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Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Follow Me to the Bottom Shelf!

>> Sunday, June 25, 2017


Greetings, fellow inebriates,

The time has come to close up shop at Booze Movies, as I've opened a new store front, It Came From the Bottom Shelf!  The new site (found at www.bottomshelfmovies.com) is a movie recommendation site, focusing on forgotten classics, lesser-known gems, and oddball discoveries.




In the Bottom Shelf, I will try to shine a spotlight on titles that haven’t received the level of attention they deserve.  In that endeavor, I will post capsule movie reviews, “Pick of the Week” video releases, upcoming DVD announcements, sales alerts, and other cinematic news.  My hope is that this site will eventually become a reference for video collectors and binge-watchers who think they’ve seen everything — sort of an electronic equivalent of Danny Peary’s Guide for the Film Fanatic or Michael Weldon’s The Psychotronic Encyclopedia of Film (although likely nowhere near as good).


So this isn't "goodbye."  It's "come visit me at my new address, when you're in the neighborhood."  I hope you like my new digs.

Cheers,
garv

P.S. -- Boozemovies.com will not disappear anytime in the near future.  I'll leave it up as a reference for myself and others.




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Happy New Year!

>> Thursday, December 31, 2015

Greetings, fellow inebriates,

It's been over a year since I posted, so let me get the first question out of the way.  Is the blog dead?  Not necessarily.  I've been working on other projects and generally living life, and I haven't felt like I could devote the time to Booze Movies that it deserves.

However, the URL will remain active, and there are still numerous classic and new alcohol-related films to review.  Consequently, I may decide to begin posting again on a regular basis sometime in the future.  In the meantime, if you want to keep up with my opinions on film, video, television, and subjects of more import, follow me on Twitter @BoozeMovies.

I'll leave you with best wishes for a safe, and happy 2016 and with a handful of recommendations:

Best Movie that you probably didn't see this year: Bone Tomahawk


Best Book you probably haven't heard of: The Thicket

Best 2016 Calendar: Rube Goldberg Inventions 2016 Wall Calendar

Best New Year's Eve 2015 Viewing: Just leave the TV tuned to TCM for the afternoon Marx Brothers Marathon followed by the evening Thin Man Marathon.

Cheers,
garv

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Booze News: Classic Soused Slapstick from Flicker Alley

>> Sunday, April 27, 2014

Greetings, fellow inebriates,

Fans of soused slapstick and silent comedy take note!  Flicker Alley, the video label that brought us the magnificent Chaplin At Keystone box set, has announced two newly restored collections of silent film shorts on blu-ray: Chaplin's Mutual Comedies (Limited SteelBook Edition) and The Mack Sennett Collection, Vol. 1.  These blu-ray box sets will be released on July 29th, but you can pre-order them now at a discount.  Even better, you receive an additional 10% discount if you pre-order the sets together from this page by April 30th!

Chaplin's Mutual Comedies is a 5-disc Blu-ray/DVD box set featuring the twelve classic Mutual shorts (including alky classics One A.M. and The Cure), all scanned under the aegis of Association Chaplin at a resolution of 2,000 lines from original 35mm prints gathered from archives all over the world, then digitally assembled and restored.

The Mack Sennett Collection, Vol.1 features the first 50 of 100 of the best surviving Sennett comedies that have been gathered from around the world, fully restored, and digitally re-mastered in HD for home video.  This includes the work of Chaplin, Fatty Arbuckle, Mabel Normand, Harry Langdon, and W.C. Fields (specifically the funniest short of all time, The Fatal Glass of Beer).

Click on the collection links above for more info on the contents and special features, but if you plan to buy both, be sure to use the combo page to get the deepest discount!

Cheers,
garv

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Booze News: A Drunk History Christmas

>> Saturday, December 21, 2013

Greetings, fellow inebriates,

'Tis the season, and I can think of no better way to celebrate than with this lovely Christmas present from the masterminds behind Funny or Die's "Drunk History."



Have a safe and enjoyable holiday!

Cheers,
garv (the boy that put the "X" in Christmas)

P.S. -- A big thank you to Frank Thompson of "The Commentary Track" (my favorite classic film podcast) for alerting me to the video above.

