* * 1/2
Director: John Hillcoat
Starring: Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson, Kate Winslet

Since 1995, all heist movies have existed in the long shadow of Heat, Michael Mann's defining word on the genre. Every once in a while there will be a film like The Town, which struck a deep enough chord to stand somewhat apart, but that's the exception, rather than the rule. Most of the films that have followed Heat have to be content with paling in comparison and John Hillcoat's Triple 9 is no different. A heist movie centering on dirty cops and the Russian mob, Triple 9 features a lot of really good actors playing some pretty stock characters, making for a film that's fairly entertaining most of the time, but ultimately a forgettable entry in the filmographies of all involved. Rarely has such a great cast been assembled for a such a deeply okay movie.

* * * 1/2
Director: Ridley Scott
Starring: Matt Damon, Jessica Chastain, Chiwetel Ejiofor

If you can say nothing else for it, you have to at least give Ridley Scott's The Martian props for not being afraid to go big. It's a movie that properly earns the distinction as a "spectacle," being an epic and visually stunning science fiction tale, but it's also a thematically big picture, one that seeks to portray and affirm the triumph of human ingenuity and determination, and of the human spirit. It's a feel good movie that's exhilarating rather than mushy, a science fiction story that's more about awe than terror, and a character piece that offers a wonderful showcase for the talents of Matt Damon. To my mind, this is the movie that last year's Interstellar wanted to be but wasn't.

* * * *
Director: Steve McQueen
Starring: Chiwetel Ejiofor, Lupita Nyong'o, Michael Fassbender

Whether its the story of IRA hunger strikers in the 1980s, a sex addict in the present day, or a man kidnapped and kept in slavery in the 1840s, director Steve McQueen has a way of telling stories in an unvarnished and largely unsentimental way, laying bare the unique brutality of each individual situation in a direct and unflinching fashion. This method worked to brilliant effect with Hunger, but rendered Shame just a touch too cold and clinical, and where 12 Years a Slave is concerned it falls somewhere in between (though it leans towards the Hunger end of the scale). This is a hard film, full of horrific events and evil in many guises, but although excellent overall it is also, at times, oddly bereft of passion. It's still one of the best (if not the best) films dealing the subject of slavery that I've ever seen, but its excess of formality and arm's length treatment of its subject does sometimes make for a film that favors the intellectual at the expense of the emotional.