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Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Thursday, 2 October 2014

Writing – Market – Lamplight

If you write horror, noir or dark fantasy fiction, then this quarterly literary magazine might be worth consideration. Lamplight is published in print and e-book formats. They do not accept stories with the following: vampires, zombies, werewolves, serial killers, hitmen, excessive gore or sex.

At the end of the year all the quarterlies are bound together in an annual collection. Volume 1 collection, for example, is a 450-page paperback!
 
 

They’re asking for non-exclusive, worldwide, serial rights to your work for both electronic and print. As they say, “We want to publish it, we don’t want to own it.”

Payment is a flat fee rather than a by word system. For short stories - $150 per story (2,000-7,000 words). For flash fiction - $50 (1,000 words or less). If your story’s in-between, they say to “send it over and we can talk”.

They will take reprints, provided you have the rights they’re asking for.

Simultaneous submissions are okay; just let them know if it gets accepted elsewhere.

Multiple submissions will not be accepted.

Please wait for 90 days before you query.

Submission time

“As Lamplight is a quarterly, there are some reading dates associated with it. While we take submissions year round, there are cut off dates for the individual issues. The cut off dates for each of the issues are listed below.

Spring – 15 January
Summer – 15 April
Fall – 15 July
Winter – 15 October” – So, you have a few days to hit this deadline!

Where to Submit

Submit on their website. They accept most file types as well. Please use manuscript format for your story (although headers and footers are not needed).

Website:

Friday, 19 September 2014

FFB - Expressway

Elleston Trevor (1920-1995) wrote Expressway as Howard North (1973). This version was released under his own name, 1975 (he changed his name from Trevor Dudley-Smith); he was British, lived in France and Spain and finally settled in Arizona. 

Trevor used quite a variety of pennames – see this site for a listing - http://bookitinc.com/checklists/EllestonTrevor.shtml - such as Adam Hall, Simon Rattray, Roger Fitzalan, Mansell Black, Trevor Burgess, Warwick Scott, Caesar Smith and Lesley Stone.

 
Expressway is a documentary novel in the same vein as Arthur Hailey’s Airport and Hotel, as the cover of my version says. Mainly omniscient in point of view, it still works in a strong cinematic sense. The story is about the holiday weekend of 3-5 July on and around the New York - New Jersey Parkway, early 1970s.

It’s about those who drive and ride in vehicles and it’s also about the cars themselves. In the pearl-finish Cougar, Walt and Carol Amberton can’t talk about the alcohol that’s destroying them. In the black Cadillac, the sinister Mr Solo is ‘cruising, searching, waiting to see at first-hand a fatal accident’. In the Buick Riviera, Dr Brett Hagen is trying to find his teenage daughter, Tracy, and her companion, a man old enough to be her father. In the Chrysler Newport, Rod Gould and Nat Renatus ‘start the weekend with murder and bring death along with them.’ Then there’s the married couple, Floyd and Sue, expecting their first baby any week now; and Erica, running away from her husband Craig, and highway cop Lieutenant Frank Ingram and his paramedic wife Debby, whose lives are not improved by the officious unhelpful interference of Captain Darrow… Suspense, tension and action in a jam-packed holiday weekend.

Figures are now out of date, naturally, but the carnage is still shocking. ‘… on the Fourth of July holiday last year the national figures for death on the road reached a new peak at 917, while more than 36,000 persons were injured…’ It begins with an overview of the area and homes in on Patrolman Nolan who is due to complete his shift – until he stumbles upon a couple of drug-dealers (Rod and Nat) and he’s killed by Nat; Rod is wounded by Nolan. A neat little framing device is the young boy Jimmy, who is a car-spotter, munching on an apple.

Trevor has a good eye for detail. And in certain scenes we can discern the fast pace of his alter ego Adam Hall (Quiller books), viz: ‘Only when something goes wrong are you brought to realize how fast you are moving at a mile per minute but there’s no time to think about what you are learning too quickly and too late, because there’s a rocking motion and the scene dips as the brakes bite and then the world goes wild and great forces rise to hurl you bodily through tumult and you know that this is not you any longer, the you to whom nothing could happen, nothing terrible, nothing so unimaginably terrible as this.’ Breathless, yet powerful and so indelibly true.

