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Terry Hooper-Scharf

Saturday, 10 January 2026

The Amazing Art & Sad Deaths Of OGDEN WHITNEY & JOHN FORTE

 This was first posted circa 2000 and last time 2017. Sadly most links were removed as the various sites did not last as long as CBO!


A LOOK AT TWO GREAT GOLDEN & SILVER AGES ARTISTS


I need to start this posting off with a little bit of back-story. I have written and posted numerous times before about how the old Alan Class Comics  were a mainstay in my childhood reading.  Most of the artists I loved the work of but, for some reason, I got "tickled" by that of John Forte and Ogden Whitney.

I began trying to find out more about these two artists and, eventually, in 2004, published this very article on the old Freeservers CBO which ran alongside the main one. 


I then re-posted to the main Word Press CBO.  Here I got a tirade of a comment from someone (I cannot even remember his name now) accusing me of stealing the entire thing from a magazine published in the US -I think a fanzine but I'd not heard of it.  I suggested that he  "wind your neck in" and explained that I had spoken and written to many people between 1979-2004 trying to gather more info on Ogden Whitney.  I heard no more. 

Someone trying to start a little "internet flame war" to increase his blog stats?  No idea.  Don't care. Or he might well have been someone who considered the artist his property to research and I've come across that before.

So, if that person reads this again -feck off.  Don't even bother trying to comment or whine on.  All my posts are backed by research notes and correspondence.

Now, on to what really matters -John Forte and Ogden Whitney!
*************************************************************
As a comic historian, specialising mainly in British comics, I have a meagre collection of  Class Comics.  These were black and white reprint comics of between 62-100 pages and published by Alan Class between 1962 to the early 1980s.  Class had gotten agreements to reprint strips from the big boys at Timely/Marvel, ACG, Charlton and others.

At a time when getting US comics was a little hit-and-miss,to me,as a kid of the 1960s,these Class Comics were a treasure trove! I first saw FING FANG FOOM! [wonderfully returned to us recently in EXILES] and many Kirby and Ditko classics “anyone recall the strip “I RELEASED SHAGG UPON THE WORLD!”?

There were plenty of MLJ/Archie reprints such as the adventures of The Fly, Jaguar and so on. But there were various science fiction and spooky tales added to these issues.

Two artists work struck me as a youngster,though it wasn’t until the 1980s that I tried to find out more about them -an interest re-kindled whilst cataloguing the issues I had.  Ogden Whitney and John Forte seemed to have no written history and I asked any pro artist or writer I met at UK conventions if they knew anything about them....many returning blank expressions.
 
No photographs can be found of Whitney, but there is his self-penned illo for and ACG book. Which I reproduce here!

I learnt that Ogden had become a comic book artist during the late 1930s and drew for A-1 Comics and Big Shot Comics. It became quite obvious that fans loved the way Whitney drew women!  So,working on Romantic Adventures and Wedding Bells was quite natural and I have to admit some of the work leaves me in awe!

But,Whitney was not just a “good girl” artist;he was reknowned for his drawings of automobiles as well as work on war strips and for horror comics such as Adventures Into The Unknown.

Tower Comics also gave Whitney the opportunity to work on T.H.U.N.D.E.R. Agents NoMan as with the story “The Good Subterranean” [NOMAN #1, November,1966]. A very distinctive style!

For those interested in Golden Age heroes,Whitney is probably better known for the character Skyman “the character even made a cameo in HERBIE #8,1965. For DC in the 1940s he had drawn Sandman and a strip called “Cotton Carver” but World War II meant “call up”.


All I have managed to find out about Whitney’s war-time is that he saw service in the Phillipines.  Interestingly enough, in the same outfit was another comics artist and a person who had worked with Whitney both at DC and the Columbia Comic Group -Fred Gaurdineer.

