Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Stuart Beattie
Cinematography by: Ben Nott
Edited by: Marcus D'Arcy
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Directed by: Gregory Read
Cinematography by: Nigel Bluck
Edited by: Mark Warner