Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Directed by: Lisa Azuelos
Cinematography by: Kieran McGuigan
Edited by: Myron Kerstein
Directed by: Karen Gaviola
Cinematography by: Paul Maibaum
Edited by: Etienne Des Lauriers
Directed by: Peter Weller
Cinematography by: Paul Maibaum
Edited by: Paul Fontaine
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Paris Barclay, Guy Ferland, Gwyneth Horder-Payton, Peter Weller, Billy Gierhart, Kurt Sutter, Stephen Kay, Adam Arkin, Terrence O'Hara, Paul Maibaum, Phil Abraham, Allen Coulter, Michael Dinner, Charles Haid, Tim Hunter, Seith Mann, Mario Van Peebles, Karen Gaviola, Charles Murray, Craig Yahata