Happily,after the war Whitney continued his comic work,though it has been said that he had often tried -“unsuccessfully- to break into the more lucrative advertising market. Whether this was purely for the money or through disenchantment with comics I wouldn’t like to guess.

Luckily, the Editor at the American Comics Group, Richard E.Hughes, was a former “old-timer” and gave Whitney work.  I’ll put my hands up and declare here-and-now that I know next to nothing about Hughes except that he often gave work to those considered as “fading comic book artists” -I should draw so well as those old boys!
 https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT2CBjljNvhHs0GNFy0yaea-BrG9MOKOHUTi5zv5Awa100wlAbulBnmqPQ4XknEpu3ATkS3hw6EMMxnDsYoI4_9XWqhr4REiJ5h0KdknMkp3TFq7ZMLkho-u-jGlTBQrH5hj_gHtvc0g0/s1600/SkymanBigShot8Dec4010.jpg

Richard E. Hughes introduced a number of characters to comics such as John Force,Super Katt,The Black Terror and the Fighting Yank.  Hughes created characters under an amazing number of pseudonyms ;there is even a silly rumour on the internet that Hughes was Julius Schwartz!  And in Michael Vance’s “Forbidden Adventures: The History Of The American Comics Group” [page 43] it is stated that Frederick Iger voiced the opinion that Richard E. Hughes was actually a Leo Rosenbam! 

In fact, if I may, I’d disagree as people were still referring to his widow as Mrs Hughes years later....ahh, what a tangled web they leave us!

Now, Hughes or Rosenbam, it was as “Shane O’Shea” that he created a legend. Nay, more than a legend!  This boy..this Herbie!

 
Herbie Popnecker  was a rotund, basin-haircut, spectacle wearing and lollipop sucking kid! The first appearance of this youth was in Forbidden Worlds #73 [1958],a science fiction, fantasy and horror title that,as far as I can tell, had never before featured continuing characters.  Obviously Hughes must have realised there was something special about Herbie. 

 The story “Herbie’s Quiet Saturday Afternoon” was typical ACG fair; Herbie was hated by his peers because he was over-weight,slow and had an addiction to lollipops. However,unknown to his school mates and even his family,Herbie had vast and certainly undefined super powers. During the course of the strip,Herbie used his powers several times and even foiled an alien invasion -before anyone even knew there was an alien invasion!  By the end of the story Herbie was back to enduring the taunts of other kids. 


 
Another Herbie story appeared in Forbidden Worlds #94 after popular feed-back. Then came a third strip in #110.  Pretty soon Herbie was appearing in each issue.  It’s rather interesting that Whitney,said to be a rather “big man”,is said to have based Herbie on his own appearance as a boy.

In May,1964,Herbie got his own book which ran until #23 [February,1967]. Settings for Herbie adventures and genres included the Wild West, pirates, science fiction and so on. Then Herbie took the super hero route and became “The Fat Fury” [very politically incorrect,of course!].  In #14 [January,1966] ACG’s two other mystical heroes,Nemesis and Magicman guest-starred.
 https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD3UbxiWTpu-oPHVOjwOJGo3tTnJZCFkXdW6O0dH6K5eZw3ISDsCYxsfso_iU7Y5-cQrytA-7za_wUvHGYHTKc2PjxjdY5Fv17P3Bhyi4uomovHThinkDBhc4ZSw35kUWP1mosjUgEzojQ/s1600/MH07-26.jpg
With Herbie gone fans felt disappointed but not long afterwards ACG ceased publishing. Hughes went to DC to write.  Whitney got work at Marvel where he drew several issues of The Two Gun Kid and some covers for Millie The Model and one odd collaboration with Jack Kirby in Strange Tales #149,a Nick Fury Agent Of  S.H.I.E.L.D. story. In this Fury looks exactly like Herbie’s father, Pincus Popnecker -plus eye-patch!
 
