith, 671]


126.  “The Maniac’s Secret”, and 6 others in one vol.  No cuts.  7/6.


127.  “The Rival Hangman”.  3 numbers only, all that were issued.  3 cuts. 1870.  5/-.  SOLD.


128.  “The Ruin of the Rector’s Daughter”.  Weird cuts.  London.  1848.  20/-.
[Possibly Emma Mayfield; or, the Rector’s Daughter.  Summers, 309]


129.  “The Black Band; or the Mysteries at Midnight”.  (Miss Braddon’s early blood)  Cuts by Dore. 20/-.
[James & Smith, 66]


130.  “The Secrets of the Old House at West St.”  (Jonathon Wild’s House).  One of the most blood-freezing of the old Bloods.  In 2 vols.  104 cuts.  SOLD for £10.

[The Old House of West Street; or, London in the last Century.  James & Smith, 503; Summer, 541]


131.  “The Hebrew Maiden; or the Lost Diamond”.  (A piracy of Scott’s Ivanhoe).  A rare 1841 Lloyd.  Crude cuts.  Damaged badly.  15/-.
[James & Smith, 488; Summers, 349]


132.  “Black Plume, the Demon of the Ocean”, and ten other small bloods, with coloured wrappers.  Now rare.  15/-.  SOLD.


133.  “The Ghost of Inchvally castle, a Tale, alas, too true”.  Old cuts.  1821.  7/6.


134.  “The Smuggler King; or the Wolf of the Wave”.  Second half only.  Cuts. 10/-.
[Possibly The Smuggler King; or, The Foundling of the Wreck. James & Smith, 509]


135.  “Powerful Dramatic Tales”.  6 large vols of Romantic Dramas, each with coloured cover and cuts.  £5.


136.  The Demon of Brickarhein; or the Enchanted Ring”.  Bound with “Wolfgang; or the Wreckers Beacon”.  Both extracted and bound from the Australian Journal of 1876 and 1877.  rare. 1 vol.  7/6.
[Should be "The Demon of Brockenheim"]


137.  “Black-Eyed Susan”, “The Pirate’s Isle”, and 2 others.  Coloured wrappers.  Cuts.  In one vol.  30/-.
[James & Smith, 165-166, 182]


138.  “Manualla, the Executioner’s Daughter”. 2 vols (should be 3).  Frontispiece. 5/-


Contents of both lists cheap at £200.


ADDENDA 1945


139.  Vols 1 and 2 of the “Boys Comic Journal” in one thick vol.  45/-.


140.  Number of vols of “Young Men of Great Britain”, several vols.  Cloth or paper covers.  25/- each.


141.  “Boys of the Empire and Young Men of Great Britain”, several vols.  Cloth or paper covers.  25/- each.


142.  Rehash of the Brett’s Journals issued in the early 1900s under the title of “Up-to-date Boys” and later “Boys of Empire”, slightly broken run to finish in 1906.  27 vols. £15.


143.  Miscellaneous vols, such as “Boys Champion Journal” 1891, “Our Boys Paper”, “Boys Weekly Reader”, “Our Boys Journal”, etc. 30/- each.


144.  About 600 of the Aldine Library, Penny, Twopenny and Threepenny Tales.  All in Mint order, with coloured wrappers.  £30 the lot.  SOLD SOME.


145.  Robert Macaire the French Bandit in England”.  Gorgeous vol.  Cloth Gilt.  1847. £3-10-0.
[Summers, 480]


146.  Ada the Betrayed; or the Murder in the Old Smithy”.  Original Penny Numbers.  Bound in one vol, with all the fierce cuts.  1847. £3-10-0.
[James & Smith, 541]


147.  “Sweeny Todd the Demon Barber of Fleet Street”.  Original Chas. Fox edition.  (First time the ‘Demon’ was used in the Title).  With Coloured wrapper, bound with “For Honour” by Burrage, and “The Brigands of the Sea; or the sailor Highwayman”, also with a fierce cover.  “Sweeny” by itself is almost priceless in England.  Costs, when found, up to £20.  (The 1851 edition went to £30).  This vol is cheap at a tenner.
[James & Smith, 626; Summers, 519-521]


148.  “Cartouche, the French Jack Sheppard”.  Very rare Fox item published 1897. £1.
[James & Smith, 682; Summers, 262]


149.  Brett, Fox and Hogarth House Shilling vols, some in paper, others cased, with coloured wrappers preserved; also 15 in limp cloth, without coloured wrappers.  Worth marked prices, ranging from 15/- to 30/- each.


150.  “The Handsome Harry Series”.  Original “Best for Boys” edition, in one thick vol.  Finishes at “Young Ching Ching”.  £5-10-0.


151.  Another vol. Hogarth House: “Handsome Harry and Cheerful Ching Ching”.  Cloth £2.  SOLD.


152.  The same, bound with Willie Grey” and “Young Tom Wildrake”.  Coloured frontispiece.  £5.


153.  “Slapcrash Boys” and “Black Bandits of the Rhine”, in one vol. £1.


154.  10 vols “Australian News” and “Melbourne Post”, between 1860 and 1881.  Worth at least £50.


155.  Volume of “Melbourne Herald” 1865.  (Bushranging year, Morgan, Hall, Gilbert, etc).  £2.


156.  “Golden Hours”, rehash issued in the nineties, of various American Boys papers and Burrage’s Ching Ching own”.  3 large vols.  £3.


157.  “Spring-heeled Jack, the Terror of London”. Vols 2,3,4, bound with two fierce coloured frontispieces. £2.
[James & Smith, 347; Summers, 513]


158.  “Shot and Shell” Series.  Hogarth House.  Five of the original six.  With coloured wrappers intact, and duplicate “Captain Jack”.  £2.


John P Quaine's copy of The Lady in Black