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Booze News: 70% of Our Silent Film Heritage is Lost

>> Saturday, December 7, 2013

 Greetings fellow inebriates,

Prior to this week, it was common to say that approximately 50% of the films produced in the silent era were lost forever through fire, neglect, or decomposition.  However, the 50% figure was just a guess.  No one knew the true numbers until now; and the survival rate is far worse than we thought.

On Wednesday, the Library of Congress released a groundbreaking study: “The Survival of American Silent Feature Films: 1912-1929.”  The paper is the result of five years of research and travel by historian and archivist David Pierce.  Pierce scoured film archives around the world to pinpoint specifically  how many American silent feature films survive, whether each film survives in its complete original form, where the best surviving copy of each film can be found, and in what format the most complete copy is available (35mm, 16mm, etc.).

Here is what he found, taken directly from the study: 

“Only 14% of American silent feature films (1,575 of 10,919 titles) survive as originally released in complete 35mm copies. Another 11% (1,174) also survive in complete form, but in less than-ideal editions—foreign-release versions or small-gauge formats such as 16mm.”

“Another 5% of American silent feature films (562 of 10,919 titles) survive in incomplete form, missing at least a reel of the original footage, in formats ranging from 35mm down to abridged 9.5mm home library prints. Many important titles are incomplete.”

In short, only 30% of all American films produced in the silent era survive in some form, and only 25% survive in a complete print.  While these numbers are depressing, the good news is that David Pierce’s study will make it easier for film preservationists to coordinate efforts to restore the remaining films before more footage is lost.

You can download the full study here: The Survival of American Silent Feature Films: 1912-1929

In addition, Pierce developed an online database of American silent features, their ownership, and locaton.  It can be found here: American Silent Feature Film Survival Database

For those interested in making a small contribution to silent film preservation, let me direct you to the 2014 Silent Movies Benefit Calendar.  Rodney Sauer of the Mont Alto Motion Picture Orchestra produces this calendar each year, featuring rare film stills and photographs of silent movie stars contributed by fans. In addition to a dozen beautiful photos in glorious black and white, the calendar also features birthdays of silent-era film stars and personalities, as well as notable marriages, deaths, film openings, and other significant dates.

Best of all, the net proceeds made from the sale of the calendars (after printing expenses) are donated to support silent film restoration. For example, the 2013 calendar raised $1808 for the George Eastman House.

The theme of the 2014 calendar is “Fabulous Hats,” and as you can tell from the sample photos, the chapeaus are indeed remarkable.  The price is just $12.00 plus shipping, so click on the link below to order yours today!

Get it here: 2014 Silent Movies Benefit Calendar

Long live silent film!!!

Cheers,
garv

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Booze News: Take a trip to THE WORLD'S END

>> Saturday, August 24, 2013



Greetings, fellow inebriates,

I've returned from a trip to The World's End,and it is a journey that I highly recommend for soused cinephiles (and for anyone that enjoys smart comedy).  I'll post a full review when this sudsy gem makes its way to blu-ray, but be assured that the team that gave us Shaun of the Dead and Hot Fuzz have served up another slice of fried gold.

If you only make one trip to the multiplex this year, The World's End is the movie to see.  Edgar Wright is the best director working today with a scheduled release in 2013 (Most of the other directors in his league had releases in 2012).  The writing is as sharp and witty as in the previous Wright/Pegg/Frost collaborations.  The action set-pieces are expertly staged (Nick Frost hulking out and rampaging Sammo Hung-style is worth the price of admission alone).  Best of all, The World's End is the most emotionally resonant and mature of the films in the Three Flavors Cornetto trilogy.

There have been a lot of substandard movie releases this summer.  Expertly crafted entertainments deserve to be rewarded, so vote with your wallet for more quality productions like The World's End.  I know I'll be returning for a second round.

Cheers,
garv

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Booze News: Happy Dipsomania Week!

>> Monday, July 15, 2013



Attention, fellow inebriates!

Joe Dante and his merry movie gurus at Trailers From Hell have proclaimed this 1/52 interval of the calendar year to be "Dipsomania Week," and as thus, their website will be featuring audio commentaries to accompany the original advertisements for three of the greatest booze movies of all time.

First up, and available now, is the trailer for Barfly (1987), featuring running commentary by A History of Violence screenwriter Josh Olson.  That will be followed on Wednesday by producer/director Dan Ireland’s take on The Days of Wine and Roses (1962)And on Friday, Joe Dante will cap off the fest by providing his thoughts on the promo for Harvey (1950).

