This was the preliminary sketch, which I created at the time alongside my vision of Donald Duck's modernist suburban house. I've never shown this rough draft before, and nothing more than this rough sketch exists. As with Donald's house, the starting point was the same question: What would Daisy Duck's house have looked like if Carl Barks had been inspired by contemporary architecture?
Since countless versions of Daisy's car exist, unlike Donald's 313, I took the liberty of showing her here with a sophisticated sports car in the foreground—I vaguely had one of the Alfa Romeo BAT concept cars from the 1950s in mind—to extend the lifestyle that such a house practically compels one to adopt to her car as well. I hadn't done that with Donald.

I'll try to finish this drawing when I get the chance.

#artsatire #charactersatire #caricature #parody

I just received confirmation that all shipments have been dispatched. The corresponding tracking numbers should reach the recipients via email sometime tomorrow.

The ideal ride to cruise into the new year. The Perfecto 313 Gran Turismo. Optionally available with a hard-top featuring a vision slit. A custom-made contraption by Gyro Gearloose for Donald Duck's alter ego Paperinik i.e. Duck Avenger. Designed for long-distance missions.

John Starduck – The Game

Two more! The last two multiple originals this year, and probably for quite some time afterward. I'm currently deeply immersed in a wonderful book project about a fox (!), and there's also a lot of concept art work to do for the John Starduck computer game. Anyway, here they are. Two of my most requested cartoon art parodies which have been revised or significantly expanded by me for this occasion:

- «Donald's Modern Life At 1313 Webfoot Walk» (2025)

- «Eight Ducklings And A Mouseling Extra» (2025)

EUR 171/piece
FREE shipping worldwide.
➡️ Email: order@satzingerhardenberg.com

Each sheet is a multiple original art print with hand-drawn parts on it, limited to a number of 161 (house) or 71 (ducklings/mouseling) pieces. Printed on Edition Duerer® high quality textured drawing paper.
You can place your order VIA EMAIL ONLY by sending an email to the address above (on a first-order, first-served basis). Payments have to be made via bank transfer (IBAN) or Paypal and strictly net (transfer fees etc.).
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* Edition Duerer® A4 high quality grained drawing paper, measurements are 210 mm width x 297 mm high (21 cm x 29.7 cm or 8.3 in x 11.7 in). Picture frame/passe-partout not included.

My dear friend Aaron Blaise (director of Disney's «Brother Bear») has released his short film «Snow Bear» on YouTube. Backgrounds, design, animations, were done by him alone. A brilliant individual achievement, practically unimaginable:

It's over – or better – it's a wrap. The time has come to say goodbye to my beloved «The Six Million Dollar Car».

It's been an immense pleasure working on it, but before I get bogged down in repetition, I'm going to bring the «FAT 313» series to a close. And what better way than with a fitting final design, staying true to the original concept of using modern art as the driving force behind the design?

While the original idea was to transform Donald Duck's 313 into a «FAT 313», modeled after Erwin Wurm's «Fat Car», and then, as a further step, to turn the «FAT 313» into «The Six Million Dollar Car» using Maurizio Cattelan's «Comedian» conceptual artwork (duct-taped banana), I've now chosen the work of a late giant of modern art to help bring the series to a fitting conclusion and to place the «FAT 313» safely and securely in my garage – pardon – archive:

«The Wrapped FAT 313 Saloon: The Six Million Dollar Car's Four Million Dollar Upgrade», 2025, Florian Satzinger
Reference artwork: Wrapped 1961 Volkswagen Beetle Saloon, 1963–2014, Christo

*The four million dollar upgrade is calculated based on the asking price of the Christo VW Beetle at Art Basel 2024, so as not to throw around fanciful figures.😉

Please note that the accompanying photo of Christo's wrapped beetle is used here for reference and information purposes only, to better understand the underlying idea. The photo is the property of the Christo and Jeanne-Claude Foundation. Photo by Wolfgang Volz © 2014 Christo and Jeanne-Claude Foundation. All rights reserved. Source: Via Finestre sull'Arte.

#artsatire #caricature #postpopart #christo #mauriziocattelan #erwinwurm #donaldduck #artbasel ↑ Christo, Wrapped 1961 Volkswagen Beetle Saloon (1961; tarpaulin with eyelets and ropes, 150 x 406.4 x 154 cm; private collection) Photo: Wolfgang Volz © 2014 Christo and Jeanne-Claude Foundation. All rights reserved. Source: Via Finestre sull'Arte

I recently placed the cartoon rabbit playing a bread hat in a concert stage spotlight, similar to what you see in classically designed cartoon title cards. There is nothing new about the original drawing, only the lighting. With plenty of negative space.

