Directed by: Ben Hughes
Cinematography by: Ben Hughes
Cameras: Panasonic Lumix DMC-GH4 Camera
Editing System: Adobe Premiere Editing System
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Cinematography by: Trent Opaloch
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Edited by: David Crabtree
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Directed by: Kevin Tancharoen
Cinematography by: Feliks Parnell
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Directed by: David Solomon
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Directed by: Garry A. Brown
Cinematography by: Feliks Parnell
Edited by: David Crabtree
Directed by: Karen Gaviola
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Directed by: Kevin Tancharoen
Cinematography by: Feliks Parnell
Directed by: Bobby Roth
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Directed by: Kevin Hooks
Cinematography by: Feliks Parnell
Edited by: Joshua Charson
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Directed by: Vincent Misiano
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Directed by: Milan Cheylov
Edited by: Conrad Smart
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Directed by: Vincent Misiano
Directed by: Bobby Roth
Directed by: John Terlesky
Directed by: Bobby Roth
Directed by: Paul A. Edwards
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Directed by: Kenneth Fink
Directed by: Kevin Hooks
Directed by: Bobby Roth
Cinematography by: Feliks Parnell
Directed by: Vincent Misiano
Directed by: Billy Gierhart
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Conrad Smart
Directed by: David Straiton
Cinematography by: Feliks Parnell
Edited by: David Crabtree
Directed by: Vincent Misiano
Cinematography by: Feliks Parnell
Edited by: Joshua Charson
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: David Crabtree
Directed by: Kevin Tancharoen
Cinematography by: Feliks Parnell
Edited by: David Crabtree
Directed by: Holly Dale
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Directed by: Ron Underwood
Edited by: Eric Litman
Directed by: Vincent Misiano
Cinematography by: Feliks Parnell
Directed by: Milan Cheylov
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Directed by: Michael Zinberg
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Directed by: Vincent Misiano
Cinematography by: Feliks Parnell
Edited by: Joshua Charson
Directed by: Holly Dale
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Directed by: Billy Gierhart
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Directed by: Jonathan Frakes
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Directed by: Joss Whedon
Cinematography by: David Boyd
Directed by: David Straiton
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Directed by: Milan Cheylov
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Debby Germino
Directed by: Jesse Bochco
Cinematography by: Jeffrey C. Mygatt
Edited by: Paul Trejo
Directed by: Bobby Roth
Directed by: Kenton Bartlett
Cinematography by: Jonathan Arturo
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Directed by: Aaron Huggett
Cinematography by: Ryan Grams
Edited by: Ryan Grams
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: MacroTiger
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Directed by: Matt Cici
Cinematography by: Zachary Nelson
Edited by: Matt Cici
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Directed by: Christian T. Petersen
Cinematography by: Lee Sandberg
Edited by: Sam Heyn
Directed by: Chris Ordal
Cinematography by: Bruce Francis Cole
Edited by: Brad Roszell
Cameras: Red One Camera
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Directed by: Ali Selim
Cinematography by: David Tumblety
Edited by: James Stanger
Directed by: Blake Fitzpatrick
Cinematography by: Blake Fitzpatrick
Edited by: Blake Fitzpatrick
Directed by: Lance Laspina
Cinematography by: Devin Rice
Edited by: Lance Laspina
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
Directed by: Andrew Scheinman
Cinematography by: Donald E. Thorin
Edited by: Michael Jablow
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Michael Ruscio
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Edited by: Peter Zinner
Cameras: Panavision Panaflex Camera
Cinematography by: Ernest Laszlo
Edited by: Stuart Gilmore
Cameras: Todd-AO 65mm Camera