If you are unfamiliar with Trailers From Hell, click on the link and go to the site immediately.  You are in for a real treat.  The site is a treasure trove of cinematic trivia and a great way to discover catalog titles of which you were not previously aware.  Adding booze to the mix is just icing on the cake. 

However, be warned, the day after I discovered Trailers From Hell, I was pretty much useless due to sleep deprivation.  I just couldn't pull myself away from the site.

Thanks TFH gurus for giving soused cinema enthusiasts another reason to celebrate (not that we need much of an incentive to lift a glass)! 

Cheers,
garv

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Booze News: DRUNK HISTORY is back!

>> Saturday, July 6, 2013



Greetings, fellow inebriates,

Like the phoenix of Greek myth and X-Men fame, Drunk History never dies.  It merely disappears for long intervals.

The brainchild of Derek Walters and Jeremy Konner, Drunk History began as a popular series of short films on the Funny or Die website, in which soused storytellers passionately recounted historical anecdotes while actors and comedians re-enacted the tales.  After a prolonged absence, Drunk History reappeared briefly as a segment on HBO's short-lived Funny or Die Presents.  Now the concept returns yet again--this time as an eight-episode, weekly series on Comedy Central, beginning July 9th at 10pm Eastern (a rerun throughout the week).

Each episode of the new show will feature multiple history lessons centered around a particular U.S. city.  For example, episode 1 is Washington, D.C. themed, and features dubious accounts of the Watergate investigation (with Fred Willard as Deep Throat), the rivalry between John Wilkes Booth (Adam Scott) and Edwin Booth (Will Forte), and the epic encounter between Richard Nixon (Bob Odenkirk) and Elvis Presley (Jack Black).  If you can't wait until July 9th, the first episode is available now in its entirety on Comedy Central's site.  Here's the link--> Drunk History Episode 1

The return of Drunk History is most welcome.  I greatly look forward to future episodes, which promise the participation of Kristen Wiig, Connie Britton, Winona Ryder, Aubrey Plaza, Bradley Whitford, Owen and Luke Wilson, and many others.

Summer TV just got interesting.  Set your DVRs and chill your cocktails. 

Cheers,
garv

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Booze News: When Rupert Pupkin speaks you better listen!

>> Wednesday, May 1, 2013

Greetings, fellow inebriates,

This is slightly off-topic, but I wanted to make you aware that I submitted a guest post today for the Rupert Pupkin Speaks film blog.  If you are unfamiliar with the Rupert Pupkin Speaks site, please take this opportunity to check it out.  This phenomenal film blog is all about keeping older movies in the public consciousness.  In addition to short reviews of Warner Archives releases and other unique video offerings, the site regularly features "favorite film lists" from a variety of contributors, including film bloggers and critics.  I recently discovered Rupert Pupkin Speaks, and it has quickly become one of my favorite destinations on the Internet.

In recent weeks, Rupert Pupkin Speaks has been featuring curated lists of "Favorite Underrated Comedies."  As a lover of both classic film comedy and "top ten" lists, this was a party that I just couldn't resist.  And I have to admit that I enjoyed the freedom of pontificating on films that weren't necessarily alcohol-centric.  Click on the link below to view my humble submission; and while you're at it, stick around to check out some of the other posts.  You're sure to discover some obscure and wonderful titles that you never knew existed.

Garv's post on Rupert Pupkin Speaks

Cheers,
garv


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Booze News: More W.C. on DVD and Pegg/Frost Pub Crawl Film Greenlit

>> Saturday, July 14, 2012

Greetings, fellow inebriates,

Here at Booze Movies, we consider W.C. Fields our patron saint; so any new video release from the Great Man's filmography is a cause for celebration.  Consequently, I'm delighted to announce that Field's most surreal film, Million Dollar Legs (1932), will make its U.S. DVD debut on August 6th as part of the Turner Classic Movies and Universal box set 1930's Rarities.

Million Dollar Legs was only Fields' second sound feature, and Hollywood had not quite figured out how to showcase the talents of its greatest screen comedian.  W.C.'s role is secondary to the amiable but lesser comic actor Jack Oakie, and it is a rare role in which the Great Man does imbibe or even discuss demon alcohol.  Still, I greatly encourage soused cinema enthusiasts to seek out Million Dollar Legs, because the film is hilariously loony, and the Great Man makes the most of every second he's given to perform.