Jimmy’s apple is one subtle leitmotif; another is the Venus 1000 car – advertised ‘as lithe, compliant, trembling under your touch’. Walt is the salesman who thought up that sexist spiel, before he succumbed to liquor. And another is the moths in the night air… when, a page later, after Carol worries about her alcoholic husband Walt: ‘For some reason they always go faster the nearer they go to the flame, spinning faster and faster till they touch; but what about self-preservation, aren’t all living creatures supposed to know when they’re in danger? Can’t they feel the heat growing as they circle closer? Surely they do. Then why can’t they stop?’ And of course her allusion relates to Walt’s alcoholic descent, not the moths. Later, she’s in the car knowing Walt has imbibed and ‘can only sit here feeling the refined brand of fear that is experienced by the trapped animal.’ This is an excellent devastating exposal of alcoholism, right up there with Malcolm Lowry’s Under the Volcano.

Cop-killer Nat got a piece of grit in his eye and it troubled him. This symbolizes the irritation of guilt and fear. A little later, ‘Rod watched his friend, his thin and dangerous friend, whose nerve had gone because he’d done it before but never to a city cop. Nat was finished. He’d never get his style back, even if he beat this rap and set up somewhere safe, because the Nolan killing had changed everything and a bit of it had spun off and got inside Nat, just like Nolan’s bullet had got inside Rod himself.

‘ “It’s out,” Nat said, “I got it out.” [Referring to the grit].

‘No, Rod thought, you never will.’

Although I enjoyed Arthur Hailey’s books Hotel, Wheels, Airport and Overload etc, I find it baffling that they are still in print while this fine writer’s Expressway isn’t.
 
[If you're interested in the insight into a writer, you might try a memoire about Elleston Trevor by his wife, Bury Him Among Kings. Intimate Glimpses into the Life and Work of Elleston Trevor by Chaille Trevor (2012). It's a worthwhile e-book.]

 

 

Wednesday, 17 September 2014

Writing - Shadows over Lornwater-01


SHADOWS OVER LORNWATER

 
Morton Faulkner

 This is a 9,000 word short story about Lornwater, the major city in Wings of the Overlord. It is a stand-alone tale, but it does foreshadow events in that book and its sequel (in progress), To Be King.
 
 
Lornwater, 2050AC*

*[see brief glossary at end]

 

I

 

Be wary, they have a life of their own,

Roaming across ceilings in moonlight,

Fleeing or slinking away in day-bright.

Yet, they hold feelings like me and you.

- A Life of Their Own, from The Collected Works of Nasalmn Feider (1216-1257)

 

***

First Sidinma of Juvous


In striking contrast to the brownish spot on her forehead above her nose, Sister Illasa’s complexion held a bluish tinge, despite the flickering torches in the shadowy stone-walled basement room.  Deep green silk covered her thickset body, wrapped about her waist and draped over one shoulder. Her bosom heaved as she spoke, her voice demanding and yet sultry. “O, Tanemag, strong king of the Dunsaron, heed me in my conjuration!”

            Her right hand comprised six fingers and held a bowl of dark water, which she moving in a circle over a crackling brazier. Her close-set olive green eyes flashed, almost luminous in this light. “Mussor, master of water, fashion me my melog!” She blew on the flames, purred, “Wrest from those I name the life-force that will drive melog, by ear and eye and nose and ear, animate my shadow assassin from out of darkness!”

            With her free hand she pulled at her stringy black hair that was streaked with grey and blue. She yelped involuntarily and her fingers gripped a bunch of hair like twine, and then threw it on the flames, where it sizzled among the charred bones of sacrificed creatures.

            An abrupt draught wafted through the dark shadowy place, even though there were no open windows or doors. “Winds of Lamsor, breathe life into my melog. Dark Bridansor, fashion me my creature to do my earnest bidding! Let the named ones lose the use of their limbs and become mere puppets for my melog.”

