Louie DeMarco

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First Assistant Camera: Second Unit Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

First Assistant Camera Second Unit The Fate of the Furious (2017)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

First Assistant Camera: Second Unit Ride Along 2 (2016)

Motion Picture

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: The Winter Soldier | ShotOnWhat?

First Assistant Camera: Second Unit Captain America: The Winter Soldier (2014)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

First Assistant Camera: "b" Camera Enough Said (2013)

Motion Picture

Directed by: Nicole Holofcener

Cinematography by: Xavier Grobet

Edited by: Robert Frazen

Cameras: ARRI ALEXA Studio Camera

Lenses: Leitz Summilux-C Series Lenses

First Assistant Camera: "b" Camera Lone Survivor (2013)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

First Assistant Camera A Camera Second Unit / First Assistant: Second Unit Abraham Lincoln: Vampire Hunter (2012)

Motion Picture

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

First Assistant Camera: "d" Camera, Second Unit, Manila The Bourne Legacy (2012)

Motion Picture

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

First Assistant Camera: "b" Camera Jack Reacher (2012)

Motion Picture

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

First Assistant Camera: "b" Camera, Second Unit Battleship (2012)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

First Assistant Camera: Second Unit Cowboys & Aliens (2011)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

First Assistant Camera: Splinter Unit Fast Five (2011)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

First Assistant Camera: "b" Camera, Second Unit X: First Class (2011)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain America: The First Avenger | ShotOnWhat?

First Assistant Camera: "b" Camera, Los Angeles Captain America: The First Avenger (2011)

Motion Picture

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

First Assistant Camera: "b" Camera Bad Teacher (2011)

Motion Picture

Directed by: Jake Kasdan

Cinematography by: Alar Kivilo

Edited by: Tara Timpone

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

"Modern Family" My Funky Valentine | ShotOnWhat?

First Assistant Camera 'Modern Family' My Funky Valentine (2010)

Television Episode

Directed by: Michael Spiller

Cinematography by: James R. Bagdonas

Edited by: Jonathan Schwartz

"Modern Family" Moon Landing | ShotOnWhat?

First Assistant Camera 'Modern Family' Moon Landing (2010)

Television Episode

Directed by: Jason Winer

Cinematography by: James R. Bagdonas

Edited by: Ryan Case

"Modern Family" Fifteen Percent | ShotOnWhat?

First Assistant Camera 'Modern Family' Fifteen Percent (2010)

Television Episode

Directed by: Jason Winer

Cinematography by: James R. Bagdonas

Edited by: Jonathan Schwartz

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

First Assistant: Second Unit Percy Jackson & the Olympians: The Lightning Thief (2010)

Motion Picture

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

First Assistant Camera: Second Unit Iron Man 2 (2010)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

First Assistant Camera - 3 Episodes, 2010 Modern Family (2009)

Television Series

Cinematography by: James R. Bagdonas, Hugo Cortina, Brandon Mastrippolito, David Hennings

Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

First Assistant Camera: Second Unit G.I. Joe: The Rise of Cobra (2009)

Motion Picture

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

First Assistant Camera: "b" Camera, Second Unit Iron Man (2008)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

First Assistant Camera: Action Unit The Mummy: Tomb of the Dragon Emperor (2008)

Motion Picture

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

First Assistant Camera: Second Unit Hancock (2008)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

First Assistant Camera: Second Unit Spider-Man 3 (2007)

Motion Picture

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

First Assistant Camera: Second Unit Disturbia (2007)

Motion Picture

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

First Assistant Camera: Second Unit Live Free or Die Hard (2007)

Motion Picture

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Additional First Assistant Camera: Second Unit The Kingdom (2007)

Motion Picture

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

First Assistant Camera: Second Unit Charlotte's Web (2006)

Motion Picture

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

First Assistant Camera: "b" Camera You, Me and Dupree (2006)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

First Assistant Camera: Second Unit Sky High (2005)

Motion Picture

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

First Assistant Camera: Water Unit Lords of Dogtown (2005)

Motion Picture

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

First Assistant Camera: Second Unit National Treasure (2004)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

First Assistant Camera: "c" Camera, Second Unit Spider-Man 2 (2004)

Motion Picture

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

First Assistant Camera: "b" Camera Eulogy (2004)

Motion Picture

Directed by: Michael Clancy

Cinematography by: Michael Chapman

Edited by: Richard Halsey, Ryan Kushner

Charlie's Angels: Full Throttle | ShotOnWhat?

First Assistant Camera: "c" Camera, Second Unit Charlie's Angels: Full Throttle (2003)

Motion Picture

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

First Assistant Camera Terminator 3: Rise of the Machines (2003)

Motion Picture

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Second Assistant Camera Osmosis Jones (2001)

Motion Picture

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

First Assistant Camera: "c" Camera, Second Unit The Last Castle (2001)

Motion Picture

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Second Assistant Camera: "a" Camera, Second Unit Planet of the Apes (2001)

Motion Picture

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Second Assistant Camera: Second Unit Me, Myself & Irene (2000)

Motion Picture

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Second Assistant Camera: Second Unit Charlie's Angels (2000)

Motion Picture

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Second Assistant Camera Senseless (1998)

Motion Picture

Directed by: Penelope Spheeris

Cinematography by: Daryn Okada

Edited by: Ross Albert

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