The movie is more akin to the comic insanity of the Marx Brothers' Duck Soup (1933) than to most of W.C. Fields' later work (although Never Give a Sucker an Even Break shares a similar surrealist streak).  The story takes place in Klopstokia, a small country populated by impossibly talented athletes (almost all named either George or Angela).  Fields is the President, a post determined by arm wrestling matches.  The nonsensical plot involves anarchists, spies, goats, the 1932 Olympics, and attempts to sing an old Klopstockian love song.  If you like bizarre humor, this is the film for you.

The DVD box set also includes three other sought-after 1930's flicks:

  • Mae West's Belle of the Nineties (1934)
  • Jack Benny's Artists and Models (1937)
  • Gary Cooper's Souls at Sea (1937)

In other booze news --

The World's End, Edgar Wright's pub crawl film starring Simon Pegg and Nick Frost has been officially greenlit (an outcome that was never really in doubt).  Although the film won't begin shooting until fall, a teaser poster has already been released.  You can check it out to the left.  It seems very appropriate for a film about a pub crawl.

Cheers,
garv

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Booze News: Pub crawl film coming from Edgar Wright, Simon Pegg, and Nick Frost

>> Saturday, May 12, 2012

The team that brought us Shaun of the Dead and Hot Fuzz are set to begin filming their third collaboration in September.  Once again, Simon Pegg and Nick Frost will star, and Wright will direct from a script he co-wrote with Pegg.   

The World's End will tell the story about a pub crawl that may coincide with something larger.  Here's the description, as reported by Deadline.com:

20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World’s End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind’s. Reaching The World’s End is the least of their worries.

As a huge fan of both Shaun and Fuzz, I can't wait.  If the previous two films are any indication, there will be laughs and boozing a'plenty.

Cheers,
garv

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Booze News: Garv gets on his soapbox

>> Thursday, February 23, 2012

Greetings, fellow inebriates,

A two-year study published this week in the British Medical Journal suggested that teens who watch an abundance of movies featuring alcohol were twice as likely to start drinking and 63 percent more likely to binge drink than peers that watched fewer liquor-laden films. The research project surveyed 6,500 U.S. kids 10-14 and compared several possible factors that might influence them to drink, including their movie viewing habits.

While the study found that the greatest influence on both teen alcohol use and binge drinking was high consumption of alcohol by one's peers, "high movie alcohol exposure" ranked third as a factor in alcohol onset and ranked fourth in the progression to binge drinking. The study concluded that Hollywood had a greater influence on teen drinking than factors such as unskilled parenting, alcohol availability in the home, and parental alcohol use.

To quote Seth Meyers and Amy Poehler, "Really?"

I'm sorry, BMJ. I don't buy it. People have been trying to blame society's ills on the movies for as long as cinema has existed; but the truth of the matter is that Hollywood reflects society far more than it influences it. Media images can impact behavior, positively or negatively, but that impact is usually minor unless a person has a previous inclination in that direction (or deeper mental issues). From the study's findings, one could just as easily conclude that kids interested in boozing are more likely to watch movies featuring fermented fluids, rather than that they are prompted to drink from watching such movies.

Some of the statements in the study are simply out-of-touch with reality. Take for example:

"Movie exposure may facilitate onset through providing examples of persons drinking and promoting the belief that alcohol use is common and acceptable. The effect of movie exposure on progression, we suggest, derives from the fact that alcohol use in movies is typically modelled in positive situations, without negative effects, and often shown with alcohol brands, which consolidates both the adolescent's identity as a drinker and brand allegiance."
I have to wonder what movies the researchers believe depict alcohol use mainly in "positive situations, without negative effects." I can't think of any recent movies that display drinking in a purely positive light. The Hangover? Knocked Up? Superbad? Young Adult? None of those films shied away from the negative aspects of overindulgence of alcohol, and those are just examples of recent comedies. Recent dramas depict alcoholism in an even more negative context.

