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Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Wednesday, 13 December 2023

THE MUMMY - Book review

 


Anne Rice’s 1989 novel The Mummy (or Ramses the Damned) is not a novelisation of the Brendan Fraser film (which came out ten years later!)  Apparently, Rice began this as a film script but she and the studios had conflicting visions about the story so she abandoned the screenplay idea and wrote the book.

It’s a seductive read that begins slowly and then develops with intrigue and murder. It’s 1914, before Carter has found the tomb of Tutankhamen. Archaeologist Lawrence Stratford has uncovered the tomb of Ramses the Great. Puzzlingly, there seems a link to the Egyptian ruler Cleopatra, yet Ramses’ reign was many years before the Queen of the Nile was born... Accompanying Lawrence is his nephew Henry Stratford, a ne’er-do-well. Lawrence’s daughter Julie was in London with her fiancĂ© Alex Savarell, Viscount Summerfield, the son of Elliott, the Earl of Rutherford. The marriage had been arranged when they were children; through this marriage the Rutherford family would gain the Stratford wealth in exchange for the title. However, Julie was a strong-willed independent-minded woman, so the courtship was not going anywhere fast.

It is no spoiler since the blurb announces the fact: Ramses the mummified king awakens and appears before Julie in a dramatic scene. ‘Dear God, she thought, this is not merely a man gifted with beauty; this is the most beautiful man I’ve ever seen’ (p92).

The reason for Ramses not being a dry husk of a mummy is that he was merely dormant, not dead, and was revived by sunlight. He was immortal, three thousand years old, having drunk an elixir centuries ago. He does not need sleep or food, though he is impelled to satisfy appetites that he cannot assuage.

The book is a visual feast: we can envisage the scenes in their entirety. It’s sensuous, particularly as love develops between Julie and Ramses. Conflict is supplied by the unsavoury Henry, who is not averse to killing to get what he wants, and the newly discovered Cleopatra, Ramses’ lost love.

There are many light and amusing touches as Ramses learns about the early twentieth century. He is a fast study, particularly as he does not need sleep. Over the centuries when he roamed the earth he learned a number of languages, too. He adopted the name Reginald Ramsey in order to accompany Julie on their forays through society, all part of his education.

While they are touring Cairo, accompanied by Elliott and Henry, mysterious deaths occur. Mr Ramsey falls under suspicion...

Cleverly plotted, the story reveals the problems of immortality and ever-lasting love.

The book ends with the promise of further adventures of Ramses the Damned; but there was a long wait! There is no great need to take up the sequels, however; the ending of this book was satisfactory enough for me.

The sequels, co-written with her son Christopher are Ramses the Damned: The Passion of Cleopatra (2017) and Ramses the Damned: The Reign of Osiris (2022). Anne Rice dided in 2021, aged 80.

Thursday, 15 October 2020

THE EYES OF DARKNESS - Book review

THE EYES OF DARKNESS

Dean Koontz



Latest version sports the label ‘Did this thriller predict the Coronavirus out break?’ The book has a bit of history, first being published in 1981 under the pseudonym Leigh Nichols, then revised by Koontz under his real name in 1996. This edition published 2016, though it must have gone for a cover reprint to obtain that coronavirus label.

Divorced Tina Evans is barely over the death of her son Danny a year ago in a tragic accident when she starts to be plagued by nightmares and strange poltergeist happenings in her son’s room that tell her ‘Not Dead’… Spanning the holiday season, from December 30 to January 2, she is determined to get to the bottom of her haunting. She suspects her ex-husband Michael, but gradually she realises that the constant barrage of messages, all accompanied by a severe drop in the ambient temperature, may only be exorcised by drastic measures. She turns to a lawyer friend who supports her belief that only by exhuming her son’s body will the haunting go away. That, however, leads to something more sinister than she could ever have imagined.

Koontz is a master of suspense and the suspension of disbelief, and this early novel is no exception. It’s a page-turner.

As for he coronavirus, there is a reference to a deadly Wuhan virus; whether that was inserted in the original in 1981, or the revised 1996 version, of even the 2016 print, it is just a little spooky!

Recommended.