            Exhaustion stretched her nerves taut, her breathing rasped in her throat. This must work; she knew she would not have the strength to repeat the spell. Lifting the bowl to her lips, she drank the entire contents, every last vile drop. Fleetingly, her stomach threatened to rebel, but she held it down and smiled. Her dry throat was cured; the corners of her mouth dribbled blackly as she reeled off names, her lips moist and slavering: “Pro-dem Hom, Den-orl Pin, Cor-aba Grie, Fet-usa Fin – you all are spawn of Saurosen and thus deserving of my creature’s dread ire!”
 
continued tomorrow, (a little longer excerpt)...

 
 
Glossary
 AC - Arisan Calendar. Recorded history began 0001AC. Originated and introduced during the fifth year of King Zal-aba Men’s reign. The Calendar was backdated to his first year on the throne. See below.
Bridansor – great-lord of Dark.
Brilansor – high-lord of Light.
Doltra Complex – Prestige building in Lornwater’s Second City, named after its architect.
 
Floreskand – Land contained between the manderon range of Tanalume Mountains, the Varteron Edge, the dunsaron range of Sonalume Mountains and the ranmeron Shomshurakand Barrier.
Gild – The vast majority of common people belong to some kind of gild, be it religious, merchant, or craft. Merchant gilds regulate trade monopoly. Gildsmen also take up vendettas on behalf of members’ families. The most infamous quasi-legal gild is the assassin’s gild.
 
Lamsor – black lesslord of winds.
 
Lornwater – also called the Three Cities, comprising The Old City, The Second City and The New City. Founded in 959AC.
 
Madurava – Compass. Florskandian compasses are enormous; there are no portable ones; they are kept in Madurava Houses, usually one per city. See diagram below.
 
Manderranmeron Fault – Geological fault running the length of Floreskand and containing the four fault volcanoes: Danumne, Astle, Altohey and Olarian.
 
Mussor – black lesslord of water.
 
Names – Surname is said first, then the chosen or personal name; thus Canishmel Bis refers to Bis (chosen) Canishmel (surname).
Orm – time measurement – 20 orms per day.
 
Paper – see reedpaper.
 
Parchment – common alternative to reedpaper.
 
Reedpaper – expensive paper, used exclusively by the affluent.
 
Shagunblend – combustible tar-like substance, a method of illumination.
 
Smalt – glass derived from the treatment of cobalt ore.
 
Storytellers – gild of tale tellers, graded in excellence by the pastel colours of their cloaks.
 
Tarakanda – the Ranmeron Empire.
 
Underpeople – people who are never seen or heard; feared, perhaps mythical, inhabitants of the waterlogged disused mines of Lornwater
 
Watchmen – city wall or palace wall sentries, wearing distinctive plaid cloaks; policemen.
 
The Arisan Calendar
There are 13 moons of 29-day periods in a year. Each moon is named after a constellation:
         1         Sekous;          Viratous;         3         Danduous;             4          Ramous; 
        5         Centirous;   6          Juvous;         7         Fornious;          8          Darous;
 9         Lamous;        10        Sortious;        11        Anticous;
 
       12        Petulous;        13        Airmous
Each moon is divided into quarters. There are 7 days and 7 nights in each quarter.
                                                   Days:                                       Nights:
                                                   Sabin                                       Sabinma

                                                   Dekin                                      Dekinma
                                                  
                                                   Sidin                                        Sidinma
 
                                                   Dloin                                       Dloinma
Sufin                                       Sufinma
                                                   Durin                                       Durinma
Sapin                                       Sapinma
These days are numbered One to Four, depending on which Quarter they are in; thus the 16th day of the 4th month in 1470 would be written thus: Third Dekin of Ramous, 1470AC.
 
 

 
http://www.knoxrobinsonpublishing.com/book/wings-of-the-overlord/



Tuesday, 16 September 2014

Writing - Never give up!

Fifty years ago, the saga began with an idea. It took a while but now, after many setbacks, it’s coming to fruition.

