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Showing posts with label Grey Griffin. Show all posts
Showing posts with label Grey Griffin. Show all posts

Tuesday, March 17, 2020

Onward (2020)


There was a time, not long ago, that we had analog clocks.  You had to look at a round surface and do math based on two pointy things to figure out what time it was.  Now, we have digital clocks.  You just read the numbers and know what time it is.  It’s much easier.  There are those among us that would prefer not to do away with the analog clocks, though.  (I believe the technical term is Luddite.  Here’s your sundial.  Now go away.)

Ian and Barley Lightfoot are elves who live in a world once ruled by magic.  Magic was difficult to use and was limited to a select few.  When easier alternatives came along, magic slowly faded away.  Candles were easier and more accessible than lighting spells, for instance.  So, why pay someone else to try something that’s less reliable?

On Ian’s 16th birthday, he gets a gift from his deceased father.  Wilden Lightfoot left a magical staff and gem for his sons when they got old enough.  Wilden knew that he was dying, so he wrote a spell so that he might see how his sons turned out.

Barley tries to cast the spell with no luck whatsoever.  When Ian tries, the magic happens.  In all the excitement, something happens and the spell only works halfway.  The brothers get their father from the waist down.  This leads to the brothers sharing an epic adventure in the hopes of finding a replacement gem.

Some of the movie comes across as cliché.  The brothers are polar opposites, with Barley being outgoing and boisterous and Ian being more quiet and reserved.  (Barley wants to play his historically accurate RPG while Ian just wants to eat his breakfast in peace.)

Their overprotective mother has a new boyfriend that neither one really likes.  Oh, and he’s a centaur police officer named Colt Bronco.  So, yeah.  It does go for a few corny jokes.

It’s enjoyable, even if it is somewhat formulaic.  It’s the kind of thing you could watch with your family now that everyone has to quarantine themselves, except that this was just released in theaters.  (There’s talk of making movies immediately available for streaming or download, but you might have to pay a premium for it.)

Speaking of COVID-19, this is probably going to be the last movie I see in theaters for a while.  It’s not the worst title to use a sendoff, but I had a few that I was looking forward to seeing.  AMC has shut down theaters, but it looks like they’ll pause A-List for the time being.  It looks like I may be reviewing a lot of Star Trek and B movies for a while.


 

Sunday, May 13, 2018

Omohide poro poro/Only Yesterday (1991)

A few days ago, I read that director Isao Takahata died.  Takahata co-founded Studio Ghibli along with Hayao Miyazaki.  The article pointed out something that I hadn’t considered before: Miyazaki tended to direct more fantastical movies whereas Takahata tended to direct more realistic ones.

In fact, Only Yesterday seems like something The Hallmark Channel might air, even if only on a superficial level.  The movie is about a woman living in a big city with a comfortable job.  She goes on vacation to a small town, where she finds that small-city life isn’t so bad.  The events of the movie force her to confront who she really is.  She even meets a potential love interest that she spends most of the movie not being overtly interested in romantically.

Taeko is actually visiting her brother-in-law’s family.  She wants to get away for a while, but has no real plans of staying there permanently.  She’s just trying to get away from city life by helping out with a safflower harvest.  While there, a lot of memories from her childhood resurface.  She has no idea why.

The movie is a little unusual in that it doesn’t seem to be aimed at children.  Taeko seems like a normal young girl.  She has trouble with fractions.  She’s maybe a little awkward around boys.  She even stresses out at being one of the few children not going on vacation for the summer.

The unusual part comes in that the movie deals with puberty and the onset of menstruation.  It’s mentioned as something that a young girl would be concerned about.  It’s not really explained in graphic detail, but it is something for parents to be aware of.  From what I’ve read, that’s what kept Disney from releasing it in America.  (GKIDS had to be the one to distribute it here.)

I didn’t really feel uncomfortable with the references.  The story focused on Taeko and her trip, for the most part.  It seems to be about her coming to terms with her life choices.  She’s used to big-city life, but is it really what she wants?  She’s single, but doesn’t seem set against a relationship.  (She does resist a little when people bring up dating.)

I would say that the movie is more for adults.  It should be safe for those 13 and above, but there might be some uncomfortable questions due to talk of puberty and dating.  It’s nothing that would scar a child, but you might want to be prepared to answer questions on basic reproduction.


IMDb page