 .
But what happened to Whitney who seems to have vanished from comics in,it seems,the late 1960s?  Hughes widow has told comic enthusiasts that the couple used to socialise with the Whitneys up until Mrs Anne Whitney died in the late 1960s [1968?]. 
 



 There has also been confirmation of Mrs Hughes’ claim that Whitney had been a functioning alcoholic, a not completely unknown condition amongst old time comic pros who spent days in isolation, working late into the night week-after-week trying to keep up with deadlines. But there is nothing in Whitney’s printed work to show this.  

Whitney apparently ended up in a nursing home after a nervous breakdown following his wife’s death and the effects of drink and died of a possible stroke in the early 1970s -possibly 1972?
 https://dominobooksnews.files.wordpress.com/2011/10/fw_52_301.jpg
Alcohol, sadly, as we have read before in cases cited in Alter Ego magazine, has led to many an untimely death amongst old comic pros.


Perhaps, one day, a comic historian based in New York can do some in-depth research on Whitney.  For instance, after all these years I have been unable to find out whether the Whitney's had any children. One source said there was a son and daughter but another said there were none. If there are any offspring could they add more to our knowledge?
 
The other artist, John Forte Jnr I know a lot more about.  Born in 1918, Rockaway, Illinois. In Forte's case at least we have a photograph that, originally, took me a few years to get hold of.  I've not seen it used elsewhere so here you go!


Forte started work at Timely in 1941 but also worked for other companies in the 1940s and 1950s,including ACG horror comics and romance comics for both Timely and Quality Comics. When DC purchased Quality Comics in 1958,Forte moved along with the company.
 
Above -I believe the very first Tales Of The Legion Of Super Heroes story from Adventure Comics 300, 1962.  Artist Al Plastino for many years had to "re-touch" faces in strips and I believe this is one of those instances!
 
above: Forbidden Worlds 61 Dec 1957


Forte had pencilled some early Jimmy Olsen and Lois Lane stories and had even inked some Curt Swan pencils -as in “Superboy Meets Supergirl” in Superboy#80,April,1960.  Of course, to fans of the original -“the genuine"-  Legion Of Super Heroes will be aware that it was with this series that Forte made his mark. 

And as for Adventure Comics 300, well, I have just found a blog dealing with that issue in detail (better page scans, too!) called Days Of Adventure -http://adventurecomicsblog.blogspot.co.uk/2012/09/adventure-comics-300-september-1962.html

Forte had made his name drawing those fantastic fun tales featuring the Bizarro World and moved over to draw the LSH with,as far as I can tell,Adventure Comics #304,January,1963, And the story “The Stolen Super Powers”.
 https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNgi7mUaMyPoeegh87WLAAXYtFjuGY6-kJ4akaaWXoWw1QD-hNaKHlpHfnvDiOehPK_u9T4xUxztIFpdD8Nqpty_gjbTFDWFadm-ehxH6EBKjvxfvu8IWegLQkN4xlnvLbZlHRgBMhFvS5/s1600/arrowhead_004_20.jpg


Above: Some of Forte's work for Atlas Comics in the 1950s. And, good lords! There's even a post about Forte and this strip over at Four Color Shadows!


 
But suddenly, in 1965, Forte left comics.  To many of us this seemed odd but the usual assumption was that he had moved on to other comics we weren’t getting in the UK or he had, quite simply, left the industry.

The sad truth was that Forte had left to fight colon cancer. From what I can uncover, he lost that fight and died in hospital in New York  in mid-1966.

I would,if permitted, like to make an appeal here to any of the old time pros who worked or had contact with Whitney or Forte -even fans who may have had commissioned sketches drawn by these men. 

 
We would all like to think that those creators who brought us many hours -many years- of fun and entertainment simply slip into their sunset years and live on through their work.  For me it was a sad day when I finally learned the truth about Ogden Whitney and John Forte but at least we still have their fantastic archive of work to look back on that will go on forever!
 