The saga has the over-arching title of The Chronicles of Floreskand, the first book of which Wings of the Overlord, was published this month, September, 2014.

In 1974 I was serving in the RN in Malta. My wife Jennifer and I joined a karate club – though it wasn’t karate, rather Chinese chu’an sho (Chanquanshu), or a form of kung fu. At the time, I was still trying to get a book published – I’d been close, but no cigar, no contract. I got to talking to one of the advanced martial artists, Gordon Faulkner, and also his wife Maria. They told me about his hobby, which was world-building, which he began in earnest some ten years earlier (1964). He read widely but was a fan of science fiction and fantasy. The world he’d already created – Floreskand - was considerable and impressive. He was serving in the RAF and hoped one day in the future to write stories about his fantasy land. Having heard some outlines, I was enthusiastic and suggested I could put the flesh on his bones. Unfortunately, by the time we arrived at this agreement, he was posted back to UK. We had to rely on snail mail in those days, and mainly hand-written letters and typewriters. The germ began in 1974 and gradually grew into a full-blown novel, Wings of the Overlord.

By then, I too had returned to the UK and was serving on a seagoing ship. It would be 1979 when the book was finished, as chapters were sent to-and-fro in the mail… More time passed very slowly as the sample chapters and a synopsis were sent to one publisher or an agent, then after rejection to another, and so on. As much as I loved the book, I couldn’t commit the time on the planned sequels until we had secured a contract for Wings.

Although I worked on other projects, I never gave up on Wings, revising and sending it out, again and again.

Gordon and I kept in touch intermittently, living at two ends of the country, when not being sent elsewhere by the services.

Over the intervening years we both kept busy. You can read much more about Gordon here

I had belief in Wings for a number of reasons. Not least, I lent a copy of the manuscript to a sub lieutenant on my ship, HMS Mermaid and he was so driven to finish it, he even took it on the bridge during his Officer of the Watch duty! If it could grab a reader that powerfully, surely there had to be something in it?

One 1980 rejection read, ‘To be honest, I liked it very much which is why I have hung on to it this long. I have tried to arouse interest in it from other editors but, when confronted with harsh facts like the cutting of 100 titles, the loss of 90 jobs, I’m afraid my enthusiasm has met with little effect…’

Another: ‘… short of cash as everybody else, and for this reason it is very difficult now to get a book as exceptional and hard to classify as yours into print…’

And, in 1981: ‘I’m afraid it is a near-miss. You’ve created a believable world and you write quite well. The detail and the scope are impressive… I found the use of invented terms like ‘varteron’ rather disconcerting…’

I even approached a TV network: ‘This manuscript contains some compelling sequences with striking imagery, but the story would be a very expensive proposition for TV, even without its special effects. At the same time I feel that it would be very demanding viewing for the average TV audience…’ Now, of course, the technology has caught up with the imagination of writers…

Gordon and I have had disappointments, notably when two small independent publishers accepted it and even got to the cover illustration stage both times, but then they went under financially. Another time, an agent enthused over it and that sank when he was sent to prison for misappropriating writers’ money…

Finally, I saw an article in the Writers’ News that mentioned a new publisher of historical and medieval fantasy, Knox Robinson. I followed the guidelines and Gordon and I were offered a contract for The Chronicles of Floreskand. The series stretches well beyond the initial plotted five books.

The moral of this is that writers should never give up. Though I appreciate that not every writer has fifty years left to wait for success!


 

Monday, 15 September 2014

Sonalumes, 2050 Arisan Calendar


This fantasy quest novel, Wings of the Overlord, has been a long time in coming to print - from original conception to now it has taken 50 years, in fact. Now, Knox Robinson has just published it and soon will be offering a free e-book short story ('Shadows over Lornwater') that lays some of the groundwork for this novel and its sequel, To Be King, which is in progress.

 

PROLOGUE

SONALUMES, 2050 AC

No one can ever truly know or understand these magnificent creatures  - how could they? For the Red Tellars are the Wings of the Overlord. - Dialogues of Meshanel

 


Snow-clad and ice-bound, the two peaks opposite rose in ragged splendour to pierce the egg-blue sky of dawn. Wisps of cloud gusted and swathed about the rock formations, occasionally obscuring the chasm far below. Scattered on narrow ledges and precipitous ridges, thousands of drab-clothed men stood or crouched, waiting.

