Directed by: Alexander Payne
Cinematography by: Eigil Bryld
Edited by: Kevin Tent
Cameras: ARRI ALEXA Mini Camera
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Patricia Barnett
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Patricia Barnett
Directed by: Walt Becker
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Mark Cendrowski
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Patricia Barnett
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Gil Junger
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Ted Wass
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Mark Cendrowski
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: John Whitesell
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: James Widdoes
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: John Whitesell
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: James Widdoes
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Ted Wass
Cinematography by: Gary Baum
Edited by: Stephen Prime
Directed by: Peter Billingsley, Rob Schiller, James Widdoes, Phill Lewis, Ted Wass, Mark Cendrowski, John Whitesell, Gil Junger, Walt Becker, Paul Boese, Katy Garretson, Rob Long, Stephen Prime
Cameras: Sony CineAlta F23 Camera
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Tammis Chandler
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Michael Stern
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: James A. Contner
Cinematography by: Raymond Stella
Edited by: Michael Kewley
Directed by: James A. Contner
Edited by: Regis Kimble
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Michael Kewley
Directed by: David Solomon
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Michael Kewley
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: Michael Lange
Cinematography by: Raymond Stella
Edited by: Skip Macdonald
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: Regis Kimble
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: Michael Lange
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: Nick Marck
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: David Solomon
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: Tucker Gates
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Directed by: David Grossman
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: David Solomon
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: Michael Lange
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: David Semel
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Directed by: James A. Contner
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Directed by: Jeff Melman
Cinematography by: Joe Pennella
Edited by: Dennis C. Vejar
Directed by: Jack Sholder
Cinematography by: Anghel Decca
Edited by: Michael N. Knue