I submitted my little guys this weekend for the upcoming show at Redtree Gallery. Hopefully I will get accepted into the show. I didn't frame them as they all had to be under 5"x5" including frames. I thought they looked nice without the frames as they kind of come off looking like small tiles as the wax kind of wraps itself around the edges of the panel. Well we will see how it goes. The second piece is a bit larger than the others, I never had a chance to post this one and it is one that I am really pleased with. I love digging into the wax with my heated knives to create texture and depth.

I am not sure if I am finished with this piece yet. I sure had fun playing around in the wax to create the geometric forms. I embedded wire into the wax to create some of the lines. If I make some changes I will repost and let you see the results. I think I will let it hang around the house for awhile and see what ideas I come up with.

Inspired by a trip out west this fall, I thought I would do some sweet little guys using encaustic.

Don't know where my inspiration came for this piece but I never seem to get tired of painting these landscapes in my head! Sometimes when I am finishing up at the end of the day I make myself paint a small canvas and use up all the paint left on my palette. It is always interesting to see what colors combinations they create. I think this was one of those pieces. I do like the greens in this piece.

When I paint in Santa Fe, I leave my paintings there to dry. It is always surprising to view the paintings upon my return. My first impressions are usually "wow these are better than I remember." Sometimes it is like seeing them for the first time, or better yet experiencing them like someone else painted them. I really was happy with this one after making a few adjustments before posting. Yellows and blues always do it for me!

After taking many photos while touring the Texas Hill Country this spring, I have yet exhausted myself of painting versions of this photo. It could not get more inspiring than this unless I was there in person again and then I would probably just be too in awe to paint it! So I have taken away many memories and hope to revisit again next spring.

A few weeks ago I got to tour the Texas Hill Country for a week with my husband and a bunch of BMW Vintage Car Club members. It was an incredible trip and words can not come near to describing the beauty I saw there. I am still figure trying to figure out how to come close to the color of the bluebonnets. This painting has some glare and the photo does not do the painting justice. It looks a little washed out in this photo. Maybe I will get a better picture and try another post later.

This image came to me after prepping my canvas with a wash of indian red. Reading an image that the wash brought to my mind, I decided to go with the flow and just let the landscape happen and feel my way through it. I enjoyed the process and the outcome as well. There are some corrections that I thought about making with this piece but I decided to banish the inner critic and reward the inner guide that I listened to all along while painting this piece.

Interesting that this title came to me so quickly, while I had to think about the title of the last post for quite a sometime. I guess I came up with this title because of the feelings and emotions that come over me when I see such beauty in nature. It helps me say yes to the rest of the day.

I caught this sunset last winter in Santa Fe coming out of the shopping center. Everyone on the street was looking up at the mountain in awe. It had just stopped snowing but there was still a lot of moisture in the air. As the sun broke through the clouds it illuminated the peak of the mountains painting it the most wonderful golden color. I don't think that I got the colors right for what it actually looked like but I am happy with this encaustic. I am going to give this another try or two. It is a good memory to dwell on and I love working with the hot wax that lends itself so well to the dreamy skies or New Mexico.

This is a view from Black Mesa Golf Course. A good reason to take up golf. I still just go for the views, inspiration and beer.

This was an older painting that I got stuck on earlier.  It sat on a shelf waiting for  a finish.  I had to scrape it several times while I was reworking parts of it.  Now I know why so many artist have the scraping as part of their regular process.  I really like the way it can reveal the under layers creating so much depth.  I am going to keep this in my bag of tricks too.

Ok this might need some explaining.  After a few days in the studio that were just not fun.    I needed to free myself up some, so I pulled out some old canvases that were heading to the trash pile.  I decided to see if I could come up with a new image using parts of the left over image.   I like limitations as it gives me something to go on.  I also had to use up my  left over paint on my pallet. Somehow my limitations encouraged me to take more chances and follow my intuitive side as oppose to my analytical side.  I really like this painting because I got to paint without my thinker getting in the way  while at the same time  letting loose the kid  inside me who really likes to paint!    It ended up being a really fun experiment and I think I painted better the rest of the day after having done this.  I am going to keep this painting around as I think it is a good reminder of how fun painting can be.  

I am not sure if the color on this came out true or not but it is close.  Might have to take it again tomorrow.   I did this piece from a photograph I had taken a few years ago in Colorado. Makes me want to head that way again!  This was a fun piece to do as I got to play with my direction of strokes and get lost in the wonderful colors.  

This was one tough painting.  It started out nicely but once I put the boat in things got complicated.

This is a 12x6 oil that was inspired by a dear friends photograph from her trip to Scotland.  The photo was taken around West Kilbride.  I have been studying my  Van Gogh books to emulate his wonderful strokes of wheat.  I hope to do more of this series also, so check back for some more Van Gogh inspirations. 

This was a fun piece to do.  My paint was just a little too juicy to get much separation in my strokes.  I think I need to experiment with letting my painting set up a little more before building up the strokes.   Just love these little panels to loosen up on!

More fall compositions.  Carol Marine said in her workshop that if you are not sure what color something is, it is probably grey.  That rule helped me again on this painting.    I had to adjust my greys quite a bit in this painting.  Warm, cool, no warmer, darker, lighter, patience Diane patience!

We really had a colorless fall this year, but I stumbled on a tree lined drive that had spectacular color.  I wish I could tell you what kind of trees these are, possibly some kind of crabapple.  At any rate they were actually this bright at sunset.  I am pretty happy with this painting.  After taking Carol Marine's workshop I have been practicing mixing greys and using them more often.  I think it paid off in this one. 

This encaustic was inspired by a photograph  a good friend sent to me. Every time I look at it, I think of Mary sitting on her couch with her best friend Dolly, (a mini dachshund) perched on her lap, absorbing her wonderful view.