By the way, there are still a few pieces left from this year's multiple original editions. I don't want to pressure anyone, I'm just saying: CLICK HERE

#artsatire #salvadordali #breadhat

Following the recent multiple original edition of «The Bather» (see previous posting), I've been continuously asked about pieces from the other editions released this year. The good news is, there are still a few left from each of the editions listed here. If you'd like to purchase one or more, here's the email address for ordering: ➡️ Email: order@satzingerhardenberg.com
FREE shipping worldwide.
Each piece goes for EUR 171,-

#caricature #parodyart #animationart #satireart #museum #multipleoriginals #postpopart

Available now:
«The Bather»
EUR 171/piece
FREE shipping worldwide.
➡️ Email: order@satzingerhardenberg.com Each sheet is a multiple original art print with a hand-painted part on it (the blue sailor shirt), limited to a number of 34 pieces. Printed on Edition Duerer® high quality textured drawing paper. Exactly the very paper I use for drawing. Probably the most frequently requested of my Post Pop Art motifs is that of the bathing drake. The many inquiries about prints of this motif can now finally be answered with a "yes." Starting today, there is a limited edition of 34 multiple originals, which, unlike previous editions of my multiple originals, are finished with a glossy, colorless fixative spray to make them look like high-gloss photographs or posters. Incidentally, the blue sailor shirt is hand-drawn on each of the multiple originals. This Post Pop Art work faithfully follows the examples from the Pop Art movement of the 1950s-1970s, which places mass-produced goods and famous personalities – or "vulgar" comic book characters, as Roy Lichtenstein called them – at the center of artistic attention. Inspired by Paul Cézanne's paintings of bathers, this Post Pop Art piece depicts a popular mass media cartoon duck character bathing. I have swapped Cézanne's riverbank and surroundings for a sober white advertising setting and a transparent, colorless drinking glass filled with sparkling water.

* Edition Duerer® A4 high quality grained drawing paper, measurements are 210 mm width x 297 mm high (21 cm x 29.7 cm or 8.3 in x 11.7 in). Picture frame/passe-partout not included.

Here's a first look (teaser) at one of my passion projects. John Starduck is a character who has been with me for a long time, now. His story draws on everything I've always wanted to explore narratively. It's also interwoven with all my personal longings and preferences for adventure, science fiction, space travel, rocket ships, crazy creatures, and unexplored worlds, triggered by my lifelong fascination with Jules Verne's novels and – at the same time – the futurism of the 1960s and 1970s. For me, it's important to emphasize that John Starduck's world doesn't follow the "usual" paths of heroic stories, threats, and their combat, but, despite all the fantastic abundance of danger and catastrophes in his world, also makes room for the everyday. By this, I mean that the characters are beings, are people who don't just wrestle for victory and with danger.

Be that as it may, today is the day I can announce the start of production for the first time. There's probably still a long way to go until release, but at this moment, prototypes are already being diligently developed. I sincerely thank my Dutch producer/showrunner and his crew of incredibly talented developers and animation artists for their energy and enthusiasm. The duck is in the best hands.

«It is a monster, my rocket ship. It is not dead metal; it has a life of its own.»*

The Purple Monster - John Starduck's rocket ship. A significant factor in John Starduck's world is his rocket ship, which serves as the main catalyst for his journeys into the depths of space. For John, his ship is more than just dead metal. John talks to his ship as if it could hear him.
*John Starduck, freely adapted from Guenter Wendt's quote. Right, one more thing about John Starduck's ride. I based – figuratively, not literally – the shape of the spaceship on a creature. The vessel itself isn't alive; it just feels that way to John Starduck. «The Purple Monster» rocket ship blends the following elements: first, an actual dragon-like shark-ish creature, and second, the design language of retro sci-fi blaster or phaser as imagined in the 1950s and 1960s. Mixed with a whole lot of André Franquin flavor. At least there is an attempt there.

There will be another museum exhibition next year. The title "Motor Ducks" is still a bit of a working title, but it already reveals a lot about the focus of the show. I'll leave it at that for now and report further.

Tomorrow it all starts. I'm flying out to southern Italy for the Jabba! Festival in Acaya, near Lecce. I'll be bringing two special limited editions of multiple originals produced exclusively for this event: "The Taped Duck" and "The Six Million Dollar Car II" (The Pimped Ride). In both cases, they're reworkings of earlier parody art motifs, redrawn and with new details.

#floriansatzinger #multipleoriginals #limitededitions #parodyart #caricature #satire #museumart #fatcar #ducttaped #MaurizioCattelan #erwinwurm

I'll be in Italy for the JABBA! Cinecomics Festival the weekend of September 20th-21st, 2025. I'm really looking forward to it.

Venue: Acaya (Lecce, Salento), Italy
Film, games, comics
#jabbacinecomics #floriansatzinger #festival #workshops #livedemos * This one here right below, by the way, is a parody of my own work. A blend of my most important influences: Bruno Bozzetto, Carl Barks, Chuck Jones, and André Franquin. Basically, the four of them sit in my pencils and help control them: