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Showing posts with label cyber. Show all posts
Showing posts with label cyber. Show all posts

Monday, 28 January 2019

Book review - Web of Sand (Dumarest 20)


Twentieth in E.C. Tubb’s long-running Dumarest Saga, Web of Sand (1979)  is as entertaining as all the preceding adventures.

Some background:
The Dumarest novels are set in a far future galactic culture that spread to many worlds. Earl Dumarest was born on Earth, but had stowed away on a spaceship when he was a young boy and was caught. Although a stowaway discovered on a spaceship was typically ejected to space, the captain took pity on the boy and allowed him to work his passage and travel on the ship. By the time of the first volume, The Winds of Gath, Dumarest has travelled so long and so far that he does not know how to return to his home planet. Perplexingly, no-one has ever heard of it, other than as a myth or a legend. It’s clear to him that someone or something has deliberately concealed Earth's location. The Cyclan, an organization of humans (cybers who are surgically altered to be emotionless, and on occasion they can link with the brains of previously living Cyclans, in the manner of a hive mind process, seem determined to stop him from locating Earth. The cybers can call on the ability to calculate the outcome of an event and accurately predict results.

An additional incentive for the Cyclan to capture Dumarest is that he possesses a potent scientific discovery, stolen from them and passed to him by a dying thief, which would inordinately amplify their already considerable power and enable them to dominate the human species. Also appearing in the books is the humanitarian Church of Universal Brotherhood, whose monks roam many worlds, notably every world where there is war.

Long before the Borg of Star Trek, the Cyclan was assimilating humans, absorbing them into the collective consciousness.
***

Dumarest is onboard the spaceship Urusha with an assortment of passengers, among them Marta Caine who possesses a rare singing jewel. [I do wonder if this was Tubb’s nod to then popular singer Marti Caine, who died from cancer aged 50 in 1995.]

The passengers are abandoned on the planet Harge, a sandy planet owned by the Cinque, five families, namely The Ambalo, Yagnik, Khalil, Barrocca and Tinyeh responsible for the water, food, power, accommodation and transport. ‘On Harge you lived by their sufferance or you didn’t live at all’. (p12) People who fall into debt have to work off that debt for the families – or they are placed outside the secure dome of the city, where the sand will swiftly strip the flesh from their bones… Beautiful Ellain’s debt has been purchased by Yunus Ambalo and he treats her as one of her many prized possessions.

It was obvious to Dumarest that he and the others had been abandoned by Urusha’s captain on the instruction of the Cyclan. Their only hope was to amass enough money to purchase a ship off this planet. That entailed Dumarest fighting in the arena while his fellow abandoned friends took bets.  The opponent in the arena happens to be a repellent scaly sandworm! His appearance in the arena gets the attention of Ellain…

Afterwards, they become secret lovers and plot to escape the planet together. But that entails amassing more funds for transport. Intrigue, politics and betrayal are never far away, even at a fashionable party Dumarest attended with Ellain. Here, he tries the canapes: ‘Dumarest… selected a harmless seeming cone topped with a violet crystal, bit into it and tasted vileness.’ (p72) An offered ‘triangle coated with sparkling dust’ removed the bad taste. This, long before those sweets in Harry Potter saw the light of day!

The host at the party is Alejandro Jwani, who is a hunter of tranneks – stones deposited by the sandworms – which are ‘the hardest things known. Harder by far than diamond… and extremely valuable.’ (p82)

Also at the party is Marta Caine with her singing jewel. It’s clear that the jewel actually saps her life force in order to ‘perform’. A tragic scene, this.

Dumarest sets out with his friends to hunt for the tranneks, to sell them to Jwani. He employs a local guide, Zarl Hine to take him and his friends to the hills outside the city. They’re wearing protective suits that should survive normal sandy winds; they had no chance in a sandstorm, however.

During their absence from the city, Cyber Tosya lands on the planet and is welcomed by Yunus…

So Dumarest and his friends must confront the sandworms, a sandstorm, locate and collect tranneks and return to the city in one piece. No easy task – and there will be deaths…

The personal conflict between Yunus and Ellain, the tragedy of Marta Caine, the friendship between Dumarest and the others are the emotional core of the book. Not one of the Saga books is all-action, though the pace is quick thanks to Tubb’s slick style. Here, Dumarest is painfully reminded of his lost love, Kalin (from book #4 in the series). Yes, we know that Dumarest will survive – it’s a given in any series, the main protagonist will overcome all obstacles. He does change and grow as the books progress. But we don’t know who else will make it to the end of the book, and that creates suspense. 

This is the last book in my Dumarest collection; I’ll have to either locate #21 and the rest as second-hand paperbacks or purchase them as e-books to continue with the saga (the latter are published in the SF Gateway collection, presumably from Gollancz).

Of great interest is the Introduction by Tubb and a postscript by Philip Harbottle to be found in the front of The Return: Dumarest Saga #32 see here.
 
Editorial comment:
The editor should have spotted the transposition of letters for the character Jwani; there’s one instance of it being spelled Jwain (p73).

In Incident on Ath, Tubb used the name Hine for a cyber. In this book, he uses the name Hine for a prospecting guide (p91). This kind of thing is bound to be a problem with a lengthy series, the repeated use of a name. I’ve found the same concern when writing my Leon Cazador stories; I use a spreadsheet to keep track of all the names I’ve used!



Saturday, 26 January 2019

Book review - The Quillian Sector (Dumarest 19)


The Quillian Sector (1978) is nineteenth in the long-running science fiction series, the Dumarest saga by E.C. Tubb.

Some background:
The Dumarest novels are set in a far future galactic culture that spread to many worlds. Earl Dumarest was born on Earth, but had stowed away on a spaceship when he was a young boy and was caught. Although a stowaway discovered on a spaceship was typically ejected to space, the captain took pity on the boy and allowed him to work his passage and travel on the ship. By the time of the first volume, The Winds of Gath, Dumarest has travelled so long and so far that he does not know how to return to his home planet. Perplexingly, no-one has ever heard of it, other than as a myth or a legend. It’s clear to him that someone or something has deliberately concealed Earth's location. The Cyclan, an organization of humans (cybers who are surgically altered to be emotionless, and on occasion they can link with the brains of previously living Cyclans, in the manner of a hive mind process, seem determined to stop him from locating Earth. The cybers can call on the ability to calculate the outcome of an event and accurately predict results.

An additional incentive for the Cyclan to capture Dumarest is that he possesses a potent scientific discovery, stolen from them and passed to him by a dying thief, which would inordinately amplify their already considerable power and enable them to dominate the human species. Also appearing in the books is the humanitarian Church of Universal Brotherhood, whose monks roam many worlds, notably every world where there is war.

Long before the Borg of Star Trek, the Cyclan was assimilating humans, absorbing them into the collective consciousness.
***

The Cyclan know that their prey Earl Dumarest is among the worlds of the Rift and Cyber Caradoc is assigned to find him. And to aid him he has employed the greatest hunter of a hundred worlds, Bochner, who is not deficient in vaunting hubris. They make uneasy travelling companions. The cyber without emotion and the hunter who thrives on the thrill of ‘waiting for the quarry to appear, to aim, to select the target, to fire, to know the heady exultation of one who has dispensed death.’ (p14)

Finally they enter the Quillian Sector, ‘The place where space goes mad. Where the suns fight and fill the universe with crazed patterns of energy so that men kill at a glance and women scream at imagined terrors…’ (p17) Navigating through this mad sector is the spaceship Entil, and Dumarest is a crew member.

The Cyber is on their trail, but the strangeness of the sector hampers their tracking ability…

At the Entil’s last stop they picked up passengers and dropped off others, and Bochner came aboard as a passenger; bear in mind, the Cyclan want Dumarest alive.

Soon, on the Entil there is jealousy (concerning the charms of the female engineer Dilys) and sabotage. ‘Once the shimmering haze of the Erhaft field was down the ship dropped to below light speed, to drift in the immensity between the stars, to be vulnerable to any wandering scrap of debris which might cross their path – motes which could penetrate the hull and larger fragments which would vent their kinetic energy in a fury which would turn metal into vapour…’

The ship crash-lands and the survivors, including Dilys, Bochner and Dumarest must face nightmare creatures and privation – and a confrontation with Cyber Caradoc.

The pace never lets up. This is yet another fascinating and inventive adventure.

True, Tubb sticks to a tried and tested – and clearly popular – formula, with Dumarest constantly moving between planets and civilisations, encountering women who find him attractive, fights monsters and villains, often in arena scenarios, and by luck and guile evades the clutches of the Cyclan cybers. In its day, in the 1970s, if the special effects had been up to it, the Dumarest Saga would have made great television.

Editorial comment:
The editor missed the transposition of the spaceship name from Entil to Eltin! (p34)

Friday, 25 January 2019

Book review - Incident on Ath (Dumarest 18)


E.C. Tubb’s eighteenth book in the Earl Dumarest galaxy-spanning saga is Incident on Ath.

But first, some background:
The Dumarest novels are set in a far future galactic culture that spread to many worlds. Earl Dumarest was born on Earth, but had stowed away on a spaceship when he was a young boy and was caught. Although a stowaway discovered on a spaceship was typically ejected to space, the captain took pity on the boy and allowed him to work his passage and travel on the ship. By the time of the first volume, The Winds of Gath, Dumarest has travelled so long and so far that he does not know how to return to his home planet. Perplexingly, no-one has ever heard of it, other than as a myth or a legend. It’s clear to him that someone or something has deliberately concealed Earth’s location. The Cyclan, an organization of humans (cybers who are surgically altered to be emotionless, and on occasion they can link with the brains of previously living Cyclans, in the manner of a hive mind process, seem determined to stop him from locating Earth. The cybers can call on the ability to calculate the outcome of an event and accurately predict results.

An additional incentive for the Cyclan to capture Dumarest is that he possesses a potent scientific discovery, stolen from them and passed to him by a dying thief, which would inordinately amplify their already considerable power and enable them to dominate the human species. Also appearing in the books is the humanitarian Church of Universal Brotherhood, whose monks roam many worlds, notably every world where there is war.
***

Incident on Ath (1978) is a self-contained adventure; it begins on the planet Ath, with a gifted artist, Cornelius, and his sensual sponsor Ursula; he craves perfection in his art and she is prone to taking a drug that offers her temporary oblivion.

On the planet Juba Dumarest rescues a woman, Sardia, from attack. She is a retired ballet dancer, now dealing in artwork and artefacts. She is grateful and takes him back to her apartment. ‘Asleep she was more beautiful than awake, small tensions eased, muscles relaxed, the hand of time lifted from brow and cheek and the corners of the eyes. The mane of her loosened hair lay like a serpent over the pillow… In her throat, beneath the rich olive of her skin, a small pulse beat like a tiny drum.’ (p35) Here, in the apartment, among her collection he spots an intriguing painting – a scene depicting a familiar sight. ‘The moon he had seen when a child on earth’ (p26). Dumarest learns that the painting comes from Ath.

Also on Juba is a Cyber Hine; at puberty he was operated on: an adjustment to the cortex which took from him the ability to feel emotion… Yet Dumarest cleverly evades the cyber with Sardia’s help.

He and Sardia arrive on Ath to find there are no taverns, no hotels. To obtain accommodation you have to be a guest. Guests are bid for by the populace. They have little choice but to go along with the local custom. Dumarest becomes the guest of the woman Ursula – who reveals that she knows of earth! Sardia is the guest of Cornelius… 

Cornelius tells Sardia about the creative impulse, applicable to writers as much as artists: ‘You get an idea, a concept, and you work on it until, within your mind, it is there in its final accomplishment. A work complete in every detail. Then comes the need to communicate and so the necessity of taking that image from the mind and setting it down on canvas…’ (p86) ‘A determination to pursue the demon which plagued him; the creative madness which cursed all true artists. A thing they carried as a burden and a dread, hating it, fearing it, owned by it and totally possessed by it.’ (p88).

As a dancer, Sardia empathises. ‘No dance could be given a personal interpretation without confronting the same devils which tormented every creative artist. The compromise. The limitation of the medium involved. The hopes and aspirations and, always, the sickening knowledge of failure.’ (p86)

Dumarest saw the parallels between Cornelius and himself. ‘Yet the quest was a search and both men sought, in their own way, to find the same thing. The truth… A painting finished – a world found.’ (p89)

As always, Tubb was inventive – ‘The cube itself provided the music…’ (p103) – this written long before the devices we now have in the twenty-first century.  

There are two cultures on Ath – ‘the Choud make the decisions and the Ohrm obey. Anything else is unthinkable.’ (p141) Only there are factions who are intent on overthrowing the Choud, though those in power seem incapable of conceiving any kind of rebellion… Arrogant, uncaring, incapable of listening, the Choud are in for a surprise – as will be the reader when the devastating truth is revealed.

A fast-paced moral tale about the over-reliance on computer systems with plenty of insights into the human condition.

Note:
A pity the blurb writer didn’t read the text more closely. The back cover states ‘His rail led to Ath – and to the ominous forces of the Cylan’ when it should be Cyclan! Oh, well…

Editorial comment
In the text we have: ‘… the forearm pressed against her windpipe as the snort of the laser he held pressed against her temple.’ (p174) Of course this should be ‘snout’ not ‘snort’ and there are ways to avoid repeating ‘pressed against’…