The study also states that:
"Product placement in movies is forbidden for cigarettes in the USA but is legal and commonplace for the alcohol industry, with half of Hollywood films containing at least one alcohol brand appearance, regardless of film rating. To the extent that alcohol product placement serves to increase prevalence of movie drinking scenes, limits on movie alcohol product placement could also reduce MAE (movie alcohol exposure)."

Product placement? Can they honestly think that anyone is fooled by product placement anymore? Today's teens are more media savvy than any previous generation. When kids today see the characters on Chuck chow down on Subway sandwiches, they don't think, "Gee, I bet those subs are tasty." Instead they see product placement for what it is--a little extra advertising revenue.

On personal note, I grew up on a steady diet of soused cinema. From the age of five, I've enjoyed the booze humor of W.C. Fields and Charlie Chaplin; and it wasn't long after that I discovered Dean Martin, The Thin Man series, and National Lampoon's Animal House. Yet, I didn't down my first alcoholic drink until I was 20, and I remain a moderate drinker to this day.

While my own experience is purely anecdotal, it does point out one important factor of which the BMJ researchers seem unaware--alcohol in the movies is nothing new. From the soused slapstick of the silents to the speakeasies of Prohibition gangster films to the saloon scenes in ubiquitous 1950's Westerns, alcohol has been a major component of every popular movie genre. There is actually less boozing on display in modern films than there was during the golden age of Hollywood. Furthermore, when drink is depicted in today's movies, it is usually shown in a more negative context than in the past. If teen binging is on the rise, that trend runs counter to the direction the film industry has taken in their depictions of drinking.

I don't mean in any way to diminish the problems of binge drinking or alcoholism. I know that alcoholism is life-threatening and can cause tremendous strife for both those afflicted with the disease and for those close to them. However, I don't believe it does any good to blame the problem on the movie industry. Wouldn't it be more constructive to tackle the true underlying problems of alcoholism, such as depression, peer influence, heredity, personal attitudes towards one's self, and thrill-seeking, than to look for a convenient boogeyman?

Oh well. This too shall pass. It was once believed that comic books would turn kids into juvenile delinquents and that watching the Three Stooges would transform youngsters into eye-poking lunatics. Sooner or later, the public will find another scapegoat on which to pin their problems.

That's all for now. This soapbox is starting to wobble a bit.

Cheers,
garv

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Booze News: The ultimate RAIDERS OF THE LOST ARK documentary

>> Sunday, February 19, 2012

Raiding The Lost Ark: A Filmumentary By Jamie Benning from jambe davdar on Vimeo.



As I've stated previously on Booze Movies, Raiders of the Lost Ark is the most enjoyable action adventure film ever produced. While owing an enormous debt to the serials of the 1930's, such as Zorro's Fighting Legion (1939), and previous adventure classics like Gunga Din (1939), Raiders synthesized it's antecedents into an unmatched entertainment.

Of course, as a soused cinema enthusiast, I feel that the success of the first Indiana Jones film is due in no small part to Karen Allen's supporting performance as the alcohol-obsessed Marion Ravenwood. Karen Allen had better chemistry with Harrison Ford than any of the actresses with whom he was subsequently paired, and the character of Marion was more interesting than Indy's later love interests. Marion is beautiful, witty, and can put away booze like a champ. She may the perfect woman.

I thought I was a huge fan of Raiders, but my love of the film pales beside Jamie Benning's obsession. Jamie has spent 8 months assembling the ultimate "making of" documentary on the film, culled from behind-the-scenes footage, cast and crew interviews old and new, excerpts from the script (including all of the scenes that were eventually cut), concept art, and more. The completed work, Raiding the Lost Ark: A Filmumentary runs 2 hours and 23 minutes; and it is more thorough and engaging than any of the officially released DVD extras.

Jamie's "filmumentary" can currently be streamed through the Vimeo embed at the top of this post. Vimeo is also available on Roku boxes and other electronics that include streaming services, so you may have the technology to view the HD stream directly on your TV.

If you are an Indiana Jones fan, you owe it to yourself to check out Jamie's labor of love. You should also keep an eye on Jamie's blog for future "filmumentary" projects.

Cheers,
garv

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About Me

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I like to drink. I like to watch movies. I like to watch movies about drinking. I like to write about the movies I’ve watched, but only if I’ve had a drink first.

All text including the title "Booze Movies: The 100 Proof Film Guide" Copyright William T. Garver

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