Thursday, 8 October 2020

BIRDLAND - Book review

BIRDLAND

Eric Adams

 


Published in 1997, Birdland is psychological suspense novel that concerns Katie Jacobs, who learns about Vincent, a long-lost brother, revealed to her during her mother’s deathbed confession.  Her mother had been involved in the Hitchcock film The Birds. Kate traces Vincent to Bodega Bay, the eerie Californian coastal town of the movie.  The past is raising its head, it seems as Kate finds that Vincent is unduly influenced by a local eccentric, Madame Charay, who is obsessed with all things Hitchcockian. Befriended by the local psychologist, Rob, Kate begins to unravel the convoluted threads of the past. 

The denouement is comparable to Hitchcock himself.

Sunday, 4 October 2020

FOGHEART - Book review

 

FOGHEART

Thomas Tessier

 


I was looking forward to this book by the author of Shockwaves, which was a tour-de-force in depicting an evil person. Published in 1997, Fogheart is a bit of a curate’s egg, with moments of suspense, yet I found the story disjointed.

Oliver’s wife Carrie starts to see the ghost of her long-dead father. Coincidentally, another couple, Charley and Jan, wrestle over messages from their dead daughter. With a mixture of scepticism and desperation, both couples seek enlightenment from the medium Oona, who has a troubled past. Eventually, deceit and murder loom, with hints of madness.

Strange, but it might appeal to fans of the supernatural.

Thursday, 11 September 2014

Ten Years Hence - a story in 4 parts (4)


TEN YEARS HENCE (4)

 

 

*9*

They didn't block the road till the suburbs.

            There were five, masked and armed.

            The Patrolman who'd escorted me from Singers, the same one I'd punched and kicked, he must have had a sense of duty. I tried stopping him but he leapt at the nearest masked gunman. He crumpled in an agonised heap, clutching a bloody thigh.

            ClichĂ© it may be, but red-anger splashed my vision. ‘Take me for any fanatical reason you like, but stop the shooting!’ Quite a speech. Or epitaph.

            They understood and shoved me into the back of a hover-van. I was stripped: naked. Before the nothingness of a blindfold, I glimpsed how I was destined to die: alongside me lay my very own see-through coffin.

            Their continual Chinese jabbering bombarded my ears - until I was bombarded on my still-delicate cranium - this was getting monotonous! - and slithered yet again to a gratifying oblivion.

 
*10*

 

The rubble of earth being shovelled onto my coffin was the first sound I heard.

            At first I clawed manfully enough at the lid. But to no avail. Frustration. Vexation. Chagrin, at not knowing why I was being done to death.

 

*Epilogue*

Seems fitting, an epilogue.

            Without fresh air or sustenance I felt worse than dead as I lay there, eyes red and sore with staring into nowhere. Breath was short and pained, ears as if muffled. Clinging, the humid musty odour of earth and of aged rotten manure. Fingers and skin, they felt emaciated, but this could be my recent tattoos...

            Try as I would, I was unable to keep my aching eyes open; and as they closed, I remembered ten years ago, of a young rather callous matelot wending his drunken way home, of his apparent stumble and of his premonition.

            But now I could see all the rest. Right up to the moment I fell unconscious my first morning in Singapore's Verdun Road. Rolled, yes, I was. But my compassionate bed-fellow had found me, dazed and still drunk. She'd taken me back, removed my uniform and folded it away in her wardrobe. We'd made love, and somehow I had no thought of my own, none at all, like a child, really.

            I learned my youngish Oriental saviour was called Lee Fong, but for some obscure reason I called her Tai-tai.

            In that state I possessed only a simple smattering of English, but soon picked up phrases Tai-tai used and quickly assimilated meanings.

            Mamasan, the head of the brothel, wanted to return me to the authorities, but Tai-tai and the other girls pleaded to keep me. Under Mamasan's voluminous folds of skin she must have had a heart of gold, for she consented. I think I became their mascot. I suppose it was different for them, a change from having drunken Westerners and esoteric aliens pawing them, rancid breath smothering their faces, brutally thrusting to get their money's-worth, particularly if coupling was for a ‘short time’ only. Me, I was undemanding, compliant with their wishes. If I'd but known it, I was in heaven.

            In the six years that I stayed there my life comprised sleep, food and copulation: existing.

            Physically, I reacted admirably well and obviously enjoyed every minute of it. But I suppose I wasn't much better than one of Pavolv's dogs - just responding with much delight to very pleasurable stimuli.

            When Tai-tai, my surrogate mother-lover, entertained visitors, I thought nothing of lying beneath her bed, awed by the grunts and groans: our love-making was so serene and quiet in comparison... I could never touch enough of her cool beauteous olive skin, so fragrant, with a lovely sheen. Yet the sensation of jealousy never entered my addled brain. As she often told me, ‘entertaining’ was her job.

            Then came that night of storm. As usual, I lay under the bed, Tai-tai and a customer on top. Suddenly, the door burst open to reveal a massive roaring Manchurian, parchment cheeks suffused with anger, claiming he was Tai-tai's master.

            A row, violence, shadows flashing, screams, a glinting sword raised... Her olive skin, torn, rent asunder, marred, all red, oh God! The jealous suitor departed, still in a rage, his one solitary eye and thrice-scarred face scowling horribly.

            In a daze, I crawled out to see if there was anyone I could contact, to seek succour, a new mothering mistress, a fresh sense of security.

            The crowd found me there, rifling through drawers with Tai-tai's grisly corpse yet warm on the floor, that of her late bed-mate nearby. A large well-dressed Chinese aristocrat entered. Every movement poetry. He looked down upon his despoiled treasure, his wayward daughter. His long-nailed fingers clicked, twice. My uniform was snatched up; then I was taken to his private grounds where he told his beautiful wife what I had supposedly done. She broke down in front of me - thereby shaming him - wanting to scratch my eyes out, hurling abuse, verbally castrating me. But he had a better idea.

            Chang Loi was an artist, a tattooist; brilliant, really.

            Below his resplendent house I lay out-stretched. He did his work well. What part of me he left without pictographs has equally meaningful pictures tattooed thereon. A bloody walking willow-pattern, that's me!

            He wouldn't listen to my protestations of innocence. As time passed and his wife's hate faded, I tried my scanty Malay on her whenever Chang Loi was away visiting Tai-tai's shrine. I discovered she had been of Tai-tai's calling, and not of such fastidious tastes as her spouse...

            As I lay spread-eagled she began idly caressing parts of my body still unmarred by needle and ink. Soon, her touch affected me, but she wasn't shocked. Her pupils dilated and her pointed red tongue moistened slightly parted lips.

            After about half-a-dozen similar meetings, she attained such a pitch of expectancy that before I could blink she was straddling me.

            But the release her horse-womanship provided quickly cloyed. Secured as I was, she completely drained me, and soon I dreaded the subservient role I was allotted.

            Eventually, even this palled for her and I grasped her boredom immediately and suggested I could best give her pleasure if released.

            It was a gamble; but I had nothing to lose.

            Surprisingly, my colourful promises convinced her and she turned me loose.

            Once free, I needed her help to stand, to walk; sex during those painful minutes was far from my mind. But her ministrations helped get the blood flowing, tingling, and when my circulation was adequately restored, I ran hellish fast! I escaped three days before I was due to die by Chang Loi's hand, his needle cutting me as he believed I'd savaged his daughter... I'd lain there only existing for his needle to pierce yet another pigment for three years and six months... With me went my shoddy uniform, clothing to conceal my nakedness, my obscenity.

            I ran and ran. Until I stumbled into a monsoon ditch...

            But Chang Loi had many friends, for here I now lay, buried alive...

            Dimly, I heard high-pitched sirens. Then the crackling, hammering above. Deafening after the stillness! Splinters of Plexiglas jabbed my face. Light, painfully thrusting at me. Fresh air burst into my lungs, I gulped and heard voices: ‘Get them in the Maria...’

‘He's here, all right - we might be in time...’

            Before I collapsed in their helping hands, I glimpsed the Reg standing by the Police Maria, his thigh heavily bandaged. His radio-box hung on his belt, intact.

            In hospital, the shock of Tai-tai's gruesome murder finally hit. I cried.

            Thoughts of vengeance, of seeking out the murderous Manchurian, passed through my ravaged mind, but eight million people at Sinapore's last count is a lot of people... The hunt for the one-eyed Manchurian? I'd leave that to The Fugitive - I couldn't face it.

            Patricia? I tried saying no, but she went ahead and married me a year back. She has been with me ever since I walked away from Whitehall a free man. She has compassion; I need her and, strangely, she seems to need me. Our daughter's ten and called Veronica.

