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The Hustle | ShotOnWhat?

Post-production Supervisor The Hustle (2019)

Directed by: Chris Addison

Cinematography by: Michael Coulter

Edited by: Anthony Boys

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens

Doctor Strange | ShotOnWhat?

Post-production Supervisor Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Post-production Supervisor: UK Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hobbit: The Battle of the Five Armies | ShotOnWhat?

Adr Coordinator: UK The Hobbit: The Battle of the Five Armies (2014)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Captain Phillips | ShotOnWhat?

Post-production Coordinator Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

The World's End | ShotOnWhat?

Post-production Coordinator The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Belle | ShotOnWhat?

Post-production Coordinator Belle (2013)

Directed by: Amma Asante

Cinematography by: Ben Smithard

Edited by: Victoria Boydell, Pia Di Ciaula

Cameras: Sony CineAlta F65 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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