This project has been a labor of love for me. I first saw Jane in the Summer 2010 issue of Sampler & Antique Needlework Quarterly. I immediately wanted to stitch her, so I volunteered to stitch the model. Little did I know that it would lead me to collaborating with Vickie Jennett, who owns the antique, in reproducing this wonderful sampler. The original Jane spent the summer with me while I charted and stitched. I become very curious about this twelve year old girl. I would find myself sitting and staring at her sampler and wondering...always wondering what she was like. Hers was stitched on canvas with wool, and she had the most unusual way of using a variety of greens for the grass area. Was this her way of being creative or was she simply using what wool she had? I've stitched many samplers, but this one touched me like no others have. In an odd way, I felt a kinship with this young girl. When you stitch from a chart, the connection to the real thing is only through the cover photo. As I stitched, I constantly compared my sampler to Jane's. It was imperative that I stayed true to the original, while enjoying the linen and threads available today. I'd like to think that she would be pleased and happy to know that others will want to stitch and enjoy her sampler, these one hundred and forty-six years later.
Tuesday, September 21, 2010
Jane Tindall 1864
This project has been a labor of love for me. I first saw Jane in the Summer 2010 issue of Sampler & Antique Needlework Quarterly. I immediately wanted to stitch her, so I volunteered to stitch the model. Little did I know that it would lead me to collaborating with Vickie Jennett, who owns the antique, in reproducing this wonderful sampler. The original Jane spent the summer with me while I charted and stitched. I become very curious about this twelve year old girl. I would find myself sitting and staring at her sampler and wondering...always wondering what she was like. Hers was stitched on canvas with wool, and she had the most unusual way of using a variety of greens for the grass area. Was this her way of being creative or was she simply using what wool she had? I've stitched many samplers, but this one touched me like no others have. In an odd way, I felt a kinship with this young girl. When you stitch from a chart, the connection to the real thing is only through the cover photo. As I stitched, I constantly compared my sampler to Jane's. It was imperative that I stayed true to the original, while enjoying the linen and threads available today. I'd like to think that she would be pleased and happy to know that others will want to stitch and enjoy her sampler, these one hundred and forty-six years later.
Thursday, September 9, 2010
It's that time...and another sneak peek of Jane
I had precious little time this week to do much blog reading, but I did see that a few of you have decorated for fall. It's always so inspiring to gather glimpses of your homes and treasures. It is still warm here during the day, however, the mornings are almost chilly. I had to wear a light jacket, forgo my usual flip-flops and wear real shoes when I rode my bike early today. Next week, we'll be travelling to Iowa for a visit with family. I'm looking forward to eating some fair food, doing a little antiquing, and sitting and stitching by the lake. Maybe I'll even see some frost on the pumpkins. Since autumn officially begins while we're away, I spent some time this morning arranging some bittersweet and readying our house. I know I show you the same pictures practically every year, but I hope you enjoy seeing them again.
Tomorrow is Henry Blue's 1st birthday. As I sit and type this, he is annoying the girls. It's what he does best. They'll be nice to him for a couple of days... in the event there is cake!
Thursday, September 2, 2010
A sneak peek at Jane
Here is a little peek at Jane Tindall 1864. The last stitches have been put in the model, I 'll soon be framing her, and the charts are in progress. She'll be travelling to market at the end of the month. It has been my absolute thrill and pleasure to reproduce this wonderful pastoral sampler, and I cannot thank her owner enough for giving me this opportunity. I'll be offering more snippets in the next couple of weeks.
and the back.
Thanks for the sweet comments about my Minnesota souvenirs, and also for the new grandchild congratulations.
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