            Doubtless my rescue and subsequent good fortune will seem an anti-climax, as though Fate had contrived a happy ending. Far from it.

            My luck held the other month when a mysterious explosion rocketed the driverless tracked taxi I was travelling in. The capsule leapt off its computer-routed over-head guide-way and I ended up with multiple bruising and a broken arm. And, only two weeks ago I barely saved myself from being ‘accidentally’ shoved onto the Portsmouth tube-line as an underground train approached.

            Now, I know my death is near. Chang Loi has lost face and will use his long and powerful arm to regain his honour. Persistence will pay.

            Patricia and Veronica are well provided for. When the time comes, as surely it must soon, I've expressed a strong desire to be cremated.

            One of Tai-tai's quotations springs to mind. Rather apt, really. ‘Life is a lodging place, death is returning home.’

            I am ready, Chang Loi.

 
***

Originally published in Nova SF, 1993. Copyright Nik Morton, 2014

If you liked this story, you might like my collection of crime tales, Spanish Eye, published by Crooked Cat, which features 22 cases from Leon Cazador, private eye, ‘in his own words’.  He is also featured in the story ‘Processionary Penitents’ in the Crooked Cat Collection of twenty tales, Crooked Cats’ Tales.

Spanish Eye, released by Crooked Cat Publishing is available as a paperback and as an e-book.
 
 




Tuesday, 9 September 2014

Ten Years Hence - a story in 4 parts (2)


TEN YEARS HENCE (2)

 
[continued from yesterday's blog]
 

*3*

Strange, how a bang on your head tends to remove all semblance of hangover and grogginess from the night before. Probably because it removes all semblance of everything else as well.

            My splintered senses soon resolved something of their former state. My first view was of a tattooed arm. Mine. And then of the soil and the puddle under my nose. I retched.

            Slowly, and not half as painfully as I'd feared, I stood - to discover I was in a proverbial monsoon ditch...

            What of Verdun Road?

            My pockets verified my fears. Rolled! But why moved, and how long ago? At least I now had a good excuse for being adrift!

            Then another thought struck me. I had a tattoo on my forearm where no tattoo had been before. Me, I didn't like tattoos; the art's fine, but not on me, thanks very much. But, serves me right, for getting too drunk to know or care.

            As I ran I couldn't help but be annoyed at my so-called oppos who'd led if not pushed me into a tattooist's emporium.

            The ship wasn't where I'd left it.

 

*4*

Panic didn't set in straight off. I knew the Aphelion couldn't be far; she was staying two weeks before jollying on to Centaurus and Deep Space exercises. Must have re-parked, a new pad... Or she's been called out on a Subsunk... The thought of the gigantic submarine oilers and merchantmen made me ill. But only a Type 92 Spaceship would be powerful enough to raise any sunken craft... Anyway, nothing serious. I wondered how much adrift I was - no watch, rolled, you see.

            The Patrol bods - they'd have the answers. Best report to them.

            Sure enough, there was a Patrolman, with the traditional white belt and gaiters (uniform regulations move slowly in the Senior Service) outside the Reg. Office. He was wearing a pocket radio-transceiver on his blanco'd belt; with the mentality of Regs - the dropouts from other branches - I reckoned that little box was probably his brain: remote control Regulator. Perhaps we should call them Robbies...

            I sauntered up to him, pretty confident my story was watertight. A strange look splashed in his eyes: jaw-dropping open mouth, paling complexion. Then I too whiffed the remains of my earlier gastronomic upheaval.

            Like the good Reg he was, he speedily collected himself. ‘Where's your ship, sailor?’

            No cap, no ship-tally.

            I fished for my Identity Card. To remind myself again, no ID. It was gradually sinking in, this negative-possessions bit. ‘Sorry, mate - rolled. No ID. I'm off the Aphelion, and I see she's not in at the moment...’

            He grabbed his walkie-talkie and jabbered into it amidst static and gobbledegook. Our comms with other worlds was better reception than this!

            At Patrol HQ they eschewed the flashy-looking computer terminals and delved into a filing cabinet, cast anchor at a dusty index card marked Aphelion. I glanced beneath the crook of the RPO's arm, at the label in front of the drawer.  I was getting more than a little worried now.

            The grimy old label spelled out DESERTERS...

 

… to be continued tomorrow…

 

Originally published in Nova SF, 1993. Copyright Nik Morton, 2014