   Wrapped in an inadequate fawn-fur cloak which freezing gusts of air threatened to whip from him, General Foo-sep braced himself and, his clean-shaven chin set with annoyance, looked down upon his suffering men. His gums ached dully with the insidious cold, yellow teeth chattering. In vain he rubbed fur-gloved hands together.

An entire toumen! Ten thousand men! And they were to take orders from an accursed civilian! He seethed, casting an embittered glare to his right, at a black-clad man of slight frame, parchment-coloured skin and ebony pebbles for eyes.

   The wind slapped at the mans fur cloak and whistled over the bare out-jutting rocks nearby.

   Wind-howl was deafening on the outcrop up here, yet only a step back into the shelter of the overhang no sound penetrated; and from here the entire range of the Sonalume Mountains seemed enveloped in this same eerie stillness.

   They will be along soon, said the civilian, visibly tensing as he leaned over the sloping ledge. His bear-hide boots crackled as he moved, shifting ice from the soles.

   Below a dizzying drop that had claimed too many men already the bottom indistinct in a slithering purple haze.

   Foo-sep discerned the tiny motes of black in the sky and, as the shapes approached, he was struck by their immense size. Framed by the two grey-blue peaks, the birds were coming; he had to admit, grudgingly, as predicted.

   Now! howled the civilian.

   Hoarfrost encrusted brows scowling, Foo-sep lifted his arm and signalled to his men on both sides of the wide, gaping chasm.

   Soundlessly, with military precision, the prepare signal was passed through the dispersed ranks.

   Foo-sep raised his eyeglass, careful lest he touched his skin with its icy rim.

   Stern-faced with the cold and, at last, a sense of purpose, his loyal soldiers were now unfurling nets and arranging stones for quick reloading of their sling-shots.

   Foo-sep slowly scanned across the striated rock face.

   Abruptly, the birds leapt into focus, their presence taking away his breath in cold wisps. Such an enormous wingspan! And red, O so red! He hesitated at the thought of the task ahead.

   His momentary indecision must have been communicated to the other, or perhaps the civilian possessed even more arcane powers than those with which he was credited; The King desires it, was all he said.

   Foo-sep nodded and moved the eyeglass across to the other rock face where the remaining soldiers were trying in vain to keep warm, quivers ready, bowstrings taut and poised.

   Now the birds were entering between the peaks.

   Foo-sep waved to a signaller who blew three great blasts on his horn. The sound echoed among the peaks.

   In a constant flurry, ice-coated nets looped out, a few attached to arrows, entwining many of the creatures wings. Some birds swooped beneath the heavy mesh then swerved, talons raking the men responsible. Others used their wings to sweep soldiers from the ledges as though dusting furniture. Stones hit a few on their bright red crests and they plummeted, stunned, to be caught by outstretched nets beneath; nets that were slowly filling up, straining at their supports.

   Watching through his eyeglass, Foo-sep was amazed at the weird silence of the birds: only their frenetically beating wings generated any sound; all other noise originated from his yelling and shrieking soldiers as they flung nets and stones or were dragged from precarious positions. He scowled as a group of fools forgot to keep clear of their own nets; entangled, they were wrenched to giddy, plunging deaths.

   Pacing from side to side, Foo-sep watched helplessly as his beloved toumen was decimated. And for what? A few hundred birds!

   His attention was diverted to an uncannily large specimen ensnared in nets, its feathers flying as it clawed at two soldiers on a ledge while they loosed sling-stones at the creature.

   Yet the missiles had no effect, and the massive curved beak snapped through the brittle mesh as though it was flimsy plains-grass.

   As the bird looped, Foo-sep noticed a distinctive marking none of the others seemed to possess a white patch on its throat.

