Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Directed by: Lawrence Kasdan
Cinematography by: Michael McDonough
Edited by: Carol Littleton
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Edited by: H. Lee Peterson
Cameras: VistaVision Cameras
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Directed by: Ivan Reitman
Cinematography by: Adam Greenberg
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Directed by: Tim Hunter
Cinematography by: Frederick Elmes
Edited by: Howard E. Smith
Directed by: Frank Marshall
Cinematography by: Peter James
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Directed by: Michael Bortman
Cinematography by: Tak Fujimoto
Edited by: Richard Francis-Bruce
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Directed by: Joel Schumacher
Cinematography by: Juan Ruiz Anchía
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Directed by: Steve Rash
Cinematography by: Amir Mokri
Edited by: Patrick Kennedy
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
Directed by: Joel Schumacher
Cinematography by: Ralf D. Bode
Edited by: Robert Brown
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Directed by: Alan Metter
Cinematography by: Donald McAlpine
Edited by: Alan Balsam
Cameras: Panavision Cameras
Directed by: Roger Donaldson
Cinematography by: Dean Semler
Edited by: Neil Travis
Cameras: Panavision Cameras
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Directed by: Michelle Manning
Cinematography by: Steven Poster
Edited by: Ross Albert
Directed by: Bill Duke
Cinematography by: Hal Trussell
Edited by: Jack Harnish
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Cameras: ARRIFLEX Camera
Directed by: Nicholas Meyer
Cinematography by: Ric Waite
Directed by: Sidney Poitier
Cinematography by: Matthew F. Leonetti
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Directed by: Richard Franklin
Cinematography by: Victor J. Kemper
Edited by: Andrew London
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Directed by: Jonathan Kaplan
Cinematography by: John Lindley
Edited by: Brent A. Schoenfeld
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
Directed by: Waris Hussein
Cinematography by: Dennis Dalzell
Edited by: Ronald J. Fagan