 And I have JUST found another blog with an entry on Forte!  Destination Nightmare:
 http://creatfeatforever.blogspot.co.uk/2013/10/cartoonists-make-better-lovers-john.html  see -good taste does show through eventually on all things!

But for me, in 2015, it's back to trying to find out more about British Golden and Silver Age creators we know next to nothing about!

Fin.

Weekly Rewind! Ep105: Marvel Legends DC Monster Force Street Fighter Cry...

The Forgotten Pan-European Super Team Task Force Europe

 

  The following is a re-post from a few years back and the reason to re-post is because someone asked if I had only ever created a German team of heroes?  Nope. Read on!

  There is always a little bit extra when it comes to Black Tower projects here and so why not the odd exclusive peek at "What should have been"?

I went through a box yesterday and found three of the project submission packs that I would have touted around to publishers back in the last century (it is SO weird writing that!). I could not remember the date of the project as a lot of things I burnt a couple years back, however, a flip sheet was attached and reads:

"This series was first produced in 1987 for a European publication in Germany (Bastei). the idea is a simple one; super hero action with a quirky (NOT comical) feel to it. Each story would feature characters from different countries of West, Central and Eastern europe  -an EU of super heroes!

"Stories would move around European cities from the UK to Finland, France amnd so on.

"The first story written (six scripts fully written) and pencilled by Terry Hooper was inked by John Schiltz back in 1990 and can be updated into the 48pp album format either B&W or colour"

From pencilled notes this was something that Gil Page at Fleetway was interested in as it could fit in a lot of the old adventure characters the company had and it could also be sold to other European publishers as per past projects. Sadly, the board room said "No!" very loudly and I think Gil knew the company was going to swerve away from what it used to be.

The submission pack I found mentioned the Big Balloon Bv which was a company based in the Netherlands. I have no idea what happened after the initial fax, phone call and submission.

As far as I recall these were faxed pages that I immediately photocopied on my Canon FC220 (before its demise!).

Here you go -Task Force Europe initial story.

Script/pencils Hooper   Inks John Schiltz






















McFarlane Page Punchers Flash of Two Worlds Barry Allen & Jay Garrick

DeviantArt -Should I Jump Ship Like Others?


 I have to say that after almost two decades on Deviantart and 18K+ views I was thinking of just seeing what their Core Membership entailed. But then... I read that a lawsuit had been taken out against DeviantArt:

"The lawsuit, which also named Stability AI and Midjourney as defendants, alleged that the companies misused copyrighted works to train generative AI models without consent or compensation"

Still open apparently but when I looked around I found that I had a lot of pushes from DeviantArt to create better or "dream art" by using AI.  My stance has always been that if you do AI art for fun -no problem. But if you produce it to put real artists out of work -no.

I could produce cover after cover using AI and it would save me the time and effort but 😡that!

The problem is that the majority of DC and Marvel as well as Image etc artists all work on computers so produce digital art. There is no pencil, pen/brush or paper involved and even lettering put humans out of business a long time ago -people who were skilled. Yes, I DO use a very basic program to do my lettering because my hands are not in a state to do the work. Moebius once4 told me that the artist must letter their own work as it is part of the process. I showed him my own lettering and he nodded and smiled.  An ant stepping in ink and lettering for me would make it more legible. If I used scripts and had the money I'd pay a letterer.  Big companies can afford to pay skilled letterers. 

Colouring art is also carried out using a digital process -no brush, ink or paint and we can all issue a big "sigh" if we want.

"NO AI!" declares Marvel, DC, etc. Uh, that is very double standard. If you cannot produce art by AI on your computer then you should NOT be having creators use a computer to draw, colour or letter. It's all being a little virtue signalling and hypocritical but then this is comics and companies are as crooked now as they ever were and if they could get away with using AI art to make comics and therefore not pay real artists they would. It just needs the right pushing point and it will happen.

