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- “Siegel gets at least one scene, in The Lineup, as sensitive as Robert Frank’s still shots. What is so lyrical about the ending, in San Francisco’s Sutro Museum, is the Japanese-print compositions, the late afternoon lighting, the advantage taken of the long hallways, multi-level stairways in a baroque, elegant, glass-palace building...It’s a minor masterpiece of preplanning and an extensively structured pictorial tour by Siegel...”—Film critic Manny Farber in Farber on Film (en)
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