   The civilian must have observed it also, because at that instant he gripped Foo-seps arm, lips visibly trembling, black pebble-eyes shining. Then, in desperation, the idiot shouted an order that made no sense at all: Let that one go!

   Numb with cold, bitterly aware of how many good men had suffered already at the talons of that gigantic bird, Foo-sep steeled himself against his better instinct and cupped gloved hands round his mouth.

   Let that one go! he called.

  And the words echoed, mocking: Let that one go!

*** 

The book is a collaborative effort, between Gordon Faulkner and me. We use the penname Morton Faulkner for this series. I would hope that readers will want to find out more – in particular why the civilian let that bird go. Indeed, you can download as a free sample the Prologue plus the first chapter from the Knox Robinson website - http://www.knoxrobinsonpublishing.com/book/wings-of-the-overlord/


 

Thursday, 4 September 2014

David St John Thomas – R.I.P.

The latest issue of the UK magazine Writers’ News has announced the death of David St John Thomas, a few weeks short of his 85th birthday.

He was the founder of Writers’ News and the publisher David & Charles.

Years ago, I’d been in touch by letter a couple of times and of course kept up to date with his regular monthly column in Writers’ News. He was a true professional, courteous and always helpful to aspiring writers, happy to pass on his considerable experience.

Writers’ News began life as one of his projects in retirement after he sold David & Charles. He set up the David St Thomas Charitable Trust which offers a wide range of prizes for writers.

In his penultimate article in the magazine (October 2014), he talks about his writing factual articles and regales us with his experience and his links with Southampton, from where he would board Cunard liners and give lectures. I specifically wrote ‘talk’ because that’s how he always came across in his DT Column – a chat between him and you, the reader.

He sold many a book during his lecture sessions – and he was indeed prolific. Perhaps a moral can be gleaned from the fact that he always seemed to carry a copy of his latest book – ‘the other day I made a sale on Bath station waiting for a train to Plymouth to an American who asked what I did, and said that they were avid book readers.’

He died quietly in his sleep on 18 August while on one of his P&O cruises.

I’m sure I won’t be alone in offering commiserations to his wife Sheila and his family, as his life touched so many writers.

The editor, Jonathan Telfer, will publish a full tribute in the next issue of Writing Magazine. (Writers' News is a separate magazine found inside this one.)
 
 
 

Monday, 1 September 2014

Writing - Market - On Spec

If you like writing speculative fiction, sci-fi or a variant, then this magazine might be worth considering.

 
Their next issue is themed for STEAMPUNK, CYBERPUNK, BIOPUNK. As their website states, these and many other types of ‘punk’ derivatives have become popular sub-genres of speculative fiction. What classifies them as ‘punk’ are a number of literary devices that include:
1) Setting: specific technologies associated with particular ‘ages’, ‘societies’ and/or time frames (both the past or future) – eg. the Victorian Age often defines Steampunk (but not always). Nanotech experiments of the future may define Biopunk, (but again, not always).
2) Tone: a sense of novelty, or being on the cutting edge of that particular technology, within its time frame.
3) Style: language and/or a narrative style specific to that particular technology, reflective of the time, and/or writers of that time.
4) Characterization: wide open. Characters can reflect their time and the concerns of their place in that time, or be transplants from another time and/or genre.


Sub-genres include, but aren’t limited to: Atompunk, Biopunk, Clockpunk, Cyberpunk, Decopunk, Dieselpunk, Dreampunk, Mythpunk, Nanopunk, Steampunk, Stonepunk, and others.

For further definitions, this Wikipedia link on ‘Cyberpunk Derivatives’ may prove helpful.

Their reading period is short – 1 September to 15 October. 

They have a style sheet format to follow, so stick to that. 

Payment is in Canadian dollars, viz:

Fiction (6000 words max.)
·         1000-2999 words: $125 plus 2 contributor’s copies plus a One year subscription
·         3000-4999 words: $175 plus 2 contributor’s copies plus a One year subscription
·         5000-6000 words: $200 plus 2 contributor’s copies plus a One year subscription

They also publish poetry.  Please check out their site for more information:

http://onspecmag.wordpress.com/