Directed by: David Michôd
Cinematography by: Adam Arkapaw
Edited by: Luke Doolan
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Lenses: Cooke S4 Lenses
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Directed by: Jez Butterworth
Cinematography by: Oliver Stapleton
Edited by: Christopher Tellefsen
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Directed by: Scott Hicks
Cinematography by: Geoffrey Simpson
Edited by: Pip Karmel
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: Richard Francis-Bruce