So do I do what many -many- creators have done and walk away from DeviantArt?  I have invested a lot of years, time and energy and endured all of the changes and technical problems to just close down the account which, I ought to add, in 20 years has brought me only one offer of work (my "chance" to draw a 150pp graphic novel for nothing).

Well....He MAY (I hope) Appear This Year!

 

 One of the characters I want to bring back to a modern audience is "the old fella" who is a pretty (very) obscure character but with a lot of potential. 

  Just who he is you better hope I live long enough to present him as no one gets a freebie any more and don't try to offer this one a rubber £10 note!

And I sincerely apologise to him for stating he might be a tad smelly. He is a gentleman and takes grooming seriously!  

He may be old but he has one hell of a punch!

Dc Multiverse Collection: Mister Miracle

"Oh, but what about YOUR picks, Mr Hooper?"


 

Someone said "You always ask people for their "dream team" of British heroes but what about yours?"

Oh, babies: I have a dream team of US Golden Age characters and story ideas (I got rid of scripts years ago) that I submitted to Marvel, DC, Image, ONI, etc etc).  

As for a British team...oh come on. I have a Platinum, Golden and Silver ages British teams -as in Cross Earths Caper and The Society for the Suppression of Criminal Activity with characters from the early 1900s and, yes, I have had loose alliances between characters from the Penny Bloods/Penny Dreadfuls.   

How many will appear in future? Who knows because I already have too many projects that will never be drawn. 

 But oh those obscure and forgotten characters...all bouncing about in my head.

Friday, 9 January 2026

Conversion 3.75 inch Golden Age Vision

I've almost completed my Marvel Squadron Supreme and I've converted or gathered figures for my Timely (Marvel) WW2 era heroes and one you will not find in 3.75 inch is the Golden Age Vision.
Need to take a better image at some point. Fella is waaaaaay too green here!
 

3.75 inch figure conversions Kelvin Nolan

Added to my recent Black Tower and Golden Age (British) characters is....a 3.75 inch figure conversions of Kelvin Nolan and his Helmet of Power (still needs a bit of work.  The Greek style helmet had to be hand made using Milliput.



Notice anything in the image below?  Yep, he has a t-shirt on that is so him!

Below and you will squint but to save you doing that I will tell you it is a photo of  glamour model/singer Sam Fox.



Oh my camera did a lovely close up!  You may ask how I painted such a good image which is roughly less than a centimetre in size?

I didn't.

A while back I bought a 3.75 inch custom made Arnim Zola and when I got it realised that the face on the chest tree was Toby Jones who played the character in Captain America and Winter Soldier movies. It was a tad dark but I suddenly thought that this was a way to add detail that I could not paint.

I took an image and brightened it up a little then re-sized to 1 cm and printed it out, stuck it on the figures then PVA glue over it to keep the image permanent (you may like to use varnish of some sort.

This would be a lot easier on a 6 inch (15cms) figure and I offer the idea up to any converters out there because you CAN convert 3.75 inch figures -they are not "too small" and if I can do this anyone can.

Wednesday, 7 January 2026

Black Tower Comic Fun Album 1

 

A4

32pp

Black and white and colour

£12.00 UK -outside the UK the online store will show you cost in your region

https://www.lulu.com/shop/terry-hooper/black-tower-comic-fun/paperback/product-w4ynq4r.html?q=&page=1&pageSize=4


It's FUN! FUN! FUN! All the

way (except for the action). Black Tower Comic Fun reprints some of the strips that are now going on for three decades old. Starring Dr Sterno: Man of Science as he attempts to stop a seemingly out of control cyborg from rampaging into Finland...and is betrayed! Dru gives advice on getting a job. The Thinker offers his thoughts on things in general. The Legendary Wrecking Crew pop up. The Iron Warrior gets to work with his huge chopper. Garza shows why he is the jungle boss. And...Garbage World in which intergalactic demolition decides the Earth is a waste tip of sorts. Just one big bundle of fun in black and white and colour!z