In anticipation for the upcoming 95th Academy Awards, I chatted with director Houman Seyyedi and screenwriter Azad Jafarian, whose film World War III is...
Ellie Foumbi’s Our Father, the Devil (Mon Père, le Diable) is an exceptionally haunting, masterful film. A highlight from both Venice (a Biennale College...
Staring into the Known: Smoczyńska Offers Low-key, Uncompromising Sophomore Feature
Surely not the follow up effort audiences might have had in mind from the creator...
In anticipation of the upcoming 95th Academy Awards, I chatted with Yorgos Gousis, whose debut film Magnetic Fields is Greece’s official submission in consideration...
In anticipation of the upcoming 95th Academy Awards, I spoke with Michal Blaško, whose debut film Victim is Slovakia’s official submission in consideration for...
Arriving at TIFF after having premiered at the Venice Film Festival, first-time Lebanese filmmaker Mounia Akl who actually penned the screenplay with Clara Roquet...
Lenny Guit and Harpo Guit are the masterminds behind Mother Shmuckers (Fils de Plouc), one of the most unhinged comedies to grace Sundance’s Midnight...
Japanese filmmaker Hirokazu Kore-eda returns to a thematic subject matter he knows well: loneliness and emptiness. This time out, he does so via the...
Egypt's official submission for the 'Best International Feature' category at the 94th Academy Awards is Ayten Amin's Souad, which received the official Cannes 2020...
Slovakia's official submission for the 'Best International Feature' category at the 94th Academy Awards is Péter Kerekes's 107 Mothers, which premiered at the 2021...
Filmmaker Ryûsuke Hamaguchi’s mesmerizing character studies (2015’s Happy Hour, 2018’s Asako I & II) often snag awards at major film festivals, and 2021 was...
After premiering in the Directors' Fortnight and landing at the New York Film Festival, The Souvenir Part II - filmmaker Joanna Hogg’s highly-anticipated follow...
Making a moral complicated medley on death being at someone's doorstep...and footsteps, with his feature debut film, Somalia-born, Finnish filmmaker Khadar Ayderus Ahmed proposes...
Making friends can be easy...unless you happen to be the central character in Radwanskian cinema. In Toronto-based filmmaker Kazik Radwanski's third feature film, we...
Insular and close-knit communities are great at keeping unwanted problems (or people) at bay, but want happens when social woes mushroom from within? Passive...
Finland’s official submission for the ‘Best International Feature’ category at the 93rd Academy Awards in 2021 is Tove, the fifth film from Zaida Bergroth,...
Under the guise of a topical film detailing a #Metoo experience, Myanmar-born Taiwanese director Midi Z investigates the broader point of view of an...
Filmmaker Martin Edralin’s tender debut feature Islands introduces us to Joshua (Rogelio Balagtas): a taciturn, 49-year-old Filipino immigrant who still lives with his elderly...
Eligible for consideration in the ‘Best Live Action Short’ category at the 93rd Academy Awards in 2021 is ‘Baradar (Brother)’ from director Beppe Tufarulo....
One of the brighter notes in world cinema circa year one of the pandemic, Dea Kulumbegashvili's directorial debut (an official entry for Georgia for...
Peru’s official submission for the ‘Best International Feature’ category at the 93rd Academy Awards in 2021 is Melina Leon’s directorial debut Song Without a...
North Macedonia’s official submission for the ‘Best International Feature’ category at the 93rd Academy Awards in 2021 is Willow, the latest title from Milcho...
Lithuania’s official submission for the ‘Best International Feature’ category at the 93rd Academy Awards in 2021 is Karolis Kaupinis’ directorial debut Nova Lituania, which...
One of the hallmark signature hallmarks found in Durkinian cinema is the ability to capture the psychology of his characters through their inaction. This...
With her award-winning short Maman(s), Maïmouna Doucouré masterfully details the traumas associated by living in a nonsecular upbringing. Mining from her own experiences and...
At the last Critics' Week in Cannes 2019, critics took notice of Hlynur Pálmason’s second feature, A White, White Day. Pálmason’s debut, Winter Brothers,...
With a certain clinical Lanthimos-like aestheticism and The Stepford Wives sorting of the character set, London-based filmmaker Dylan Holmes Williams has been super-charged by...
The apex of the ocean's pyramid of predators, the mystic and misunderstood animal is most renowned for its powerful bite. Sundance preemed The Sharks (Los...
Once again reflected in this year's batch, the 2020 January Screenwriters Lab truly emphasizes geographic inclusion and diversity perhaps best exemplified in this future...
Love is a lingering suggestion examined through various ages and art forms in Gitanjali Rao’s feature debut Bombay Rose, an exquisite Indian animated film...
We sat with filmmaker Peter Strickland following the premiere of his latest film In Fabric at the 2018 Toronto International Film Festival. Strickland shares...